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Showing posts with label SPC. Show all posts
Showing posts with label SPC. Show all posts

Sydney Philharmonia Choirs' Grant Us Peace: Music of Vasks

Choral Singing / Chamber Music


SPC Chamber Singers and Sydney Philharmonia String Ensemble present: 

'Grant Us Peace: Music of Vasks'

Saturday 9 July | 2pm
St Andrew’s Cathedral

 

The past two years have taken their toll – suffering, grief, the isolation of lockdown, the anxiety of opening up.

Now, perhaps more than ever, we need the music of Pēteris Vasks, a composer who believes music shouldn’t “tell how awful things are, how bad the world is, how bad people are” but instead “how beautiful the world is, how beautiful people’s souls are”. Vasks’ music taps into our desire for beauty and for hope – even in its more anguished moments, it remains comforting, speaking to the soul with sounds more powerful than words.

In this concert we perform two musical prayers – the beautiful and moving Pater noster (Our Father) and an ecstatic cry for peace, Dona nobis pacem. These alternate with two Australian works: the optimism of Maria Lopes’ My Life Flows On and Stuart Greenbaum’s thought-provoking collaboration with poet Ross Baglin – juxtaposing a penthouse celebrity function with the burning of a museum in the streets below. And at the heart of the program is Vasks’ majestic setting of the mass – sometimes sombre, sometimes gentle, sometimes animated, as if sung by “happy little angels”.

If you love the music of Arvo Pärt or Henryk Gorecki, then you’ll recognise the spirit of “holy minimalism” in Vasks’ music. At the same time, his radiant style is completely his own – unapologetically tonal and drawing on the choral traditions of his Latvian culture.

Join the Chamber Singers in St Andrew’s Cathedral for two hours of sanctuary in a troubled world.

About the composer: Pēteris Vasks (born 16 April 1946) is a Latvian composer born in Aizpute, Latvia. He trained as a violinist, as a double-bass player with Vitautas Sereikaan, and played in several Latvian orchestras before entering the State Conservatory in Vilnius in the neighboring Lithuania to study composition with Valentin Utkin. He started to become known outside Latvia in the 1990s, when Gidon Kremer started championing his works and now is one of the most influential and praised European contemporary composers.

 

PROGRAM

Deborah CHEETHAM & Matthew DOYLE Tarimi Nulay – Long time living here*
Pēteris VASKS Pater noster (Our Father)
Maria LOPES My Life Flows On*
Stuart GREENBAUM The Night that the Museum Burned**
VASKS Dona nobis pacem (Grant us peace)
VASKS Missa (Mass)

* Commissioned for our 100 Minutes of New Australian Music project
**Premiere

This performance will run for approximately 1 hour and 40 minutes, including one 20-minute interval.

ARTISTS

Brett Weymark conductor
Chamber Singers
VOX
Sydney Philharmonia String Ensemble

 

TICKETS

Premium $70 (Limited number of seats)
General Admission $60
A booking fee of $8.50 per transaction applies.

BOOK TICKETS HERE

 

Reviews: 

⭐️⭐️⭐️⭐️ “The choir and orchestra were in magnificent form…” – Stephen Moffatt, Limelight Magazine. Accessed July 12, 2022. Grant Us Peace: Music of Vasks (Sydney Philharmonia Choirs). Accessed July 12, 2022.

“Let’s hope there is more of this to come from Brett Weymark and the Sydney Philharmonia Choirs…" – P. Neeson, Eastside 89.7 FM. Sydney Philharmonia Choirs at St. Andrews Cathedral: The Sydney Philharmoania Choirs performs the sacred music of Peteris Vasks. Reviewed by Paul Neeson. posted 10/07/2022. EastSide89.7 FM. Accessed July 11, 2022.

“Such a treat to hear great music in this stunning cathedral.” – Annabelle Drumm, Sydney Arts Guide. SYDNEY PHILHARMONIA CHOIRS : GRANT US PEACE : MUSIC OF VASKS. Accessed July 12, 2022.


Resources:

2022 Season Together Again. Sydney Philharmonia Choirs. Artistic & Music Director Brett Weymark, OAM

Grant Us Peace: Music of Vasks. Sydney Philharmonia Choirs.  (Available on access, 18 June 2022.) 

 
Pēteris Vasks. en.wikipedia.org/wiki/Pēteris_Vasks. Accessed June 18, 2022.

 

COVID-19 SAFETY

  • All SPC singers, musicians and staff are double vaccinated.
  • Audiences will be required to wear masks throughout the performance. If this changes we will inform patrons as soon as possible.
  • Hand sanitiser will be available.
  • A digital program book will be available on this page a week prior to the concert. A limited number of printed program books will be available for $5 each at the concert.

DETAILS ABOUT OUR COVID SAFE PLAN

 

(c) June 2022.  Tel. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' 2021 SING ON! A Choral Celebration

Choral Singing/

SING ON! A Choral Celebration

Date: Saturday 24 July 3pm (Due to Sydney lockdown resulting from COVID-19 Delta variant, this concert has been moved to 21 November 3pm, 2021.)
 
Venue: Sydney Town Hall
  

A concert like this only comes around every 100 years, or so. COVID-19 may have put paid to Sydney Philharmonia Choirs' centenary concert last year, but they're determined to present the amazing music planned so in 2021 – a long year later – they are thrilled to invite everyone their all-new, all-Australian choral extravaganza.

Sydney Philharmonia Choirs are proud that they can now present works that were commissioned as part of their 100 Minutes of New Australian Music centenary project, such as Indigenous composer James Henry’s hypnotic Murrgumurrgu.


Photo credit: Sydney Philharmonia Choirs

Elena Kats-Chernin’s Human Waves reflects the rich legacy of Australia’s migrant history. Elena said, “Brett Weymark had a vision for a large work to be centred around the tapestry of our mixed community: an exploration and celebration of Australia’s diversity and how the fusion of cultures and traditions has enriched our society and taught us tolerance, thoughtfulness and gratefulness. He came up with the title Human Waves which I loved from the beginning. It can mean so many things: a warm wave of welcome; the waves of the ocean – bringing so many migrants by boat; the waves people make when they change society.”

Daniel Walker’s Choral Crackers is a high-energy medley of the top-10 hallmark choral works that have featured in SPC's performances over the last 100 years – works such as Beethoven’s ‘Ode to Joy’, Mozart’s Requiem and Handel’s Zadok the Priest.

The journey from that first concert at Randwick Hospital on 9 September 1920 by the newly formed Hurlstone Park Choral Society – through wars, generations, seismic culture shifts and a global pandemic – has seen Sydney Philharmonia Choirs what it has become, Australia’s premier choral arts company. Celebrate with them at Sing On!

The program will run for approximately 1 hour and 55 minutes, including a 20-minute interval.

PROGRAM


Deborah CHEETHAM & Matthew DOYLE Tarimi Nulay – Long time living here†
Daniel BRINSMEAD Cantate Domino*†
Andrew ANDERSON Song in My Heart*†
Elena KATS-CHERNIN Human Waves*†
James HENRY Murrgumurrgu*†
Matthew ORLOVICH MMXX A Meditation on Auld Lang Syne*
Daniel WALKER Choral Crackers*

*Premiere
Commissioned as part of our 100 Minutes of New Australian Music centenary project in 2020. 

ARTISTS
Brett Weymark conductor
Elizabeth Scott conductor
Chamber Singers
Symphony Chorus
VOX

Elena Kats-Chernin piano
Sydney Youth Orchestra
Members of Sydney Philharmonia Orchestra

Tickets: Premium $109 | A $89 | B $69 | C $49. Concessions available.
A booking fee of $8.50 per transaction applies.

BOOK TICKETS HERE

 

Reviews:
 

Will be provided as available.


Related Link:

Sydney Philharmonia Choirs' 2021 SING ON! A Choral Celebration. Inspired Pen Web, Tel Asiado. June 11, 2021.

Resources:

Sing On! A Choral Celebration. Sydney Philharmonia Choirs Website. (Available on access, June 11, 2021.)

Sing On! A Choral Celebration. Sydney Opera House Website (Available on access, June 23, 2021)

Sydney Philharmonia Choirs Will Perform SING ON! A CHORAL CELEBRATION in July. By Stephi Wild, May 20, 2021. Broadway World. Accessed June 11, 2021.



COVID-19 SAFETY
  • Audiences will be required to QR code register upon entry to the Sydney Town Hall.
  • As a condition of the venue, audiences will be required to wear masks throughout the performance. If this changes we will inform patrons as soon as possible.
  • Hand sanitizer will be available.
  • We will publish a digital program book on our website a week prior to the concert. A limited number of printed program books will be available for $5 each at the concert.

DETAILS ABOUT COVID SAFE PLAN



(c) June 11, 2021. Updated June 23, 2021. Tel.  Inspired Pen Web.  All rights reserved.

Sydney Philharmonia Choirs' Carl Orff Carmina Burana (2021)

Choral Singing / Cantata

Carl Orff's Carmina Burana by the Sydney Philharmonia 

Symphony Chorus

Date: Saturday 22 May 2021 at 3pm
Venue: Centennial Hall, Sydney Town Hall
 
 
 “Huge applause filled the hall at the close of the performance with the beginnings of a standing ovation. We love our Philharmonia Choir and are so grateful to see them enjoying themselves and vibrating the walls and ceiling with their music. It was an outstanding performance by all.” 
Sydney Arts Guide

 

The 120 voices of our Symphony Chorus fill the Sydney Town Hall with Carl Orff’s kaleidoscopic Carmina Burana – one of the best-known choral extravaganzas of the 20th century. Based on a collection of medieval poems and profane songs, this thrilling work sings of the fickleness of fate and fortune, the circle of life and the earthy pleasures of wine, gambling and lust. The music drives through roaring rapids of primal ecstasy, dancing whirlpools and gentle pools of lullaby. Our performance will use the scintillating arrangement for two grand pianos and six percussion instruments made by Orff’s student Wilhelm Killmayer.

But before the singing to the Moon in the opening O Fortuna! the Symphony Chorus exalt the Sun as “both life-giver and dealer in death” in Peter Sculthorpe’s Sun Music for voices and percussion where he depicts “long, shimmering sonorous images” of his experiences of living in Australia. John Peterson’s The earth that fire touches captures in music the diverse Australian landscape – from dense, green forests to sparse, red deserts, with long single notes for the wide, open spaces, to celebratory dances of nature’s rebirth after fire.

PROGRAM

Deborah CHEETHAM & Matthew DOYLE Tarimi nulay – Long time living here†
Peter SCULTHORPE Sun Music – for voices and percussion
John PETERSON The earth that fire touches
Carl ORFF arr. Wilhelm KILLMAYER Carmina Burana arranged for voices, two pianos & percussion
† Commissioned as part of our 100 Minutes of New Australian Music centenary project in 2020.

 

 

                             

                             Photos credit: Sydney Philharmonia Choirs

 

Artists:

Brett Weymark conductor
Penelope Mills soprano
Andrew Goodwin* tenor
José Carbó baritone
Symphony Chorus

Claire Howard Race piano
Catherine Davis piano
Sydney Philharmonia Percussion Ensemble

*Kanen Breen replaces Andrew Goodwin who is not well enough to sing.  

Two sound worlds that span continents and centuries – vastly different but equally strange and familiar, intimate and remote, mysterious and wild.

The program will run for approximately 1 hour and 50 minutes, including a 20-minute interval.

BOOK TICKETS HERE


Carmina Burana, briefly: 

Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on poems from the medieval collection Carmina Burana. Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images").  

It is Latin for "Songs from Benediktbeuern" [Buria in Latin], a manuscript of poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. It was first performed by the Oper Frankfurt on 8 June 1937. It is part of Trionfi, a musical triptych that also includes Catulli Carmina and Trionfo di Afrodite. The first and last sections of the piece are called "Fortuna Imperatrix Mundi" ("Fortune, Empress of the World") and start with the very well known "O Fortuna" (Video credit, with lovely scenic paintings of JMW Turner: YouTube, uploaded by Beatriz. Accessed April 26, 2021.) 

Lyrics of Carmina Burana

By Carl Orff 

Lyrics
O FortunaVelut lunaStatu variabilis
 
Semper crescisAut decrescisVita detestabilis
 
Nunc obdurat
Et tunc curatLudo mentis aciem
 
EgestatemPotestatem
Dissolvit ut glaciem
 
Sors immanisEt inanisRota tu volubilis
 
Status malusVana salusSemper dissolubilis
 
Obumbrata
Et velataMichi quoque niteris
 
Nunc per ludumDorsum nudum
Fero tui sceleris
 
Sors salutisEt virtutisMichi nunc contraria
 
Est affectusEt defectusSemper in angaria
Hac in hora 
Sine moraCorde pulsum tangite
Quod per sortemSternit fortemMecum omnes plangite
 
Source: Musixmatch
Carmina Burana lyrics © Schott Music Gmbh & Co. Kg

 

Reviews:
 
Carmina Burana (Sydney Philharmonia Choirs). 4.5 Stars. Reviewed by Steve Moffatt, May 23, 2021. Limelight Magazine. Accessed May 23, 2021. 
 
Carmina Burana review: Enthusiasm for lament of fate and fortune. 4 Stars. Reviewed by Peter McCallum, Mary 24, 2021. The Sydney Morning Herald. Accessed May 24, 2021. 

Sydney Philharmonia Choirs: Carl Orff's 'Carmina Burana' @ Sydney Town Hall. Reviewed by Annabelle Drumm. May 23, 2021. Sydney Arts Guide. Accessed May 24, 2021.
 



Related Links:

Carl Orff. Inspired Pen Web, Tel Asiado. April 28, 2021.
Carmina Burana BBC Proms (1994). YouTube, uploaded by RSBM. April 28, 2021. 
Orff's Carmina Burana conducted by Zeiji Ozawa. Uploaded by Andre Luiz Bellafronte. Accessed May 22, 2021. 


Resources:

Carl Orff's Carmina Burana. Sydney Philharmonia Choirs.  (Available on access, April 26, 2021.) 

Carl Orff's Carmina Burana. Sydney.com. Accessed April 28, 2021.

Carmina Burana by Sydney Philharmonia Choirs. What's On City of Sydney. Accessed April 26, 2021.   

Carmina Burana by Orff. www.britannica.com

Carmina Burana (Orff). en.wikipedia.org

Choir’s bawdy recital ‘a bold statement to the world’. The Sydney Morning Herald. Written by Steve Meacham. Accessed May 18, 2021.



COVID-19 SAFETY
  • Audiences will be required to QR code register upon entry to the Sydney Town Hall.
  • As a condition of the venue, audiences will be required to wear masks throughout the performance. If this changes we will inform patrons as soon as possible.
  • Hand sanitizer will be available.
  • We will publish a digital program book on our website a week prior to the concert. A limited number of printed program books will be available for $5 each at the concert.

DETAILS ABOUT COVID SAFE PLAN



(c) April 26, 2021. Updated May 22, 2021. Tel.  Inspired Pen Web.  All rights reserved.

Sydney Philharmonia - Handel's Messiah Part the First

CHORAL MUSIC / Sydney Philharmonia Choirs


Sydney Philharmonia Choirs presents:

Handel's Messiah - Part the First
Saturday,  5 December 2000, 2PM and 5PM
St Andrew's Cathedral, Sydney

Handel's Messiah is a biennial fixture in the Sydney Philharmonia concert calendar. Last year 2019 marked  Sydney Philharmonia Choirs' final performance of Messiah in the Sydney Opera House Concert Hall as it closed for renovations. This immortal oratorio wasn’t due for another Sydney Philharmonia outing until 2021, but after a tough year due to Covid-19 SPC turns to the comfort of tradition and the joyous, uplifting power of Handel’s greatest oratorio.

 

Image Credit: Zhang Wenjie

Sydney Philharmonia's COVID-safe Messiah will look a little different for this special concert. The Symphony Chorus – normally a cast of hundreds – will number just 32 singers and they’ll be supported by a streamlined orchestra of strings with trumpets and drums. As it happens, this is nearly identical to the forces Handel used for the premiere in Dublin in 1742.

SPC won’t be suggesting the Ladies come without their hoops or the Gentlemen leave their swords at home in order to squeeze more people into St Andrew’s Cathedral. They're limiting capacity to 400 people, including performers, and asking everyone to keep at least one swords’ distance at all times.

Finally, in order to keep the concert to an hour, only Part 1 will be performed: The prophecy of Christ’s appearance on earth and the Nativity.

“What! No Hallelujah Chorus?” No fear, Sydney Philharmonia wouldn’t deprive us of a chance to stand up, although they are requesting the audience to refrain from singing along.

Don’t delay or you might be like the hundreds who were left milling around outside the Fishamble Street Musick Hall in 1742, hoping to get in…

A joy to hear the Phillies sing again. 🎶 

 

SPC Archival Programs from 1975 to 1979.  
Image Credit: Sydney Philharmonia Choirs

Program:

Saturday 5th December 2020, 2pm & 5pm
St Andrew’s Cathedral

GEORGE FRIDERIC HANDEL Messiah Part the First (Plus 'Hallelujah Chorus')

Brett Weymark conductor
Sydney Philharmonia Symphony Chorus
Sydney Philharmonia Orchestra

Penelope Mills Soprano
Russell Harcourt Countertenor
Richard Butler Tenor
Christopher Richardson Bass

 

Concert duration: 60 minutes, no interval

General Admission $50 + booking fee

IMPORTANT COVID-19 SAFETY INFORMATION

  • Audience members over the age of 12 are required to wear masks. This is a condition of entry.
  • We will be limiting the number of people in the Cathedral in accordance with current Public Health Orders and ensuring appropriate physical distancing at all times.
  • Hand sanitiser will be available.
  • To minimise unnecessary contact, we will be distributing a digital program book, available in advance.

CLICK HERE FOR DETAILS ABOUT COVID-19 SAFETY PLAN

Sydney Philharmonia Choirs (VOX) - CONSIDERING MATTHEW SHEPARD

Choral Music / Choral Singing 


Presented by Sydney Philharmonia Choirs and City Recital Hall.
Thursday 20 February, 7:30pm
City Recital Hall


Considering Matthew Shepard

In 1998 Matthew Shepard, a first-year college student in Wyoming, was kidnapped, beaten and left to die. This brutal anti-gay hate crime inspired anguish and outrage. Nearly 20 years later it inspired composer Craig Hella Johnson to contemplate suffering, death and the flame of love and led him on a challenging creative journey. “In composing Considering Matthew Shepard,” he says, “I wanted to create, within a musical framework, a space for reflection, consideration and unity around his life and legacy.”

The result is a fusion-oratorio, stylistically eclectic music that moves between Lutheran hymnody, chant, blues, cowboy songs and Broadway as it captures the fullness of Matthew’s life and the legacy of his death. In the background are the Passion settings of JS Bach – offering musical comfort as their listeners reflect on a story of intense suffering. And Considering Matthew Shepard begins with Bach: the serene sounds of the first prelude from the Well-Tempered Clavier (the music that underpins Gounod’s Ave Maria).




Considering Matthew Shepard will be performed by Sydney Philharmonia Choirs' young adult choir,  VOX – some of its members the same age as Matthew himself when he died – in a semi-staged presentation. Join the Sydney Philharmonia Choirs (VOX) at City Recital Hall for this musical memorial that reverberates with hope and serenity.


“…this modern-day Passion will move many listeners to tears even as it reaches beyond tragedy to peace, understanding and forgiveness.” -  The Chicago Tribune




PROGRAM
Craig Hella JOHNSON Considering Matthew Shepard


ARTISTS
Elizabeth Scott conductor
Shaun Rennie director
VOX with soloists from the choir
Sydney Philharmonia Ensemble



Photo Credit: 

Sydney Philharmonia Choirs: VOX.  Accessed February 1, 2020. 




Resources:

City Recital Hall. Considering Matthew Shepard. Accessed February 4, 2020. (Available at the time of posting.) 


Sydney Philharmonia Choirs. Considering Matthew Shepard. Accessed February 1, 2020.(Available at the time of posting.)



(c) February 1, 2020. Tel. Inspired Pen Web. All rights Reserved.

Sydney Philharmonia Choirs: Centenary Season in 2020

Choral Music / Choral Singing

Sydney Philharmonia Choirs is set to celebrate its Centenary in 2020 with a future-focused program, shining light on Australian composers, and on the organisation’s longstanding commitment to collaboration, community and connection.

At the heart of their Centenary celebrations is the commissioning of “100 Minutes of New Australian Music”, to be premiered as part of the Choirs’ 2020 Season.  Works from 12 Australian composers will make their debut as part of the initiative, including four on the international stage, as part of a European tour in October.

Comprising a variety of works created to varying length, scale and theme, the composite “100 Minutes of New Australian Music” will showcase a uniquely Australian contribution to the art form of choral music.


Sydney Philharmonia Choirs Centenary Season in 2020
 
Highlights will include a series of works by Indigenous Australian composers, offering both chorister and audience a distinctive performance experience; and a new major work from Brett Dean, to be premiered in partnership with leading orchestras across Europe.

From the most well-known to emerging composers, “100 Minutes of New Australian Music” embraces a diverse expertise, representative of the rich makeup of Australia’s music community: with pieces by Brett Dean, Elena Kats-Chernin, Deborah Cheetham, Joseph Twist, Brooke Shelley, James Henry, Nardi Simpson, Will Yaxley, Matthew Orlovich, Daniel Brinsmead, Maria Lopes, and Andrew Anderson.

At least one of the new compositions – ranging from pieces for small ensembles to those for large massed choirs, will be performed at each of the organisation’s concerts, rolling out throughout their anniversary year.


Whilst marking 100 years since 12 church choristers first met in 1920, forming the original “Hurlstone Park Choral Society”, Sydney Philharmonia Choirs will also pay tribute to the many collaborations and partnerships that have seen the organisation mature over the decades, informing their position as Australia’s leading choral organisation, recognised around the world for its contribution to Sydney’s vibrant artistic and cultural identity.

Long Sydney Philharmonia Choirs’ performance home, and a frequent programming partner, Sydney Opera House formally acknowledged their longstanding relationship with the Choirs in August 2019, by welcoming the organisation as a Resident Company. It is only fitting therefore that the Choirs’ 2020 Centenary Season begin here, with a free open-air performance, heralding the coming year with a nod to Australia’s premier city; and to past, present, and future possibilities.




On Sunday January 19, as the first rays of light break over Sydney, a Dawn Chorus will begin, comprising hundreds of singers from the Choirs’ 600 strong membership, gathered on the steps of Sydney Opera House, conducted by Artistic and Music Director, Brett Weymark. Markedly, the opening note of the year will go to the world premiere of a choral Acknowledgement of Country, Tarimi nulay - Long time living here (Gadigal language), composed by acclaimed Indigenous Australian soprano and composer, Deborah Cheetham: the first of the Choirs’ commissions to make its debut as part of “100 Minutes of New Australian Music”.

With eyes to the future, Sydney Philharmonia Choirs also embraces new relationships in 2020, and revitalises long-standing friendships with both the City Recital Hall and the Sydney Town Hall.
In February the Choirs will partner with City Recital Hall to present the Australian premiere of Craig Hella Johnson’s Grammy- nominated oratorio, Considering Matthew Shepard. Written in response to one of the worst anti-gay hate crimes in history, this moving work commemorates a young American college student who was kidnapped, beaten, tied to a fence and left to die, in Wyoming in October 1998.

In April the Choirs present the first of their large scale concerts for the year, in the stunning surrounds of Sydney Town Hall. A significant space, where so many of Sydney Philharmonia’s performances have occurred over its 100-year history, the Town Hall will host four of the organisation’s major 2020 presentations, beginning with their Easter Saturday concert, St John Passion Reimagined. 
 
The dramatic power of Bach’s St John Passion has transcended its church origins to speak a universal, musical message that combines storytelling and meditation. In this re-imagined performance two specially commissioned “reflections” by Australian composers, Joseph Twist and Brooke Shelley, are embedded in the narrative, commenting on questions posed by this great work, and providing musical and philosophical reflections for the modern era.

Come May and Sydney Philharmonia’s 400-voice Festival Chorus will fill the Town Hall with the exhilarating sounds of Mendelssohn’s choral masterpiece Elijah. Based on the Old Testament story, it’s a thrilling musical picture of “a grand and mighty prophet...borne on the wings of angels” and featuring Teddy Tahu Rhodes as Elijah. This is the first of the Choirs’ participatory events for the year, with rehearsals starting in February.

In June, Sydney Philharmonia Choirs present their showpiece Sydney concert for the year, A Centenary Celebration. An epic performance across three acts, this spectacular concert will celebrate 100 years of singing, and the ever-evolving cultural fabric of the city the Choirs call home.

A Centenary Celebration features a major new work from Elena Kats-Chernin; the Sydney premiere of a new work from Deborah Cheetham; new works from James Henry and Nardi Simpson; and a mash-up of the top ten choral masterpieces at the core of the Choirs’ repertoire, created for the Philharmonia by Dan Walker.

And in October, the Choir’s ChorusOz program comes to the Town Hall, drawing hundreds of participants from around Australia and beyond, for an intensive weekend of music-making, culminating in a one-off performance of Verdi’s great masterpiece, his Requiem.

Also in October, 120 choristers from the Choirs’ acclaimed Symphony Chorus, Chambers Singers and VOX choirs, will embark on a “Centenary Tour”, premiering a unique portfolio of new Australian choral music by Brett Dean, Matthew Orlovich, Daniel Brinsmead and Will Yaxley, to audiences in the UK and Germany.

Presented in collaboration with esteemed local orchestral partners including the City of Birmingham Symphony Orchestra and Chorus, the Berlin Radio Symphony Orchestra and Lyon National Orchestra, the tour represents an exceptional opportunity for European musicians to learn and present new Australian music, and for audiences to experience the latest Australian creativity and innovation.

In November, Sydney Philharmonia Choirs returns to the Sydney Opera House Utzon Room to present Transcendence, a concert in honour of the patron saint of music and musicians, Saint Cecilia. The chant-inspired music of visionary American composer Lou Harrison provides the framework for a garland of choral tributes from composers across the ages, including new works from Maria Lopes and Andrew Anderson.

As the finale for their 2020 celebrations, the Choirs will take their Christmas Carols event to Western Sydney, presenting two performances of Carols at the Coliseum, at Sydney’s newest venue The Sydney Coliseum Theatre. This will be a family-friendly program based around Robert Shaw’s Many Moods of Christmas, featuring baroque classics, show tunes and everyone’s favourite Christmas carols.

Sydney Philharmonia Choirs’ Artistic and Music Director Brett Weymark says, “2020 is a very special year for us at the Sydney Philharmonia Choirs, celebrating the extraordinary milestone of 100 years of singing together. So how do you celebrate 100 years of music making? You create something new - hence our ambitious project of 100 minutes of new music to celebrate our centenary. 100 for 100! An opportunity to explore our past, the present and our future as an artistic force in our city.

“We have major works being presented by our choirs in Sydney and abroad, from international names such as Brett Dean and Elena Kats-Chernin, to emerging artists and even members of our own choirs. In 2016 we made a commitment to the female voice in the compositional world with our contribution to the National Women Composers Development Program and this continues in the coming year, under the watchful eye of Liza Lim.

“In 2020 we launch a program that embraces the Indigenous Australian voice in choral music. Each concert this season will commence with a sung Acknowledgment of Country - Tarimi nulay - Long time living here (Gadigal language), written by the acclaimed Deborah Cheetham and Matthew Doyle, alongside new works by Nardie Simpson and James Henry. This is the start of an ongoing cultural conversation with the First Nations peoples of Australia and one we know will enrich the lives of our singers and our understanding about how we can better shape the future of this country.

“In an age where many people express despair at a lack of connection with each other, live music-making continues to be one of the most dynamic exchanges of energy we have as a society.

Composers share their vision with performers who then communicate directly with an audience in a relationship that is closely connected. People watch, listen and feel. They forge a connection that can profoundly change the way we look at the world. We cannot wait to share the gift of music with you.”
For updates on international tour venues and ticket availability, join Sydney Philharmonia’s mailing list at sydneyphilharmonia.com.au

Find out how to sing with the Choirs, here:

Auditioned choirs – sydneyphilharmonia.com.au/choirs/auditioned-choirs/

Community choirs, no experience necessary - sydneyphilharmonia.com.au/choirs/community-choirs/

Photographer: Keith Saunder.

Sydney Performances:

Dawn Chorus
Sunday 19 January, Dawn

Monumental Stairs, Sydney Opera House

Considering Matthew Shepard
Thursday 20 February, 7.30pm City Recital Hall

St John Passion Reimagined
Saturday 11 April, 3pm Sydney Town Hall

Elijah
Saturday 9 May, 3pm Sydney Town Hall

A Centenary Celebration
Saturday 20 June, 5pm Sydney Town Hall

ChorusOz: Verdi Requiem
Sunday 4 October, 5pm
Sydney Town Hall

Transcendence
Saturday 21 November, 5pm
Sunday 22 November, 2pm
Utzon Room, Sydney Opera House

Carols at the Coliseum
Saturday 19 December, 8pm Sunday 20 December, 2pm
Sydney Coliseum Theatre

sydneyphilharmonia.com.au

Read about more 2020 Seasons
 
 
 
(c)  January 2020. Tel. Inspired Pen Web. All rights reserved.

Sydney Philharmonia Choirs' Dawn Chorus

Choral Music /Sydney Philharmonia


Dawn Chorus


Presented by: Sydney Philharmonia Choirs & Sydney Opera House.
Sunday 19 January 2020, at dawn (arrive by 5:30am)
Sydney Opera House Monumental Steps

 

First light, the horizon tinged with pink as the sun rises over the Sydney Heads. The sails of the Sydney Opera House are glistening. The granite underfoot is cool, the waters of the harbour are lapping quietly. Hundreds of singers assemble on the Monumental Steps and their voices rise as the sun climbs.

Join Sydney Philharmonia Choirs in the wee hours of the morning to witness this special and breathtaking moment.


 Photography by Hamilton Lund, courtesy of Sydney Opera House Trust, 2017


Sydney Philharmonia Choirs invite the public to head out to the Sydney Opera House in the wee hours of the morning to witness a musical performance at dawn on a Sunday. Whether you’re a morning lark by nature or a night owl who has to stay up all night to see the sunrise, they're going to make it worthwhile.

Picture it now: first light… the horizon tinged with pink as the sun rises over the Heads… the Opera House sails glistening… the granite underfoot is cool, the waters of the harbour are lapping quietly… Sydney Philharmonia Choirs assemble on the Monumental Steps… voices rise as the sun climbs…

In just over an hour of inspirational a cappella music, they'll be welcoming a new day in the (still) new year – singing the city into 2020. At the same time they'll be launching their Centenary Season and celebrating the dawn of a new era as they take up their status as a resident company of the Sydney Opera House.

Sydney Philharmonia Choirs - Handel's Messiah 2019

Handel’s greatest and most loved choral masterpiece sung by more than 600 voices at the Sydney Opera House. Brett Weymark conducts the Sydney Philharmonia Choirs for three concert events for the festive season.

Handel's Messiah has become a biennial fixture in the Sydney Philharmonia concert calendar and has yet to wear out its welcome – a sure sign of a masterpiece. But 2019 marks our final performance of Messiah in the Sydney Opera House Concert Hall before it closes for renovations, so join us for one ‘last hallelujah’ in what promises to be our most rousing performance yet!




Handel’s Messiah emerged from the white heat of inspiration – an astonishing creative act, completed in just 24 days. The story goes that G.F. Handel finished the Hallelujah Chorus in tears, saying ‘I think I did see all Heaven before me, and the great God himself!’ And since its first triumphant performances in Dublin in 1742 it has inspired listeners with the power and unity of its music, and its impressive portrayal of the text. Despite containing almost no storytelling, this is an oratorio that is carried by its intrinsic drama.



Sydney Philharmonia Choirs' Centenary in 2020: Celebrating 100 Years

Choral Music / Choral Singing


(Sadly, SPC's concerts -  St. John Passion Re-Imagined, Mendelssohn's Elijah, and A Centenary Celebration - have been cancelled due to coronavirus crisis. We have faith and hope this pandemic will end soon.) 

The year 2020 is a special year for Sydney Philharmonia Choirs as it celebrates 100 years of singing and music-singing with a future-focused program, shining light on Australian composers, and on the organisation’s longstanding commitment to collaboration, community and connection.

Sydney Philharmonia Choirs marks 100 years since 12 church choristers first met in 1920, forming the original “Hurlstone Park Choral Society”. It also pays tribute to the many collaborations and partnerships that have seen the organisation mature over the decades, reinforcing its position as Australia’s leading choral organisation, recognised around the world for their contribution to Sydney’s vibrant artistic and cultural identity.




To fulfill the artistic vision for SPC's Centenary, at the heart of the celebrations is Sydney Philharmonia's commissioning of “100 Minutes of New Australian Music”, to be premiered as part of the Choirs’ 2020 Season.  This new music will be created for SPC by emerging and established composers. From the most well-known composers, “100 Minutes of New Australian Music” embraces a diverse expertise, representative of the rich makeup of Australia’s music community: with pieces by Brett Dean, Elena Kats-Chernin, Deborah Cheetham, Joseph Twist, Brooke Shelley, James Henry, Nardi Simpson, Will Yaxley, Matthew Orlovich, Daniel Brinsmead, Maria Lopes, and Andrew Anderson.

These world premiere performances will feature throughout the year and on SPC's European tour. Works from these 12 Australian composers will make their debut as part of the initiative, including four on the international stage, as part of a European tour in October.



Comprising a variety of works created to varying length, scale and theme, the composite “100 Minutes of New Australian Music” will showcase a uniquely Australian contribution to the art form of choral music.

Sydney Philharmonia Choirs' Dvorak Requiem

CHORAL MUSIC / Sydney Philharmonia Choirs


Sydney Philharmonia Choirs presents:
DVORAK REQUIEM
Saturday,  21 September 2019, 8PM
Concert Hall, Sydney Opera House 

Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert.
Sponsored by Fine Music FM.


(Note: This is the last concert of the Sydney Philharmonia Choirs' Festival Chorus at the Sydney Opera House due to the major renovation of the Concert Hall, for completion 2022.)

Experience the moving drama of Antonin Dvorak's finest choral creation. In this concert, 350-voice Festival Chorus – the philosophical heart of the Sydney Philharmonia Choirs organisation – joins forces with the talented young musicians of the Sydney Youth Orchestra and some of Australia’s finest vocal soloists under the baton of Maestro Brett Weymark, Sydney Philharmonia Choirs' Artistic and Music Director. Don’t miss this rare opportunity!

Dvořák’s Requiem hasn’t appeared in Sydney Philharmonia Choirs programming since the 1980s. This ‘Mass for the Dead’ is generally regarded as his finest creation for voices and orchestra and over the course of an hour-and-a-half it takes musicians and listeners on a deeply moving journey of drama and reflection.

This requiem was commissioned by the Birmingham Festival in 1891, when Dvořák was already an established composer of international repute, although the New World Symphony and the Cello Concerto were still a few years away. The premiere was a huge success, prompting George Bernard Shaw to mock the English fondness for requiems: ‘the public loves everything connected with a funeral.’ But behind the sneer is a truth. Choirs and audiences really do love requiems – the catharsis, the drama and the beauty of contemplation. It’s as if through the shared experience of music, we can come to terms with the prospect of our own mortality.


Soloists:

Taryn Fiebig, Soprano
Fiona Campbell, Mezzo soprano
Andrew Goodwin, Tenor
Michael Honeyman, Baritone



Sydney Philharmonia Choirs' In the Mood

Choral Singing / Choir Music

Sydney Philharmonia Chamber Singers  Present 'In the Mood'

Sydney Philharmonia’s acclaimed Chamber Singers appear in a new light! Accompanied by a jazz trio, they’ll present a cabaret-style concert of classic popular songs from the 1920s and 30s, wrapped in the stories of a city plunging between a spirit of optimism and the challenges of the Depression.


Photography by John Feely, for Sydney Philharmonia Choirs.


Think Fats Waller, George Gershwin, Cole Porter, Jerome Kern, Richard Rodgers and more – in sophisticated upbeat arrangements with the cool sound of piano, bass and reeds.

Think Ain't Misbehavin', Autumn Leaves, I Got Rhythm, Blue Moon, Over the Rainbow and more, all presented in sophisticated upbeat arrangements, accompanied by a jazz trio comprising piano, bass and reeds.

But this is more than a concert… Conductor and Artistic Director Brett Weymark has wrapped the musical program in the stories and ephemera of Sydney between the wars – a city plunging between a spirit of optimism and the challenges of the Depression.

Two intimate shows in Sydney and Parramatta:

Friday 30 August at 8pm
Sydney Opera House Utzon Room

Saturday 31 August at 8pm
Riverside Theatres, Parramatta

PROGRAM
American songbook standards presented cabaret style with choir and jazz trio


ARTISTS
Brett Weymark conductor
Sydney Philharmonia Chamber Singers



The Chamber Singers in Rehearsals

(Photos credit: Rachel Vanessa Maiden, SPC-CS chorister) 





 






































Review:

Sydney Philharmonia Choirs: In the Mood  @ The Utzon Room. Sydney Arts Guide. Accessed September 4, 2019.




Resources:
(All websites available at the time of access.)

In the Mood. Sydney Opera House. Accessed August 10, 2019.

In the Mood SydneyPhilharmonia.com.au. (Available at this time.) Accessed August 1, 2019. 

Sydney Philharmonia Choirs Present IN THE MOOD. Broadway World, Sydney. Accessed July 25, 2019.




(c) August 2019.  Tel Asiado. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' ChorusOz 2019

Sydney Philharmonia Choirs Presents

ChorusOz 2019: Ode to Joy

9 June 2019, 5 P.M.  Sunday
Concert Hall, Sydney Opera House 


It's again that time of the year in June when hundreds of passionate singers from interstate and all over the world join the Sydney Philharmonia Choirs choristers for the annual ChorusOz weekend of singing, fun and friendship, finishing with a performance on the world-famous Sydney Opera House Concert Hall with a professional orchestra and soloists.





Ode to Joy 

Ludwig van Beethoven's 'Ode to Joy' from his Ninth Symphony is one of his best-known themes. Sydney Philharmonia Choirs' ChorusOz provide joining singers experience the thrill of performing this great choral finale with hundreds other voices, plus full orchestra and soloists in the Sydney Opera House Concert Hall.




Insights on the Program Repertoire:

You know the ‘Ode to Joy’. Perhaps you sang it at school, or played it on recorder. If you’ve heard Beethoven’s Ninth Symphony you’ll have thrilled to its sounds in the visionary choral finale that changed the course of music forever. But do you really know it?

Sydney Philharmonia Choirs' Music from the Movies

Choral Singing / Sydney Philharmonia Choirs

Saturday 11 May at 8pm
Sydney Opera House Concert Hall


Presented by TEDX Sydney Curator and host of The Movie Show on SBS Fenella Kernebone and conducted by Elizabeth Scott with the Sydney Philharmonia Orchestra, this promises to be the most spectacular concert of the year.


Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert.
Sponsored by Fine Music 2FM.

Sydney Philharmonia's Music from the Movies, 11 May 2019.

Behind nearly every great movie scene is an equally memorable musical moment. Pay closer attention and you’ll notice just how many of those are powered by the human voice. From the crystal purity of the opening to Frozen to the primal sounds of Hans Zimmer’s score for Gladiator, there’s really nothing the voice can’t express, and for the first Festival Chorus concert of 2019 we’re assembling a blockbuster program of the highlights.

Representing the classic soundtracks of John Williams, there’s ‘Dry Your Tears, Afrika’ (Amistad) ‘Hymn to the Fallen’ (Saving Private Ryan) and the terrifying ‘Duel of the Fates’ (Star Wars). We’ve got Australian film-making covered with the ingenious, eclectic score from Baz Luhrmann’s Romeo + Juliet and the aural vista of Nigel Westlake’s Solarmax and Babe soundtracks. And the concert wouldn’t be complete without some of the great classical choral works that have been ‘borrowed’ for the movies: Handel’s Zadok the Priest (The Madness of King George), Beethoven’s ‘Ode to Joy’ (A Clockwork Orange) and, of course, Mozart’s Requiem (Amadeus).


PROGRAM

Choral highlights from the movies including:

Alice in Wonderland, Amadeus, Babe, Frozen, Gladiator, Hymn of the Fallen, Star Wars, The Lion King, The Mission, Baz Luhrmann’s Romeo + Juliet, Saving Private Ryan, and more ...


ARTISTS

Elizabeth Scott Conductor
Fenella Kernebone, Presenter
Festival Chorus
VOX
Sydney Philharmonia Orchestra


(The performance will be recorded by Fine Music 102.5FM for future broadcast. Recording engineer Peter Bell)


Below are videos related to our repertoire:

Alice in Wonderland (Score) 2010 - Alice's Theme. Uploaded by Sakura Jurai.  Accessed 15 April 2019.

Amadeus.  Mozart Requiem "Dies Irae" (Claudio Abbado, conducting). Uploaded by medici.tv.  Accessed 15 April 2019.

Amadeus.  Mozart Requiem "Confutatis/Lacrimosa.  Uploaded by agustigula4.  Accessed 15 April 2019.

Australia: Music from the Movie / "Fire from the Sky".  Uploaded by David Hirschfelder - Topic.  Accessed 15 April 2019.

Symphony No. 9 "Choral". Beethoven. Uploaded by BMinhauzen.  Accessed 15 April 2019.

Babe Soundtrack. "If I Had Words", one sung by Farmer Hoggett, and Babe End Music. YouTube, uploaded by balletic.  Accessed 15 April 2019. 
 
Lyrics:  
Songwriters: Jonathan Hodge / Camille Saint-Saens

"If I had words to make a day for youI'd sing you a morning golden and newI would make this day last for all timeGive you a night deep in moon shine."
 
Camille Saint-Saëns - Symphony No. 3 in C minor, Op. 78 (Adapted for Babe). YouTube, uploaded by Dart Vader The Invisible Art of Film Music. Accessed 15 April 2019. 
 
Dry Your Tears Africa - Amistad.  Uploaded by ChuckRazor. Accessed 15 April 2019.

Duel of the Fates - Cinema in Concert - 01. John Williams.  Uploaded by crsOrchester.  Accessed 15 April 2019.

Gladiator Movie Trailer. Hans Zimmer (Official Clip Movie Trailer - HD. Uploaded by movietrailer938. Accessed 15 April 2019. 

Gladiator - Now we are free.  Uploaded by NoName.  Accessed 15 April 2019.

The Lion King - I Just Can't Wait to be King. Uploaded by TLKEmmet.  Accessed 15 April 2019. 

The Lion King - The Circle of Life. Uploaded by Austin B.  Accessed 15 April 2019.

Romeo + Juliet (Prologue) 1996.  Uploaded by Marnieee.  Accessed 15 April 2019.

Romeo + Juliet OST - 15 - Mercurio's Death. Uploaded by xosoundtrackloverxo.  Accessed 15 April 2019.

Symphony No. 9 "Choral". Beethoven.  Uploaded by BMinhauzen.  Accessed 15 April 2019. 

Zadok the Priest - Westminster Abbey Choir and Choristers of the Chapel Royal. Uploaded by DrWestbury.  Accessed 15 April 2019.


Reviews of Performance

Music from the Movies: Sydney Philharmonia Choirs. Sydney Arts Guide.  Accessed 12 May 2019.  

Music from the Movies: Sydney Philharmonia Choirs. Sydney Opera House Concert Hall. May 11, 2019. Stage Whispers. Accessed 12 May 2019.

Music from the Movies (Sydney Philharmonia Choirs). Limelight Magazine. Accessed May 14, 2019. 


Video Credit:

Choristers Unite. Life: get amongst it. Accessed April 1, 2019. (This video was produced during one of our rehearsals for Music for the Movies concert.) 


Resources: 

Broadway World.  Sydney Philharmonia Choirs Presents Music from the Movies. Broadway World. Accessed 27 April 2019.

FILMINK.  Sydney Philharmonia Choirs presents Music from the Movies, Saturday May 11, Sydney Opera House Concert Hall. April 15, 2019.

Sydney Opera House. Music from the Movies. April 15, 2019.

Sydney Philharmonia Choirs Program. 11May 2019.



Sydney Philharmonia Choirs / Music from the Movies  (available at this time of Posting).  Accessed April 1, 2019.

Time Out.  Sydney Philharmonia Choirs: Music from the Movies. Accessed 27 April 2019


YouTube.  www.youtube.com.





(c) April 15, 2019.  Updated, May 14, 2019. Tel. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' Bach and Mozart: In the Imagination of their Hearts

Choral Singing / Sydney Philharmonia Choirs

Saturday 20 April at 2pm Sydney Opera House Concert Hall

Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert. Sponsored by Fine Music FM.

Sydney Philharmonia Choirs and Capella St Crucis Choristers.
Photo Courtesy: Eric Hansen.


Between the solemnity of Good Friday and the joy of resurrection on Easter Morning, Easter Saturday might be the ‘deadest day of the church calendar’, but in 2019 you can spend Saturday afternoon with the Sydney Philharmonia Choirs at the Sydney Opera House for a musical expression of faith that will lift your soul.

At the heart of the program is Johann Sebastian Bach and his brilliant Magnificat. Voices ring out – ‘My soul doth magnify the Lord!’ – and the music resounds with trumpets and drums in a spirit of festive celebration. Five soloists bring their dazzling virtuosity and expressive powers to a text that ranges between sheer elation and a profound expression of humility as Mary responds to the news that she will be the mother of Christ.





Framing the Magnificat are two works that, each in their own way, look to Bach for inspiration. The Sydney Philharmonia Choirs have commissioned a new motet for 50 voices from The Song Company’s artistic director Antony Pitts, who takes the explosive harmonies from Bach’s setting of the words ‘In the imagination of their hearts’ as his starting point. As he describes it, Bach’s moment of collective madness is frozen in a kind of anachronistic bullet time and scattered to the four winds and back to Bach.

After interval you can eavesdrop on the newly married Mozart through his work in Great Mass in C minor, embarking on a grand mass for choir and orchestra, to be performed in Salzburg when the couple make their first visit to his disapproving father. Wolfgang Mozart found fresh inspiration in the Baroque techniques of Bach and Handel, combining their complex weaving of voices with the elegance and drama of the Classical style. But he didn’t finish – no one’s entirely sure why – and so it remains ‘half a mass’, tantalising nevertheless magnificent.


The Sydney Philharmonia Choirs invited the Capella St Crucis of Hannover and its conductor Florian Lohmann to join the Sydney Philharmonia's Chamber Singers and Symphony Chorus as they continue their much-loved tradition of Easter concerts.

PROGRAM

Antony PITTS    XLX Mente cordis sui (Premiere)
     "Song of the Elders" - Revelation 5: 9-10
     "Song of theAngels" - Revelation 5:12
     "Song of All Creatures" - Revelation 5: 13-14
    
JS BACH    Magnificat in D major BWV 243
     from the Magnificat - Luke 1:51
     (in the imagination of their hearts, He hath scattered the proud ...)

WA MOZART    Great Mass in C minor KV 427


ARTISTS

Florian Lohmann conductor (Mozart)
Brett Weymark conductor (Bach, Pitts)
Sara Macliver soprano
Anna Dowsley mezzo-soprano
Nicholas Tolputt countertenor
Nicholas Jones tenor
David Greco baritone
Capella St Crucis Hannover
Chamber Singers
Symphony Chorus

Sydney Philharmonia Orchestra
Fiona Ziegler, concertmaster


(The performance will be recorded by Fine Music 102.5FM for future broadcast. Recording engineer Peter Bell)


Reviews of Performance

Bach & Mozart: In the Imagination of their Hearts. Stage Whispers. Accessed April 26, 2019.

Bach & Mozart: In the Imagination of their Hearts @ The Sydney Opera House.  Sydney Arts Guide. Accessed April 26, 2019.

Sydney Philharmonia Choirs: A dazzling Easter dip into Bach and Mozart. Reviewer: Peter McCallum. The Sydney Morning Herald. Accessed April 21, 2019.


(Personal note:  I found this concert timely, performed right on a Holy Saturday. It is compelling and meaningful. I'm not just talking about the superb repertoire, the magnificent choirs, soloists, orchestra,  and quality conducting. I'm talking about an extra depth that one experiences as an audience-member ... when I was transposed into something divine ... I have no words, I can only feel. Everything started with Antony Pitts' featured new work XLX MENTECORDIS SUI. The delightful voices of various split choirs well-positioned inside the Sydney Opera House sounded like calm ocean waves that washes away the weariness of the soul, in reflection of the Holy Week. And Bach's Magnificat! What an enthralling interpretation. How can one not be touched! And the program's finale: Mozart's Great Mass in C minor. I lie if I don't admit that the main attraction for me is this Wunderkind's Mass in C. SPC did not disappoint. Whilst listening intently to the performance came to mind the 1984 Milos Forman movie Amadeus, for in parallel with the Great Mass in C, unfinished like WAM's Requiem but considered also his greatest work. What an uplifting glorious performance! Bravo, and thank you, Sydney Philharmonia Choirs and Capella St. Crucis. / Tel)

Suggested Listening:
 
Mozart Mass in C minor K.427 Gardiner. YouTube, uploaded by vse vsad. Accessed April 1, 2019. (Monteverdi Choir. Eric Ericson. Chamber Choir. Royal Stockholm Philharmonic Orchestra. Mia Persson soprano. Ann Hallenberg mezzo-soprano. Helge Rønning tenor. Peter Mattei bass. Nobel Prize Concert 2008.)
 


Video Credit:

In Conversation: Brett Weymark, Bach, Mozart at Easter. Uploaded by Sydney Philharmonia Choirs. Accessed April 1, 2019.

Resources: 

Antony Pitts: 50 is the new 40. Limelight Magazine. Accessed April 16, 2019.

Bach & Mozart. Sydney Opera House. April 15, 2019.

Sydney Philharmonia Choirs / Bach & Mozart (available at this time of Posting).  Accessed April 1, 2019.

Sydney Philharmonia Choirs Program.



(c) April 1, 2019.  Updated, April 20, 2019. Tel. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' VOX - Wonder

Choral Singing / Sydney Philharmonia VOX

Childhood is a fleeting , fragile thing but can so easily be touched by tragedy. Elizabeth Scott conducts the eilte voices of the VOX youmg adult choir in a luminous acapella program that will make you smile and move you to tears. Two performances only in the intimate space of the Sydney Opera House Utzon Room. 

Saturday 23 March 2019, at 5pm
Sunday 24 March 2019, at 2pm




Whether you have children of your own or simply remember your own childhood, you’ll know the earnestness and the innocence, the sheer magic, the love and the sorrow. And for this concert with the VOX young adult choir, Elizabeth Scott brings together exquisite music that captures that fragility and wonder.

Anchoring the program are songs of loss: the sombre intensity of Nigel Westlake’s Requiem for his son Eli, James MacMillan’s tender prayer in memory of the children killed in the Dunblane massacre, and Eric Whitacre’s desperately sad When David Heard, dedicated to a friend who’d lost a son. This music becomes even more poignant when sung by young voices, and yet there is solace and consolation in the luminous beauty of their sound.

But there’s joy and humour too. John Rutter pays homage to the world of children with nursery rhymes and nonsense poems. And there are highlights from Martin Wesley-Smith’s witty, environmentally aware Who Killed Cock Robin, possibly the only contemporary Australian classical work that’s been known to inspire impromptu sing-alongs! And to end, music by Sting and Stevie Wonder’s song celebrating the birth of a daughter.

The themes are timeless but this is a concert for today – music by living composers to showcase the beauty and raw emotional power of voices in harmony.


PROGRAMME:

Nigel WESTLAKE  Nasce la gioia mia (My joy is born)
Karl JENKINS  And the Mother did weep
James MACMILLAN  A Child’s Prayer
John RUTTER  Five Childhood Lyrics
Martin WESLEY-SMITH  Who Stopped the Rain?
Martin WESLEY-SMITH   Highlights from Who Killed Cock Robin?
Eric WHITACRE  When David Heard
STING  Fragile (arr. Carl Crossin)
Stevie WONDER  Isn’t She Lovely (arr. The Idea of North)
Ella MACENS  Neviens Putniņš
Eriks ESENVALDS  Only in Sleep


ARTISTS:

Elizabeth Scott, conductor
Sydney Philharmonia Choirs' VOX





Reviews of Performance

Review: VOX - WONDER. Reviewer: David Barmby. Performing ArtsHub. Accessed March 30, 2019.

'Wonder' - VOX: Sydney Philharmonia Choirs @ Utzon Room Sydney Opera House.  Reviewer: Paul Nolan. Sydney Arts Guide. Accessed March 25, 2019.



Resources: 

Sydney Philharmonia Choirs / Wonder (available at this time of Posting).  Accessed March 6, 2019.

Sydney Philharmonia Choirs Repertoire Programme.

Sydney Philharmonia Choirs, VOX Young Adult Choir Presents WONDER. Broadway World. Accessed March 7, 2019.

Wonder. Arts Hub. Accessed March 15, 2019.

Wonder. Sydney Opera House (Available at the time of Posting).  Accessed March 6, 2019.



(c) Posted March 10, 2019.  Latest update, March 30, 2019. Tel. Inspired Pen Web.