Search this Blog

Isaac Albeniz

Classical Music / Composer's Datebook: May 29

 

Brief biography of 19th century Spanish composer and pianist Isaac Albéniz, best known for Iberia, a suite of twelve piano pieces.      

 

Isaac Albéniz helped create a national idiom for Spain and an indigenous school of piano music. He is primarily associated with works for the piano, and best-known for Iberia, a suite of twelve piano pieces.   

 

Early Life

Isaac Manuel Francisco Albéniz was born in May 29, 1860, in Catalonia, a son of a tax inspector but a musical family. He first appeared in public when he gave his piano recital at the age of four at Barcelona's Teatro Romea, followed by a performance in Paris Conservatoire when he was seven years old. He was praised by no other than Professor Marmontel, the teacher of both Debussy and Bizet, but he was too young to be a student.     When he was ten years old, he ran away earning a living as traveling pianist before returning back home after two years. He ran away again, this time to South America, and later, to the US.

At 13, he studied at the Brussels Conservatory with Franz Liszt, Paul Dukas and Vincent d'Indy. Other important influences of Albeniz were Felipe Pefrell who inspired him to turn to Spanish folk music, 19th-century salon piano music, and impressionist harmony.

 

The Young Adult

From 1880 he toured widely, playing many of his own piano works using Spanish rhythmic and melodic idioms. Three years later, he married Rosina Jordana. They had a son and two daughters. He settled in Paris in 1893, much influenced by Gabriel Fauré and Dukas. 



Albéniz was not merely a follower of the French school. His works also included numerous zarzuelas like Spanish musical theatre form combining song, dance and speech. This is being accounted to his most significant influence, the musicologist and folk-song collector Felipe Pedrell. Most of his numerous works are for piano solo, notably, suite Espanola (1886) and suite Espana, including ‘Tango’ (1890). 

 

Major Works by Albéniz 

His major achievement is the 12-movement piano suite Iberia (1906-1908), named after the Iberian peninsula, Spain and Portugal, and most especially inspired by the romantic region of Andalusia. Albéniz wrote an opera, Pepita Jimenez (1896) and orchestral pieces. 

Albéniz died of kidney failure in France on May 18, 1909, eleven days short of his birthday. He is significant not only in the history of Spanish music but also in his country's history of musical nationalism.

 

Video Credit:

Isaac Albeniz.  nndb / Public Domain. 

 

Resources:

Classical Music The Rough Guide, 2nd Edition (Expanded and completely Revised), edited by J. Staines and J. Buckley, The Rough Guide, 1998

The Grove Concise Dictionary of Music, edited by Stanley Sadie, Macmillan Press, 1994

The Oxford Dictionary of Music, edited by Michael Kennedy, Oxford University Press, 1994

 

 

(c) May 2008. Updated May 29, 2015. Tel. Inspired Pen Web. All rights reserved. 

Arthur Sullivan

Composers Datebook:  May 13 


Master of the Operetta. Musical Partner of Playwright William Gilbert

Brief biography of British composer Arthur Sullivan, of the Gilbert & Sullivan fame, their "Savoy Operas."  Best known for 'The Mikado'.

Sir Arthur Sullivan (b. London. 13 May 1842 - d. London. 22 November 1900), English composer of the 19th century, is best known for the series of sparkling and witty comic operettas he wrote in collaboration with librettist Sir William Gilbert. The humorous The Mikado is their most popular. 

Aside from the The Mikado, other popular Gilbert and Sullivan operettas include HMS Pinafore, The Pirates of Penzance, Patience, Iolanthe, the Yeomen of the Guard, and The Gondoliers. Together, they produced 13 operettas.

Sullivan was born in London, May 13, 1842. The son of a bandmaster, he was properly trained in the German tradition, won the first Mendelssohn Scholarship to the Royal Academy of Music in London and studied further at the Leipzig Conservatory, where he met Liszt and Grieg, before returning to England as a church organist. He became a professor of Composition ta the Royal Academy.

Prior to his partnership with Gilbert, Sullivan was already composing sacred music, with “Onward, Christian Soldiers” probably the best known. Aside from sacred music, Sullivan also composed serious instrumental music and concert works. Although his compositions were overshadowed by the 19th-century composers like Brahms, Mendelssohn and Schumann, his works were still attractive and crafted professionally.
 
Sullivan much wanted to succeed as a composer of serious music, the oratorio, in particular, but it's his operettas with Gilbert that is well remembered and kept alive. His operatic works, for example, the opera Ivanhoe in 1890, he valued highly.
 
His career focus and direction changed from a significant meeting in 1871 with playwright William Gilbert. The changes also brought Gilbert and Sullivan fame and prominence. Together their team to produced successful operettas known as "Savoy Operas" usually performed at the Savoy Theatre in London's Strand.

Here's a link to the production of The Mikado 1992 Buxton. YouTube, uploaded by Jim Manson. Accessed 13 May 2011. 

One of the highly popular songs from this operetta is "Alone and yet Alive," most disheartening from loss of hope and courage, sung by the character Katisha who mourns her loss. Below, the same despondent song, interpreted by mezzo soprano Jacqueline Dark as Katisha, recorded at State Theatre, Victorian Arts Centre, Melbourne. (YouTube, uploaded by Jacqui Dark. Accessed May 13, 2016.) 
 

 
Sullivan's partnership with Gilbert broke down sometime in 1890, after a quarrel over expenses at the Savoy. During a 'peace conference' at the Savoy Theatre, Gilbert's temper got the better of him: he roared that Carte was exploiting and robbing both himself and Sullivan, turned on Carte and Sullivan, called them blackguards, then stormed out of the meeting. Gilbert and Sullivan, however, reunited in the 1890s for two more operas, but these did not achieve the popularity of their earlier works.

Sullivan's infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch and The Golden Legend, his most popular choral work. He also wrote incidental music for West End productions of several Shakespeare plays, and held conducting and academic appointments. Sullivan's only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. 

Sullivan continued to compose comic operas with various librettists and wrote other major and minor works. He is regarded as Britain's foremost composer. His comic opera style served as a model for generations of musical theatre composers that followed, and his music is still frequently performed, recorded and pastiched. Arthur Sullivan died at the age of 58, in November 22, 1900, following a heart attack.

Although to this day The Mikado is a universal favourite, it is worth noting that H.M.S. Pinafore opened in London (May 1878) run for 700 consecutive performances. From historical context their light opera paved way to the development of the stage and screen musical age. Sullivan was knighted by Queen Victoria in 1883. 
 
Quoted from Queen Victoria (1819-1901): "You ought to write a grand opera, Sir Arthur, you would do it so well." 
 
Sullivan's Major Works:
 
The Sorcerer, 1877
HMS Pinafore, 1878
The Pirates of Penzance, 1879
Patience, 1881
Iolanthe, 1882
Princess Ida, 1884
The Mikado, 1885
The Yeomen of the Guard, 1888
The Gondoliers, 1889

Photo Credit:
Arthur Sullivan. en.wikipedia.org / Public Domain.

Resources:
 
1. The Grove Dictionary of Music, edited by Stanley Sadie, Macmillan (1994)
2. The Oxford Companion to Music, edited by Alison Latham, OUP (2002)
3. Wikipedia. en.wikipedia.org

Note: This piece was originally published for Suite101.com,  January 13, 2008. This is an abridged version. / Tel)



(c) May 2008. Updated Mary 13, 2021. Tel. Inspired Pen Web.  All rights reserved.