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Sydney Philharmonia Choirs - Handel's Messiah 2019

Handel’s greatest and most loved choral masterpiece sung by more than 600 voices at the Sydney Opera House. Brett Weymark conducts the Sydney Philharmonia Choirs for three concert events for the festive season.

Handel's Messiah has become a biennial fixture in the Sydney Philharmonia concert calendar and has yet to wear out its welcome – a sure sign of a masterpiece. But 2019 marks our final performance of Messiah in the Sydney Opera House Concert Hall before it closes for renovations, so join us for one ‘last hallelujah’ in what promises to be our most rousing performance yet!




Handel’s Messiah emerged from the white heat of inspiration – an astonishing creative act, completed in just 24 days. The story goes that G.F. Handel finished the Hallelujah Chorus in tears, saying ‘I think I did see all Heaven before me, and the great God himself!’ And since its first triumphant performances in Dublin in 1742 it has inspired listeners with the power and unity of its music, and its impressive portrayal of the text. Despite containing almost no storytelling, this is an oratorio that is carried by its intrinsic drama.



Agatha Christie's Poirot and Miss Marple - Theme Music

Poirot Theme Music

The soundtrack to Agatha Christie's Poirot, featuring the haunting main theme and many variations thereon over the nearly 30 years of production, will forever be associated with David Suchet as Poirot. 

Television Theme Music of Agatha Christie's Poirot. 
YouTube, uploaded by Prodromos Michailidis. Accessed August 12, 2023.



In total, there are 70 episodes produced over 13 Poirot series.

The 13 series
The following is a list of episodes for the British crime drama Agatha Christie's Poirot, featuring David Suchet as Poirot, which first aired on ITV from 8 January 1989 to 13 November 2013. In total, 70 episodes were produced over 13 series.


Miss Marple Theme Music

Miss Marple Main Theme, with Joan Hickson as Miss Marple. 
This is a celebration of the music for Agatha Christie's Miss Marple starring Joan Hickson. Composed by Ken Howard and Alan Blaikley, the music is from CD released in 1993, performed by Video Symphonic.  YouTube, uploaded by writebrobp. Accessed June 3, 2019.  Ken Howard is an English songwriter, lyricist, author and television director. Alan Blaikley is also a songwriter and composer.




Sydney Philharmonia Choirs' Centenary in 2020: Celebrating 100 Years

Choral Music / Choral Singing


(Sadly, SPC's concerts -  St. John Passion Re-Imagined, Mendelssohn's Elijah, and A Centenary Celebration - have been cancelled due to coronavirus crisis. We have faith and hope this pandemic will end soon.) 

The year 2020 is a special year for Sydney Philharmonia Choirs as it celebrates 100 years of singing and music-singing with a future-focused program, shining light on Australian composers, and on the organisation’s longstanding commitment to collaboration, community and connection.

Sydney Philharmonia Choirs marks 100 years since 12 church choristers first met in 1920, forming the original “Hurlstone Park Choral Society”. It also pays tribute to the many collaborations and partnerships that have seen the organisation mature over the decades, reinforcing its position as Australia’s leading choral organisation, recognised around the world for their contribution to Sydney’s vibrant artistic and cultural identity.




To fulfill the artistic vision for SPC's Centenary, at the heart of the celebrations is Sydney Philharmonia's commissioning of “100 Minutes of New Australian Music”, to be premiered as part of the Choirs’ 2020 Season.  This new music will be created for SPC by emerging and established composers. From the most well-known composers, “100 Minutes of New Australian Music” embraces a diverse expertise, representative of the rich makeup of Australia’s music community: with pieces by Brett Dean, Elena Kats-Chernin, Deborah Cheetham, Joseph Twist, Brooke Shelley, James Henry, Nardi Simpson, Will Yaxley, Matthew Orlovich, Daniel Brinsmead, Maria Lopes, and Andrew Anderson.

These world premiere performances will feature throughout the year and on SPC's European tour. Works from these 12 Australian composers will make their debut as part of the initiative, including four on the international stage, as part of a European tour in October.



Comprising a variety of works created to varying length, scale and theme, the composite “100 Minutes of New Australian Music” will showcase a uniquely Australian contribution to the art form of choral music.

Sydney Philharmonia Choirs' Dvorak Requiem

CHORAL MUSIC / Sydney Philharmonia Choirs


Sydney Philharmonia Choirs presents:
DVORAK REQUIEM
Saturday,  21 September 2019, 8PM
Concert Hall, Sydney Opera House 

Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert.
Sponsored by Fine Music FM.


(Note: This is the last concert of the Sydney Philharmonia Choirs' Festival Chorus at the Sydney Opera House due to the major renovation of the Concert Hall, for completion 2022.)

Experience the moving drama of Antonin Dvorak's finest choral creation. In this concert, 350-voice Festival Chorus – the philosophical heart of the Sydney Philharmonia Choirs organisation – joins forces with the talented young musicians of the Sydney Youth Orchestra and some of Australia’s finest vocal soloists under the baton of Maestro Brett Weymark, Sydney Philharmonia Choirs' Artistic and Music Director. Don’t miss this rare opportunity!

Dvořák’s Requiem hasn’t appeared in Sydney Philharmonia Choirs programming since the 1980s. This ‘Mass for the Dead’ is generally regarded as his finest creation for voices and orchestra and over the course of an hour-and-a-half it takes musicians and listeners on a deeply moving journey of drama and reflection.

This requiem was commissioned by the Birmingham Festival in 1891, when Dvořák was already an established composer of international repute, although the New World Symphony and the Cello Concerto were still a few years away. The premiere was a huge success, prompting George Bernard Shaw to mock the English fondness for requiems: ‘the public loves everything connected with a funeral.’ But behind the sneer is a truth. Choirs and audiences really do love requiems – the catharsis, the drama and the beauty of contemplation. It’s as if through the shared experience of music, we can come to terms with the prospect of our own mortality.


Soloists:

Taryn Fiebig, Soprano
Fiona Campbell, Mezzo soprano
Andrew Goodwin, Tenor
Michael Honeyman, Baritone



Famous Composers' Resting Places

Classical fans enjoy the occasional visit, especially when it gives us the chance to venerate our dearly departed musical idols at their final resting places. Here are ten of these sites, which I'm thankful I found at Bachtrack.com. 

1. Vienna Central Cemetery
The St. Charles Borromeo Cemetery Church in Vienna's Central Cemetery © Bwag | Wikimedia Commons
The St. Charles Borromeo Cemetery Church in Vienna's Central Cemetery
© Bwag | Wikimedia Commons

To start off, the big daddy of them all. The list of famous composers interred in the largest of Vienna’s 50-plus cemeteries reads like a roll call of some of the most influential figures in music from the Classical era up to the 20th century: the remains of Gluck, Antonio Salieri, Schubert, Beethoven, the Strauss dynasty (Johann I and II, plus Josef and Eduard), Ligeti and Schoenberg all ended up in this huge necropolis, which opened in 1874, either being laid to rest there initially or moved there from another site. It’s also a popular destination for musicians outside the classical realm: Edgar Froese of Tangerine Dream and Weather Report’s Joe Zawinul are also buried here.

2. Père Lachaise Cemetery, Paris
Père Lachaise cemetery © Paris Tourist Office | Fabian Charaffi
Père Lachaise cemetery
© Paris Tourist Office | Fabian Charaffi
*
Scientific studies of Paris’ Père Lachaise cemetery have found that the area is incredibly rich in the elusive substance known as “cool”. Jim Morrison, Proust, Edith Piaf and Oscar Wilde all set up shop here when they shuffled off this mortal coil, and it’s a popular spot for composers, too: Ignaz Pleyel, Cherubini, Chopin (minus his heart, which rests in Warsaw), Bizet, Ernest Chausson, Enescu and Poulenc are just some of the classical musicians buried here (even Rossini was buried here after his death in 1868, but he was relocated to the Santa Croce Basilica in Florence almost two decades later). It wasn’t always such prime real estate for the dead: after setting it up in 1804, the cemetery’s managers struggled to drum up enthusiasm for the spot. It took a PR stunt involving the reinterment of the remains of Molière and Jean de La Fontaine in the cemetery to convince the public that Père Lachaise was the only place to be seen dead in.

3. Tikhvin Cemetery, St Petersburg
The grave of Tchaikovsky © Steven N. Severinghaus | Wikimedia Commons
The grave of Tchaikovsky
© Steven N. Severinghaus | Wikimedia Commons
*
If you’re a music fan of Russophile bent, then there really is no greater place of moribund pilgrimage than the Tikhvin Cemetery, part of the Alexander Nevsky Monastery in St Petersburg. In life the “Mighty Handful” together forged a distinctly Russian style of music; in death all of them – Mussorgsky, Cui, Rimsky-Korsakov, Balakirev and Borodin – rest together in this cemetery. Tchaikovsky, Anton Rubinstein, Glinka and Glazunov can also be found here, alongside Dostoevsky and Stravinsky’s father, the opera singer Fyodor Stravinsky.

4. St Marx Cemetery, Vienna
Mozart's memorial stone © Schaub-Walzer / PID
Mozart's memorial stone
© Schaub-Walzer / PID
*
Believe it or not, it isn’t conclusively known where the remains of Mozart – arguably the most famous composer ever to have lived – actually lie. In late 18th-century Vienna, it was common practice to bury those who could not afford a private funeral in an unmarked plot (which could then be re-used). This is what happened to Mozart when he died in 1791, and it wasn’t until years later that his wife Constanze returned to the St Marx Cemetery to try to ascertain where her husband had been buried. All she had to go on were the memories of the cemetery staff, but a memorial stone was eventually placed on the spot they decided on in 1859. The stone was eventually moved to the Vienna Central Cemetery to mark the centenary of Mozart’s death, and a different stone memorial placed over the St Marx “grave”. As for the composer’s physical remains, the Mozarteum Foundation in Salzburg is in possession of a skull supposedly belonging to him, but testing has not been able to confirm its veracity.

5. St Thomas Church, Leipzig
Bach's grave in Leipzig's St. Thomas Church © DerHHO | Wikimedia Commons
Bach's grave in Leipzig's St. Thomas Church
© DerHHO | Wikimedia Commons
*
The practice of burying in unmarked graves is also at the centre of the controversy surrounding the whereabouts of Bach’s remains. In 1894, over 100 years after his death, a group of enthusiasts exhumed what they thought were the bones of the old master from the cemetery of Leipzig’s Johanniskirche. After some tests, they interred the bones in the church itself, but when that was completely destroyed by bombing in WWII, they had to be moved again to the Thomaskirche. In the late 1940s, a surgeon named Wolfgang Rosenthal studied the bones, surmising that they were Bach’s because they displayed a condition he termed Organistenkrankheit – an abnormality he believed was shared by living organists. More recent scholarship has cast doubt on such a condition and indeed over whether the bones really belonged to the Old Wig.

Liszt's burial place at Bayreuth Town Cemetery © Ag Andras | Wikimedia Commons
Liszt's burial place at Bayreuth Town Cemetery
© Ag Andras | Wikimedia Commons
*
6. Bayreuth
While Liszt became less close with his son-in-law Wagner later in life, he still conducted the orchestra of the memorial concert when the music-drama innovator died in 1883. Indeed, the Hungarian spent his last days in a house overlooking the Villa Wahnfried, the mansion where Wagner and Liszt’s daughter Cosima had lived together and where the former was buried. Perhaps as a result of Liszt’s somewhat testy relationship with his daughter, the devout Catholic was buried – against his wishes – in the Lutheran City Cemetery of Bayreuth. Where he came to rest is within walking distance of the grave of the fellow composer with whom he’d had such a significant relationship.

Cimetière de Passy © Paris Tourist Office | Marc Bertrand
Cimetière de Passy
© Paris Tourist Office | Marc Bertrand
*
7. Cimetière de Passy, Paris
During the early years of Napoleon’s reign as emperor, burials within the city walls of Paris were outlawed, and four new necropolises were proposed to meet the new law. Like Père Lachaise (as well as Montmartre and Montpanasse), the Cimetière de Passy was part of this scheme. Opened  in 1820, it is small compared to the others, but with such musical lights as Fauré and Debussy buried there, alongside visual artists like Manet, it still packs a cultural punch.

Westminster Abbey © Σπάρτακος | Wikimedia Commons
Westminster Abbey
© Σπάρτακος | Wikimedia Commons
*
8. Westminster Abbey, London
If the ground beneath Britain’s most well-known ecclesiastical building could make a sound, it would positively hum with the sound of English (or, to be picky, Anglo-German) music. In the north choir aisle, Henry Purcell lies where the organ once stood, not far from the plot where the ashes of Ralph Vaughan Williams and his wife Ursula are laid. In the south transept, at his personal request, the remains of Handel are interred in a lead coffin, watched over by a statue whose face was supposedly modelled on the composer’s death mask.

The grave of Robert and Clara Schumann © Sir James
The grave of Robert and Clara Schumann
© Sir James
*
9. Alter Friedhof, Bonn
Accounts of Robert Schumann’s last years spent in mental asylum make for depressing reading, but for those of a romantic bent, his final resting place suggests a modicum of poetic justice. He was buried in Bonn’s Old Cemetery, set up in 1715 initially as a place for military graves. His wife and fellow composer Clara survived him by a full 40 years, but when she finally passed away she was buried alongside her troubled partner.

The Boulanger tomb © Mark Pullinger
The Boulanger tomb
© Mark Pullinger
*
10. Montmartre cemetery, Paris
The family that gets buried together, stays together. For all eternity. We’ll never know the full extent of what the world lost when Lili Boulanger’s life was tragically cut short at 24, though her sister Nadia’s influence as a composer and teacher is incalculable. When she died over 60 years after her sister, she was interred in the same tomb as Lili and both their parents at Montmartre cemetery. Similarly, both of Hector Berlioz’ wives were exhumed in order to be interred next to him at Montmartre. Jacques Offenbach is also buried here, and it’s a good one for art buffs too: Edgar Degas and Francis Picabia can be found amongst the gravestones.


Resource: 

Ten Final Resting Places of Famous Composers. Bachtrack.com. Accessed August 16, 2020. 


(c) August 2019. Tel. Inspired Pen Web. All rights reserved.

Sydney Philharmonia Choirs' In the Mood

Choral Singing / Choir Music

Sydney Philharmonia Chamber Singers  Present 'In the Mood'

Sydney Philharmonia’s acclaimed Chamber Singers appear in a new light! Accompanied by a jazz trio, they’ll present a cabaret-style concert of classic popular songs from the 1920s and 30s, wrapped in the stories of a city plunging between a spirit of optimism and the challenges of the Depression.


Photography by John Feely, for Sydney Philharmonia Choirs.


Think Fats Waller, George Gershwin, Cole Porter, Jerome Kern, Richard Rodgers and more – in sophisticated upbeat arrangements with the cool sound of piano, bass and reeds.

Think Ain't Misbehavin', Autumn Leaves, I Got Rhythm, Blue Moon, Over the Rainbow and more, all presented in sophisticated upbeat arrangements, accompanied by a jazz trio comprising piano, bass and reeds.

But this is more than a concert… Conductor and Artistic Director Brett Weymark has wrapped the musical program in the stories and ephemera of Sydney between the wars – a city plunging between a spirit of optimism and the challenges of the Depression.

Two intimate shows in Sydney and Parramatta:

Friday 30 August at 8pm
Sydney Opera House Utzon Room

Saturday 31 August at 8pm
Riverside Theatres, Parramatta

PROGRAM
American songbook standards presented cabaret style with choir and jazz trio


ARTISTS
Brett Weymark conductor
Sydney Philharmonia Chamber Singers



The Chamber Singers in Rehearsals

(Photos credit: Rachel Vanessa Maiden, SPC-CS chorister) 





 






































Review:

Sydney Philharmonia Choirs: In the Mood  @ The Utzon Room. Sydney Arts Guide. Accessed September 4, 2019.




Resources:
(All websites available at the time of access.)

In the Mood. Sydney Opera House. Accessed August 10, 2019.

In the Mood SydneyPhilharmonia.com.au. (Available at this time.) Accessed August 1, 2019. 

Sydney Philharmonia Choirs Present IN THE MOOD. Broadway World, Sydney. Accessed July 25, 2019.




(c) August 2019.  Tel Asiado. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' ChorusOz 2019

Sydney Philharmonia Choirs Presents

ChorusOz 2019: Ode to Joy

9 June 2019, 5 P.M.  Sunday
Concert Hall, Sydney Opera House 


It's again that time of the year in June when hundreds of passionate singers from interstate and all over the world join the Sydney Philharmonia Choirs choristers for the annual ChorusOz weekend of singing, fun and friendship, finishing with a performance on the world-famous Sydney Opera House Concert Hall with a professional orchestra and soloists.





Ode to Joy 

Ludwig van Beethoven's 'Ode to Joy' from his Ninth Symphony is one of his best-known themes. Sydney Philharmonia Choirs' ChorusOz provide joining singers experience the thrill of performing this great choral finale with hundreds other voices, plus full orchestra and soloists in the Sydney Opera House Concert Hall.




Insights on the Program Repertoire:

You know the ‘Ode to Joy’. Perhaps you sang it at school, or played it on recorder. If you’ve heard Beethoven’s Ninth Symphony you’ll have thrilled to its sounds in the visionary choral finale that changed the course of music forever. But do you really know it?

Sydney Philharmonia Choirs' Music from the Movies

Choral Singing / Sydney Philharmonia Choirs

Saturday 11 May at 8pm
Sydney Opera House Concert Hall


Presented by TEDX Sydney Curator and host of The Movie Show on SBS Fenella Kernebone and conducted by Elizabeth Scott with the Sydney Philharmonia Orchestra, this promises to be the most spectacular concert of the year.


Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert.
Sponsored by Fine Music 2FM.

Sydney Philharmonia's Music from the Movies, 11 May 2019.

Behind nearly every great movie scene is an equally memorable musical moment. Pay closer attention and you’ll notice just how many of those are powered by the human voice. From the crystal purity of the opening to Frozen to the primal sounds of Hans Zimmer’s score for Gladiator, there’s really nothing the voice can’t express, and for the first Festival Chorus concert of 2019 we’re assembling a blockbuster program of the highlights.

Representing the classic soundtracks of John Williams, there’s ‘Dry Your Tears, Afrika’ (Amistad) ‘Hymn to the Fallen’ (Saving Private Ryan) and the terrifying ‘Duel of the Fates’ (Star Wars). We’ve got Australian film-making covered with the ingenious, eclectic score from Baz Luhrmann’s Romeo + Juliet and the aural vista of Nigel Westlake’s Solarmax and Babe soundtracks. And the concert wouldn’t be complete without some of the great classical choral works that have been ‘borrowed’ for the movies: Handel’s Zadok the Priest (The Madness of King George), Beethoven’s ‘Ode to Joy’ (A Clockwork Orange) and, of course, Mozart’s Requiem (Amadeus).


PROGRAM

Choral highlights from the movies including:

Alice in Wonderland, Amadeus, Babe, Frozen, Gladiator, Hymn of the Fallen, Star Wars, The Lion King, The Mission, Baz Luhrmann’s Romeo + Juliet, Saving Private Ryan, and more ...


ARTISTS

Elizabeth Scott Conductor
Fenella Kernebone, Presenter
Festival Chorus
VOX
Sydney Philharmonia Orchestra


(The performance will be recorded by Fine Music 102.5FM for future broadcast. Recording engineer Peter Bell)


Below are videos related to our repertoire:

Alice in Wonderland (Score) 2010 - Alice's Theme. Uploaded by Sakura Jurai.  Accessed 15 April 2019.

Amadeus.  Mozart Requiem "Dies Irae" (Claudio Abbado, conducting). Uploaded by medici.tv.  Accessed 15 April 2019.

Amadeus.  Mozart Requiem "Confutatis/Lacrimosa.  Uploaded by agustigula4.  Accessed 15 April 2019.

Australia: Music from the Movie / "Fire from the Sky".  Uploaded by David Hirschfelder - Topic.  Accessed 15 April 2019.

Symphony No. 9 "Choral". Beethoven. Uploaded by BMinhauzen.  Accessed 15 April 2019.

Babe Soundtrack. "If I Had Words", one sung by Farmer Hoggett, and Babe End Music. YouTube, uploaded by balletic.  Accessed 15 April 2019. 
 
Lyrics:  
Songwriters: Jonathan Hodge / Camille Saint-Saens

"If I had words to make a day for youI'd sing you a morning golden and newI would make this day last for all timeGive you a night deep in moon shine."
 
Camille Saint-Saëns - Symphony No. 3 in C minor, Op. 78 (Adapted for Babe). YouTube, uploaded by Dart Vader The Invisible Art of Film Music. Accessed 15 April 2019. 
 
Dry Your Tears Africa - Amistad.  Uploaded by ChuckRazor. Accessed 15 April 2019.

Duel of the Fates - Cinema in Concert - 01. John Williams.  Uploaded by crsOrchester.  Accessed 15 April 2019.

Gladiator Movie Trailer. Hans Zimmer (Official Clip Movie Trailer - HD. Uploaded by movietrailer938. Accessed 15 April 2019. 

Gladiator - Now we are free.  Uploaded by NoName.  Accessed 15 April 2019.

The Lion King - I Just Can't Wait to be King. Uploaded by TLKEmmet.  Accessed 15 April 2019. 

The Lion King - The Circle of Life. Uploaded by Austin B.  Accessed 15 April 2019.

Romeo + Juliet (Prologue) 1996.  Uploaded by Marnieee.  Accessed 15 April 2019.

Romeo + Juliet OST - 15 - Mercurio's Death. Uploaded by xosoundtrackloverxo.  Accessed 15 April 2019.

Symphony No. 9 "Choral". Beethoven.  Uploaded by BMinhauzen.  Accessed 15 April 2019. 

Zadok the Priest - Westminster Abbey Choir and Choristers of the Chapel Royal. Uploaded by DrWestbury.  Accessed 15 April 2019.


Reviews of Performance

Music from the Movies: Sydney Philharmonia Choirs. Sydney Arts Guide.  Accessed 12 May 2019.  

Music from the Movies: Sydney Philharmonia Choirs. Sydney Opera House Concert Hall. May 11, 2019. Stage Whispers. Accessed 12 May 2019.

Music from the Movies (Sydney Philharmonia Choirs). Limelight Magazine. Accessed May 14, 2019. 


Video Credit:

Choristers Unite. Life: get amongst it. Accessed April 1, 2019. (This video was produced during one of our rehearsals for Music for the Movies concert.) 


Resources: 

Broadway World.  Sydney Philharmonia Choirs Presents Music from the Movies. Broadway World. Accessed 27 April 2019.

FILMINK.  Sydney Philharmonia Choirs presents Music from the Movies, Saturday May 11, Sydney Opera House Concert Hall. April 15, 2019.

Sydney Opera House. Music from the Movies. April 15, 2019.

Sydney Philharmonia Choirs Program. 11May 2019.



Sydney Philharmonia Choirs / Music from the Movies  (available at this time of Posting).  Accessed April 1, 2019.

Time Out.  Sydney Philharmonia Choirs: Music from the Movies. Accessed 27 April 2019


YouTube.  www.youtube.com.





(c) April 15, 2019.  Updated, May 14, 2019. Tel. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' Bach and Mozart: In the Imagination of their Hearts

Choral Singing / Sydney Philharmonia Choirs

Saturday 20 April at 2pm Sydney Opera House Concert Hall

Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert. Sponsored by Fine Music FM.

Sydney Philharmonia Choirs and Capella St Crucis Choristers.
Photo Courtesy: Eric Hansen.


Between the solemnity of Good Friday and the joy of resurrection on Easter Morning, Easter Saturday might be the ‘deadest day of the church calendar’, but in 2019 you can spend Saturday afternoon with the Sydney Philharmonia Choirs at the Sydney Opera House for a musical expression of faith that will lift your soul.

At the heart of the program is Johann Sebastian Bach and his brilliant Magnificat. Voices ring out – ‘My soul doth magnify the Lord!’ – and the music resounds with trumpets and drums in a spirit of festive celebration. Five soloists bring their dazzling virtuosity and expressive powers to a text that ranges between sheer elation and a profound expression of humility as Mary responds to the news that she will be the mother of Christ.





Framing the Magnificat are two works that, each in their own way, look to Bach for inspiration. The Sydney Philharmonia Choirs have commissioned a new motet for 50 voices from The Song Company’s artistic director Antony Pitts, who takes the explosive harmonies from Bach’s setting of the words ‘In the imagination of their hearts’ as his starting point. As he describes it, Bach’s moment of collective madness is frozen in a kind of anachronistic bullet time and scattered to the four winds and back to Bach.

After interval you can eavesdrop on the newly married Mozart through his work in Great Mass in C minor, embarking on a grand mass for choir and orchestra, to be performed in Salzburg when the couple make their first visit to his disapproving father. Wolfgang Mozart found fresh inspiration in the Baroque techniques of Bach and Handel, combining their complex weaving of voices with the elegance and drama of the Classical style. But he didn’t finish – no one’s entirely sure why – and so it remains ‘half a mass’, tantalising nevertheless magnificent.


The Sydney Philharmonia Choirs invited the Capella St Crucis of Hannover and its conductor Florian Lohmann to join the Sydney Philharmonia's Chamber Singers and Symphony Chorus as they continue their much-loved tradition of Easter concerts.

PROGRAM

Antony PITTS    XLX Mente cordis sui (Premiere)
     "Song of the Elders" - Revelation 5: 9-10
     "Song of theAngels" - Revelation 5:12
     "Song of All Creatures" - Revelation 5: 13-14
    
JS BACH    Magnificat in D major BWV 243
     from the Magnificat - Luke 1:51
     (in the imagination of their hearts, He hath scattered the proud ...)

WA MOZART    Great Mass in C minor KV 427


ARTISTS

Florian Lohmann conductor (Mozart)
Brett Weymark conductor (Bach, Pitts)
Sara Macliver soprano
Anna Dowsley mezzo-soprano
Nicholas Tolputt countertenor
Nicholas Jones tenor
David Greco baritone
Capella St Crucis Hannover
Chamber Singers
Symphony Chorus

Sydney Philharmonia Orchestra
Fiona Ziegler, concertmaster


(The performance will be recorded by Fine Music 102.5FM for future broadcast. Recording engineer Peter Bell)


Reviews of Performance

Bach & Mozart: In the Imagination of their Hearts. Stage Whispers. Accessed April 26, 2019.

Bach & Mozart: In the Imagination of their Hearts @ The Sydney Opera House.  Sydney Arts Guide. Accessed April 26, 2019.

Sydney Philharmonia Choirs: A dazzling Easter dip into Bach and Mozart. Reviewer: Peter McCallum. The Sydney Morning Herald. Accessed April 21, 2019.


(Personal note:  I found this concert timely, performed right on a Holy Saturday. It is compelling and meaningful. I'm not just talking about the superb repertoire, the magnificent choirs, soloists, orchestra,  and quality conducting. I'm talking about an extra depth that one experiences as an audience-member ... when I was transposed into something divine ... I have no words, I can only feel. Everything started with Antony Pitts' featured new work XLX MENTECORDIS SUI. The delightful voices of various split choirs well-positioned inside the Sydney Opera House sounded like calm ocean waves that washes away the weariness of the soul, in reflection of the Holy Week. And Bach's Magnificat! What an enthralling interpretation. How can one not be touched! And the program's finale: Mozart's Great Mass in C minor. I lie if I don't admit that the main attraction for me is this Wunderkind's Mass in C. SPC did not disappoint. Whilst listening intently to the performance came to mind the 1984 Milos Forman movie Amadeus, for in parallel with the Great Mass in C, unfinished like WAM's Requiem but considered also his greatest work. What an uplifting glorious performance! Bravo, and thank you, Sydney Philharmonia Choirs and Capella St. Crucis. / Tel)

Suggested Listening:
 
Mozart Mass in C minor K.427 Gardiner. YouTube, uploaded by vse vsad. Accessed April 1, 2019. (Monteverdi Choir. Eric Ericson. Chamber Choir. Royal Stockholm Philharmonic Orchestra. Mia Persson soprano. Ann Hallenberg mezzo-soprano. Helge Rønning tenor. Peter Mattei bass. Nobel Prize Concert 2008.)
 


Video Credit:

In Conversation: Brett Weymark, Bach, Mozart at Easter. Uploaded by Sydney Philharmonia Choirs. Accessed April 1, 2019.

Resources: 

Antony Pitts: 50 is the new 40. Limelight Magazine. Accessed April 16, 2019.

Bach & Mozart. Sydney Opera House. April 15, 2019.

Sydney Philharmonia Choirs / Bach & Mozart (available at this time of Posting).  Accessed April 1, 2019.

Sydney Philharmonia Choirs Program.



(c) April 1, 2019.  Updated, April 20, 2019. Tel. Inspired Pen Web. All rights reserved. 

Sydney Philharmonia Choirs' VOX - Wonder

Choral Singing / Sydney Philharmonia VOX

Childhood is a fleeting , fragile thing but can so easily be touched by tragedy. Elizabeth Scott conducts the eilte voices of the VOX youmg adult choir in a luminous acapella program that will make you smile and move you to tears. Two performances only in the intimate space of the Sydney Opera House Utzon Room. 

Saturday 23 March 2019, at 5pm
Sunday 24 March 2019, at 2pm




Whether you have children of your own or simply remember your own childhood, you’ll know the earnestness and the innocence, the sheer magic, the love and the sorrow. And for this concert with the VOX young adult choir, Elizabeth Scott brings together exquisite music that captures that fragility and wonder.

Anchoring the program are songs of loss: the sombre intensity of Nigel Westlake’s Requiem for his son Eli, James MacMillan’s tender prayer in memory of the children killed in the Dunblane massacre, and Eric Whitacre’s desperately sad When David Heard, dedicated to a friend who’d lost a son. This music becomes even more poignant when sung by young voices, and yet there is solace and consolation in the luminous beauty of their sound.

But there’s joy and humour too. John Rutter pays homage to the world of children with nursery rhymes and nonsense poems. And there are highlights from Martin Wesley-Smith’s witty, environmentally aware Who Killed Cock Robin, possibly the only contemporary Australian classical work that’s been known to inspire impromptu sing-alongs! And to end, music by Sting and Stevie Wonder’s song celebrating the birth of a daughter.

The themes are timeless but this is a concert for today – music by living composers to showcase the beauty and raw emotional power of voices in harmony.


PROGRAMME:

Nigel WESTLAKE  Nasce la gioia mia (My joy is born)
Karl JENKINS  And the Mother did weep
James MACMILLAN  A Child’s Prayer
John RUTTER  Five Childhood Lyrics
Martin WESLEY-SMITH  Who Stopped the Rain?
Martin WESLEY-SMITH   Highlights from Who Killed Cock Robin?
Eric WHITACRE  When David Heard
STING  Fragile (arr. Carl Crossin)
Stevie WONDER  Isn’t She Lovely (arr. The Idea of North)
Ella MACENS  Neviens Putniņš
Eriks ESENVALDS  Only in Sleep


ARTISTS:

Elizabeth Scott, conductor
Sydney Philharmonia Choirs' VOX





Reviews of Performance

Review: VOX - WONDER. Reviewer: David Barmby. Performing ArtsHub. Accessed March 30, 2019.

'Wonder' - VOX: Sydney Philharmonia Choirs @ Utzon Room Sydney Opera House.  Reviewer: Paul Nolan. Sydney Arts Guide. Accessed March 25, 2019.



Resources: 

Sydney Philharmonia Choirs / Wonder (available at this time of Posting).  Accessed March 6, 2019.

Sydney Philharmonia Choirs Repertoire Programme.

Sydney Philharmonia Choirs, VOX Young Adult Choir Presents WONDER. Broadway World. Accessed March 7, 2019.

Wonder. Arts Hub. Accessed March 15, 2019.

Wonder. Sydney Opera House (Available at the time of Posting).  Accessed March 6, 2019.



(c) Posted March 10, 2019.  Latest update, March 30, 2019. Tel. Inspired Pen Web.