CHORAL MUSIC / Sydney Philharmonia Choirs
Sydney Philharmonia Choirs presents:
DVORAK REQUIEM
Saturday, 21 September 2019, 8PM
Concert Hall, Sydney Opera House
Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert.
Sponsored by Fine Music FM.
(Note: This is the last concert of the Sydney Philharmonia Choirs' Festival Chorus at the Sydney Opera House due to the major renovation of the Concert Hall, for completion 2022.)
Experience the moving drama of Antonin Dvorak's finest choral creation. In this concert, 350-voice Festival Chorus – the philosophical heart of the Sydney Philharmonia Choirs organisation – joins forces with the talented young musicians of the Sydney Youth Orchestra and some of Australia’s finest vocal soloists under the baton of Maestro Brett Weymark, Sydney Philharmonia Choirs' Artistic and Music Director. Don’t miss this rare opportunity!
Sydney Philharmonia Choirs presents:DVORAK REQUIEM
Saturday, 21 September 2019, 8PM
Concert Hall, Sydney Opera House
Free pre-concert talk in the Northern Foyer 45 minutes prior to the concert.
Sponsored by Fine Music FM.
(Note: This is the last concert of the Sydney Philharmonia Choirs' Festival Chorus at the Sydney Opera House due to the major renovation of the Concert Hall, for completion 2022.)
Experience the moving drama of Antonin Dvorak's finest choral creation. In this concert, 350-voice Festival Chorus – the philosophical heart of the Sydney Philharmonia Choirs organisation – joins forces with the talented young musicians of the Sydney Youth Orchestra and some of Australia’s finest vocal soloists under the baton of Maestro Brett Weymark, Sydney Philharmonia Choirs' Artistic and Music Director. Don’t miss this rare opportunity!
Dvořák’s Requiem hasn’t appeared in Sydney Philharmonia Choirs
programming since the 1980s. This ‘Mass for the Dead’ is generally regarded as his
finest creation for voices and orchestra and over the course of an
hour-and-a-half it takes musicians and listeners on a deeply moving
journey of drama and reflection.
This requiem was commissioned by the Birmingham Festival in 1891, when Dvořák
was already an established composer of international repute, although
the New World Symphony and the Cello Concerto were still a few years
away. The premiere was a huge success, prompting George Bernard Shaw to
mock the English fondness for requiems: ‘the public loves everything
connected with a funeral.’ But behind the sneer is a truth. Choirs and
audiences really do love requiems – the catharsis, the drama and the
beauty of contemplation. It’s as if through the shared experience of
music, we can come to terms with the prospect of our own mortality.
Soloists:
Taryn Fiebig, Soprano
Fiona Campbell, Mezzo soprano
Andrew Goodwin, Tenor
Michael Honeyman, Baritone
Taryn Fiebig, Soprano
Fiona Campbell, Mezzo soprano
Andrew Goodwin, Tenor
Michael Honeyman, Baritone