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History of the Crossword Puzzles


The Crossword Word Puzzle



A brief history of the crossword puzzles to everyone out there who loves doing it.  I've loved doing crosswords since my high-school years although lately, Sudoku tends to compete with it nowadays. It refreshes the mind, these gentler mental exercises.


The Sound of Silence (Song)

Song / Down Memory Lane

"The Sound of Silence", originally "The Sounds of Silence," is a song by the American music duo Simon & Garfunkel (Paul Simon and Art Garfunkel). The song was written by singer-songwriter Paul Simon over a period of several months in 1963 and 1964. The duo signed a record deat with Columbia Records after a studio audition. The song was recorded in March 1964 at Columbia Studios, New York City, for inclusion on their debut album Wednesday Morning, 3 A.M..

Lyrics
Hello darkness, my old friendI've come to talk with you againBecause a vision softly creepingLeft its seeds while I was sleepingAnd the vision that was planted in my brainStill remainsWithin the sound of silence
In restless dreams, I walked aloneNarrow streets of cobblestone'Neath the halo of a street lampI turned my collar to the cold and dampWhen my eyes were stabbed by the flash of a neon lightThat split the nightAnd touched the sound of silence
And in the naked light, I sawTen thousand people, maybe morePeople talking without speakingPeople hearing without listeningPeople writing songs that voices never sharedAnd no one daredDisturb the sound of silence
"Fools" said I, "You do not knowSilence like a cancer growsHear my words that I might teach youTake my arms that I might reach you"But my words, like silent raindrops fellAnd echoed in the wells of silence
And the people bowed and prayedTo the neon god they madeAnd the sign flashed out its warningIn the words that it was formingThen the sign said, "The words on the prophets are written on the subway wallsIn tenement halls"And whispered in the sound of silence
 
Source: Musixmatch
Songwriters: Paul Simon / Effi Shoshani
The Sound of Silence lyrics © Paul Simon Music, Sony/atv Songs Llc




Video Credit:  

Simon & Garfunkel - The Sound of Silence (from The Concert in Central Park). Simon & Gaafunkel. Youtube. Accessed November 5, 2022.    

Lyrics:

The Sound of Silence  from Google search.

Resource:

The Sound of Silence.  en.wikipedia.org. 



(c) 2010. Tel. Inspired Pen Web. All rights reserved.  

John Milton

 Literature / Poet-Writer's Datebook

 

Brief biography and key works of English poet John Milton, English poet and essayist famous for the poem "Paradise Lot". 

 

John Milton was one of the greatest English poets with huge influence on English poetry. He is best known for Paradise Lost, Paradise Regained and Lycidas.   

John Milton's Life in a Nutshell

John Milton was born on December 9, 1698 in London. His father was a successful lawyer ad composer who was wealthy enough to afford a second house in the country. Milton spent six years in private study after finishing university in Cambridge, 1632. He was a Puritan, who gave up his original ambition to become a priest, instead, decided to devote his life to God as a poet. He traveled in Europe and served as Latin secretary to the Commonwealth government. In 1652 he became blind.

Milton was educated in Cambridge University and began to write poetry while he was at college. At the age of 29, he completed one of his first major works, Lycidas, regarded as perhaps the finest short poem in English. Five years later, in 1642, the English Civil War broke, as Oliver Cromwell fought to overthrow the king.  Milton stopped composing poetry and wrote political essays supprting Cromwell. In the same period Milton was slowly losing his sight.  

 

Paradise Lost and Blind Milton

The monarchy was restored in 1660. Milton retired to devote himself to poetry once again. His ambition had always been to compose an epic poem in comparison to the works of ancient writers such as Homer and Virgil. By then completely blind, he began dictating his great poem, Paradise Lost, to his wife and daughters. The work, published when he was 55, was immediately recognized as an outstanding achiement. IT tells the soty of how Satan was thrown out of Heaven and how he came to Earth to corrupt Adam and Eve. The themes of war and areligious conflict it explores constantly remind the reader of the troubled tiems Milton lived throguht.

He died at the age of 65, November 8, 1674.

 

"And all amid them stood the tree of life, High eminent, blooming ambrosial fruit Of vegetable gold; and next to life Our death the tree of knowledge grew fast by, Knowledge of good bought dear by knowing ill."  ~ John Milton, Paradise Lost, Book IV

 

Works by John Milton

"On the Morning of Christ's Nativity", 1629

"L'Allegro", c. 1631

"Il Penseroso", c. 1631

Comus, 1634

Lycidas, 1637

Areopagitica, 1644

Poems, 1645

Paradise Lost, 1667

Paradise Regained, 1671

Samson Agonistes, 1671

 

Photo Credit:

John Milton. en.wikipedia.org / public domain.

 

Resources:

Goring, Rosemary, Ed. Larousse Dictionary of Writers. New York: Larousse, 1994

McGovern, Una, Ed. Chambers Biographical Dictionary. Edinburgh: Chambers / Harrap Publishers, 2002

Ousby, Ian.  The Cambridge Guide to Literature in English. Cambridge: Cambridge University Press, 1993.

Payne, Tom. The A-Z of Great Writers. London: Carlton, 1997

 

(c) December 9, 2010. Tel. Inspired Pen Web. All rights reserved. 

Pietro Mascagni

Classical Music / Composer's Datebook: December 7

 

Pietro Mascagni is known for the lyrical “Easter Hymn” and the passionate but tragic interlude of "Intermezzo” from his opera Cavallaria Rusticana (Rustic chivalry.) The “Intermezzo” was used in the film “Raging Bull”.

 

Mascagni's Early Training

A baker’s son, Mascagni was born on December 7, 1863, in Livorno, Italy. His father wanted him to take up law so he studied music secretly. When his father found out, an uncle rescued and took him in his care. His musical ability was great that at 18 years old, the teenage Mascagni already wrote a symphony, a cantata and a mass. 

 

Mascagni's Formal Music Education

He formally studied at the Milan Conservatory where he shared lodging with Giacomo Puccini, both of them taught by composer Amilcare Ponchielli, famous for the opera La Gioconda.

 

Mascagni's Early Career

In 1884, he travelled by working as a conductor with a touring opera company, married, managed a small town school and give piano lessons.

 

Mascagni's and his Signature Opera Cavalleria Rusticana

In Rome on February 21, 1890, Mascagni was summoned to present his opera Cavalleria Rusticana. It had outstanding success winning the Sonzogno contest. Mascagni won first prize in a competition for one-act operas. The première of Cavalleria rusticana was held May 17 at the Teatro Costanzi in Rome. 

With this opera, he rose to immediate international acclaim. This one-act opera is based on a short story and a play. It is a tale of adultery, revenge and death, revolving around an Italian peasant. With Cavalleria Rusticana, the vogue for verismo (realism) was effectively established at that time.    

Below video:  Pietro Mascagni's 'Cavalleria rusticana - Intermezzo'.  Lim Kek-tjiang conducts Evergreen Symphony Orchestra. Accessed December 12, 2010.



Mascagni's Later Works

Although some numbers from L’amico Fritz and the oriental Iris have survived in the repertory, none of his succeeding operas was anything as successful as Cavalleria Rusticana. He once said: "It is a pity I wrote Cavalleria Rusticana first; I was crowned before I was king!" (Dictionary of Composers and Their Music by Eric Gilder, Sphere Reference, 1987.)  Mascagni's later works include the comedy Le maschere, the unexpectedly powerful Il piccolo Marat  and Nerone, this last testifying to his identification with fascism.  

 

Mascagni's musical legacy

Mascagni belonged to Puccini’s generation of Italian opera composers. During the last years of the 19th-century, they contributed to the movement called verismo (meaning realism), featuring stories of ordinary people rather than the traditional grand and noble themes. In a manner of a true Italian son, simple yet intense drama appealed to him. He died in Rome, 2nd of August, 1945. 

Mascagni’s Cavalleria Rusticana ensures him a place in the history of opera.

 

Operas by Pietro Mascagni

Cavalleria rusticana ('Rustic Chivalry')  1888

L'amico Fritz ('Friend Friz')  1891

Iris 1898

La maschere  1901

Il Piccolo Marat  1921

Nerone ('Nero') 1934

 

Image Credit:

Pietro Mascagni. Karadar / Public Domain 


 Resources:

Dictionary of Composers and Their Music by Eric Gilder, Sphere Reference (1987)

The Grove Concise Dictionary of Music, edited by Stanley Sadie, Macmillan Publishers (1994)

 

(c)  December 2010. Tel. Inspired Pen Web. All rights reserved.

Voltaire in the Age of Reason

Great Thinkers / Brief Biography


Voltaire was one of the leading thinkers of the 18th century's Age of Enlightenment. A philosopher, writer, deist, essayist and satirist, he is famous for Philosophical Letters and Candide. Politically and socially engaged, Voltaire was the archetypal rational humanist of the enlightenment era.  In Candide, he satirizes mankind's blind optimism, in part, a reaction to the devastating Lisbon earthquake of 1755.

Early Years

Voltaire, whose real name is Francois-Marie Arouet, (1694-1778), was born to a wealthy family on November 21 in Paris. Intended for the legal profession, he went to a college run by Jesuit priests studying law but rebelled against his family's wishes to pursue a literary career.

He was imprisoned in the Bastille for penning libelous poems, during which time he wrote tragedies and adopted the name of Voltaire. After a second spell in prison, he quit France for England to avoid more trouble, where he came under the lasting influence of the works of Locke and Newton.

Vincenzo Bellini

Classical Music / Composer's Datebook: November 3

 

Italian Opera Composer of the Romantic Period

Vincenzo Bellini's brief biography – his life, opera, and major works. He is best known for opera Norma and 'bel canto' (beautiful singing).     

 

Vincenzo Bellini is best known for his opera Norma which established him as the master of the Italian operatic bel canto style of singing, with his arias having long melodic score and dramatic tension brilliantly crafted. The story and settings take a back seat in favour of bel canto ('beautiful singing.')  

  

Early Years 

Born on November 3, 1801, in the Sicilian town of Catania, Vincenzo Bellini started piano lessons given by his father. A child prodigy, he could already play very well at five. He developed simplicity of melodic expression in his compositions. He studied at Naples Conservatory.

His first opera, Adelson e Salvini, was produced in 1825 while still a student. This attracted the attention of Domenico Barbaia, who commissioned him to write Bianca e Gernando, produced at the Teatro San Carlo. Norma and La Sonnambula (The Sleepwalker) followed in 1831. In I Puritani (The Puritans), his last work, he discovered a new boldness and vigour of orchestral effect. 

 

Later Years

Two years after he wrote Norma, he travelled to London and Paris, where he met and befriended Gioachino Rossini and Frédéric Chopin.

Like Mozart and Schubert, he also died in his thirties. His popularity after his death was enormous, but later his operas fell into neglect. Since World War II, however, singers including Maria Callas, Joan Sutherland, and Montserrat Caballe, have helped restore Bellini’s popularity particularly with his masterpiece Norma.



 

He once wrote in a letter, “Carve in your head by letter of brass: an opera must draw tears, cause horror, bring death, by means of a song.” This is exactly what his operas portray.

Bellini was appointed a Chevalier of the Légion d'honneur. He died from gastroenteritis, in Puteaux near Paris, aged 34. 

Bellini was a contemporary and rival of Gaetano Donizetti, famous for his opera L'Elisir d'amore. With Felice Romani his librettist, Bellini and Romani were the Rodgers and Hammerstein of their day. They collaborated on six operas. 

 

Suggested Listening:  

Bellini - Norma, Casta Diva / Presentat° + New Mastering (Maria Callas, Ct. record.: T.Serafin 1954). YouTube, uploaded by Classical Music / Reference Recording. Accessed November 3, 2020. 

 

 

Bellini's Major Operas

Adelson e Salvini (Adelson and Salvini)  1825

Bianca e Gernando (Bianca and Gernando)  1826

Il Pirata (The Pirate)  1827

La straniera (The Foreigner)  1829

Zaira 1829

I Capuleti e i Montecchi (The Capulets and the Montagues)  1830

La Sonnambula (The Sleepwalker)  1831

Norma, including 'The Warriors' Chorus'  1831

Beatrice di Tenda  1833

I Puritani (The Puritans)  1835

 

Suggested Bellini Recording

Opera Norma (highlights), either performed by Maria Callas or Dame Joan Sutherland in the leading role. 

 

Resource:

Sadie, Stanley, Ed. The Grove Dictionary of Music and Musicians, 2nd Edition. London: Macmillan Publishers.  2000

Note: This article is an abridged version.  I originally wrote and published a longer piece for suite101.com in October 2007. / Tel


(c) November 3, 2010. Updated November 3, 2022.  Tel. Inspired Pen Web. All rights reserved.    

Classical Music Treat for Halloween

Spooky Listening for Ghoulish Sound



Music affects moods and environment. Classical music has been greatly used in movie soundtracks for dramatic effects.

Those feeling the spirit of the Halloween, consider adding this list of thrillingly devilish classical music, scary and horrifying halloween listening thrills. Some of them may have been used in film scores, like Bach, Johann Sebastian's Toccata and Fugue in D minor, BWV 565. This is JS Bach's most famous organ piece. 
  • Bach, Johann Sebastian: Toccata and Fugue in D minor, BWV 565.This is JS Bach's most famous organ piece, considered to be the most scary organ music. Often associated with dramatic silent films, there are lots of unsettling tension in the music, from the opening motif through the pulsing rhythm of the entire piece.
  • Beethoven, Ludwig van: Ghost Piano Trio. A nickname of Beethoven's Piano Trio in D Op.70 No.1, because of the slow movement's ghostly atmosphere.
  • Chopin, Frideric: Marche funèbré. Funeral marches are slow ceremonial marches. Chopin's piece is Piano Sonata in B flat op.35. He also wrote another one in C minor.
  • Grieg, Edvard: In the Hall Of The Mountain King. It is the fourth part of a musical set written by Grieg from Peer Gynt, an orchestral suite. In the story, Peer Gynt is being chased by the gnomes after he refuses to marry the daughter of the mountain king. This music reflects the tumultuous chase, built on a single fragment that is repeated over, then grows wilder and wilder until Peer Gynt can't take it any longer.

Note: The list is longer when I first wrote it for Suite101.com. I wasn't able to copy my numerous published articles when the company closed. I'll update when info available. Tel. Oct 25, 2011.


(c) October 25, 2011.  Tel. Inspired Pen Web. 

Conductor Georg Solti

Classical Music Dateline:  October 21

Featuring Conductor Georg Solti (1912-1997)


Georg SoltiKBE, was born today October 21, in 1912.  He was a Hungarian-born British conductor, both in orchestral and operatic music. Widely regarded as one of the greatest conductors of the 20th century, Georg Solti holds the record for having received the most Grammy Awards, winning 31, including the Grammy Lifetime Achievement Award.

Link:   Georg Solti's Seven Most Watched YouTube Videos.  (www.WQXR.org)

Oscar Wilde



Irish Poet, Playwright, Novelist and Essayist

Brief biography of Oscar Wilde, a celebrated Irish poet, playwright, essayist and novelist


"You don't love someone for their looks, 
or their clothes, or for their fancy car, 
but because they sing a song only you can hear." 
~ Oscar Wilde

An Irish poet, essayist, playwright and novelist, Oscar Wilde was famous for his wit. He is best known for his novel The Picture of Dorian Gray, his fairy tale The Happy Prince and his play The Importance of Being Earnest.
 
Early Life
Oscar Fingall O'Flahertie Wills Wilde (1854-1900) was born in Dublin on October 16, the second son of a surgeon, Sir William Wilde. His mother was Lady Jane Francesca Wilde, a poet. Oscar Wilde was a natural scholar, and he did well at both university in Dublin and Oxford. With his flamboyant and charming manner and conversation, he was soon well known in London society.

Beginnings of Writing Career
In 1884 Wilde married Constance Lloyd. They had two sons, Cyril and Vyvyan. During this time Wilde worked as a journalist and it was not until he was 34 that he had literary success with The Happy Prince and Other Tales, a book of children's fables.

The Novelist
Wilde's only novel, The Picture of Dorian Gray, tells a much darker story. The central character is addicted to good living but has a dreadful secret. In the story, he remains young and handsome, but his portrait grows ugly as a result of his moral decline.

The Playwright
He wrote nine plays between the years 1879 and 1895. His most popular is the comedy of manners The Importance of Being Earnest. It is a hilarious satire that dwells on the double lives of two would-be bridegrooms. 

Wilde and Homosexuality
Whilst his professional life was at a peak, Wilde's private life was unhappy. He had been having an affair with Lord Alfred Douglas. At the time homosexuality was illegal in Britain, and Wilde was sent to prison in 1895. The Ballad of Reading Gaol, a narrative poem, records his thoughts about imprisonment.

Last Years
After his release in 1897, Wilde went to live in France under the alias Sebastian Melmoth. However, his reputation and health were ruined. He died three years later in Paris, on November 30, 1900, aged 46.

Works by Oscar Wilde
The Happy Prince and Other Tales, 1888
The Picture of Dorian Gray, Novel, 1890
Lord Arthur Savile's Crime and Other Stories, 1891
The Duchess of Padua, play, 1891
Lady Windermere's Fan, 1892
A Woman of No Importance, 1893
The Importance of Being Earnest, 1895
An Ideal Husband, 1895
Salome, 1896
The Ballad of Reading Gaol, 1898  

Photo Credit:
Oscar Wilde.   nndb / Public Domain. 

Sources:
Biographical Dictionary, edited by Una McGovern, Chambers (2002)
Dictionary of the Arts, Gramercy Books, (1994)
Dictionary of Writers, edited by Rosemary Goring, Larousse (1994)   

Note: I originally wrote this piece in full version for Suite101.com in 2008. This is a very short version. / Tel


(c) March 1, 2010. Updated October 16, 2019.  Tel. Inspired Pen Web. All rights reserved

Dame Joan Sutherland Passes Away

Tuesday October 12, 2010  

Opera legend Dame Joan Sutherland has died in Europe after a long illness.


Dame Joan Alston Sutherland OM AC DBE, died in the early hours of Monday.  She was born in Sydney on November 7, 1926.  Her family said she died peacefully in the early hours of yesterday morning at her home in Switzerland. She was 83.


She was Australia's most fabulous diva and one of the greatest sopranos of her time.  "La Stupenda," as she was dubbed, led the renaissance of Italian bel canto and French romantic operas, reviving roles of extraordinary difficulty.  She was "the voice of the century", according to the famous late Luciano Pavarotti, the great Italian tenor.

Rest in Peace, Dame Joan, our favourite Aussie opera singer. Thank you for all those brilliant performances that will remain with us.


Related Articles:

Video Credit:

Joan Sutherland's Last Song - Her Final Farewell. YouTube, uploaded by Drelnis.  Accessed October 11, 2010.  (Apology. The video is no longer available.


(c) October 11, 2010. Updated November 7, 2019. Tel. Inspired Pen Web. All rights reserved.  

Mozart Opera Bastien und Bastienne

Classical Music / Opera

Music by Wolfgang Amadeus Mozart (1756-1791)

Bastien und Bastienne was one of Mozart's earliest Singspiel ( a form of German light opera, typically with spoken dialogue, popular especially in the late 18th century), written in 1768 when he was only twelve years old. It was allegedly commissioned by Viennese physician and 'magnetist' Dr. Franz Mesmer (who himself would later be parodied in Così fan tutte) as a satire of the 'pastoral' genre then prevalent. It is not clear whether this piece was performed in Mozart's lifetime.

The opera is written in both French and German manners. Many of the melodies are French in manner, but Bastienne's first aria is true German lied. This melody is also used in Mozart's Trio in G for Piano, Violin and Violoncello, K. 564 (1788). Another purely German lied is Bastienne's aria "I feel certain of his heart". Mozart utilizes the orchestra sparingly, with the exception of the reconciliation scene.


Libretto:

In German by Friedrich Wilhelm Weiskern, Johann Heinrich Friedrich Müller  [de] and Johann Andreas Schachtner, based on Les Amours de Bastien et Bastienne by Justine Favart and Harny de Guerville. After its supposed premiere in Mesmer's garden theater (that is only corroborated by an unverified account of Nissen), it was not revived again until 1890, based on Marie Justine Benoite Favert's parody of Jean Jacques Rousseau's "Le Devin du Village."

Premiere:


Written by Mozart in 1768 when he was only 12 years old, the first known performance was on 2 October 1890 at Architektenhaus in Berlin.

Pastoral tale of 18th-century Europe. Arias, duets, one trio; recitative; dialogue.

The opening theme of Mozart's overture resembles that of the first movement of Beethoven's Symphony no. 3, Eroica (in a different key). It is unlikely that Beethoven was familiar with Mozart's youthful opera. In any case, opening a movement with an arpeggio of the tonic chord was an extremely common occurrence in the Classical period. The resemblance is likely coincidental.

Although he was very young, Mozart already had excellent vocal writing skills and a knack for parody and whimsy which would reach full flower in his later works. Bastien und Bastienne is possibly the easiest to perform of Mozart's juvenile works.

Characters:

Bastien, a shepherd  (tenor)
Bastienne,a shepherdess   (Soprano)
Colas, a magician    (bass)

One Act.  (35 minutes)

Synopsis:

Place: A pastoral village
Time: Not determined

Bastienne, a shepherdess, is in love with Bastien. She fears that her "dearest friend", Bastien, has forsaken her for another pretty face and a wealthy girl. She decides to go into the pasture to be comforted by her flock of lambs. Before she can leave, however, she runs and complains to the magician Colas, the village soothsayer. Bastienne requests the help of his magical powers to help win back her Bastien.

Colas (being a soothsayer) knows all about the problem, and comforts her with the knowledge that Bastien has not abandoned her, rather, he's merely been distracted lately by 'the lady of the manor'. His advice is to arouse Bastien's jealousy and act coldly towards him, which will make him come running back.

Bastien is heard approaching, so Bastienne hides herself. Bastien swaggers in, proclaiming how much he loves Bastienne. Colas informs him that Bastienne has a new lover. Bastien is shocked and asks the magician for help. Colas opens his book of spells and recites a nonsense aria filled with random syllables and Latin quotations. Colas declares the spell a success and that Bastienne is in love with Bastien once more. Bastienne, however, decides to keep up the game a bit longer and spurns Bastien with great vehemence. Bastien threatens suicide, which Bastienne merely shrugs off.

Finally, the two decide that they have gone far enough with theor lover's quarrel and agree to reconcile. Colas joins them as they all sing a final trio in praise of the magician.

Resources:

1. Various reference materials from my Mozart library and other classical music reference materials, including opera books of  Da Capo and Batta. / Tel

2. Wikipedia. en.wikipedia.org


(c) October 2,  2010.  Updated October 2, 2019. Tel. Inspired Pen Web. All rights reserved.

Franz Xaver Wolfgang Mozart

 Wolfgang A Mozart Family / Mozart's Son

Franz Xaver Wolfgang Mozart

Franz Xaver Wolfgang Mozart (born 26 July 1791 – died 29 July 1844), born in Vienna, also known as Wolfgang Amadeus Mozart, Jr.. He was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze and the younger of his parents' two surviving children, the elder son, Karl Thomas Mozart. Franz Xaver was born five months before his father died and he almost did not know him. He was called ‘Franz’ as his great-grandfather and his great-uncle, who died the same year of his birth but his father Wolfgang nicknamed him ‘Wowi ‘.  He studied music in Prague, and also with Hummel, Salieri and others in Vienna. Like his father, he was a prodigious child; he published a piano quintet when he was only eleven years old.  


 


Franz Xaver Wolfgang Mozart (left)
Carl Thomas Mozart (right)
 
 
 
 
 
 
 
He was a composer, pianist, conductor, and teacher of the late classical period whose musical style was of an early Romanticism, heavily influenced by his father's mature style. Franz Xaver was successful as a music teacher and there were years when he didn’t compose a single piece, so it is rather hard to compare his output (around 30 works) to his father’s over 600 works. His last opus number is around 30. His early works are heavily influenced by his father, just like Wolfgang Sr.'s early pieces were influenced by Leopold’s style. Franz Xaver Mozart's pivotal piece seems to be Piano Concerto no. 1 in C major, op. 14, which could easily be mistaken for his father’s late piano concerto KV 500 and above. The pieces Franz Xaver wrote after op. 14 gradually shift to Romanticism, seemingly looking for his own style.

Franz Xaver Mozart spent most of his years in various posts in or near Lemberg in the Ukraine. In 1838, Mozart left for Vienna and then for Salzburg, where he was appointed as the Kapellmeister of the Mozarteum. From 1841, he taught the pianist Ernst Pauer. Mozart died from stomach cancer on 29 July, 1844 in the town of Karlsbad (now Karlovy Vary) where he was buried. 

 

 

 

Like his brother, he never married and died childless. Upon death, his will was executed by Josephine de Baroni-Cavalcabò, his lover and longtime patron to whom he had dedicated his cello sonata. The shadow of his father loomed large over him even in death as evidenced by the epitaph which was etched upon his tombstone: "May the name of his father be his epitaph, as his veneration for him was the essence of his life."

 
Photo Credit: 
 
1/ The two surviving sons of Wolfgang Amadeus and Constanze Mozart: Franz Xaver Wolfgang Mozart and Karl Thomas; painting by Hans Hansen, Vienna, 1800. Wiki. Public Domain.
2/ Franz Xaver Wolfgang Mozart (1825) by Karl Gottlieb Schweikart (1772–1855). Wiki / Public Domain
3/ Grave of Mozart's son Franz Xaver Wolfgang in Karlovy Vary ( Ger. Karlsbad / Eng. Carlsbad ) in Czech republic. He wanted on his tombstone the name of his great father.
 
 
Resources: 
 
Franz Xaver Wolfgang Mozart. Wikipedia.org 
Mozart: A Life. Maynard Solomon. New York: HarperPerrenial Publishers. 1995. 
The Mozart Compendium, edited by H.C. Robbins Landon. London: Thames and Hudson Publishers. 1990. 
 
 
(c) September 2010.  Tel. Inspired Pen Web. All rights reserved. 

Carl Thomas Mozart

Wolfgang A Mozart Family / Mozart's Son 

 
Carl (or Karl) Thomas Mozart (21 September 1784 – 31 October 1858) was the second son, and the elder of the two surviving sons, of Wolfgang and Constanze Mozart. The other was Franz Xaver Wolfgang Mozart. Carl was born in Vienna. His schooling, in Prague, under Franz Xaver Niemetschek and František Xaver Dušek. He became a gifted pianist but before he finished his schooling, he left for Livorno in 1797 to begin his apprenticeship with a trading firm.

Karl Mozart planned to open a piano store in the following years, but the project failed for lack of funds. He moved to Milan in 1805 and studied music with Bonifazio Asioli, but he he gave up his studies in 1810 to become an official in the service of the Austrian financial administration and the governmental accounting department in Milan. 

He also served as official translator for Italian for the Austrian Court Chamber. He owned a house in the village of Caversaccio in Valmorea, Province of Como. He appreciated the amenities of the place and the wholesomeness of the water. 

He bequeathed the house to the town, which is stated on a plaque dedicated to him. The Town Hall keeps a copy of the will.

Karl Mozart also frequently attended events related to his father until his death in Milan in 1858. Like his brother, Franz Xaver Mozart,  he neither married nor had children, and therefore the Mozart family line died with him.  

Recommended Reading:

Wolfgang Amadeus Mozart's Son: Carl Thomas Mozart. Accessed 21 September 2017

 

Video Credit:

Karl Thomas Mozart. Wikipedia / Public Domain.

Resource:

Karl Thomas Mozart. en.wikipedia.org. Accessed 21 September 2010.  


(c) 2010. Tel. Inspired Pen Web. All rights reserved.   

Arvo Pärt (Paert)

Classical Music / Composer's Datebook: September 11

 


 

Brief biography of Estonian minimalist and avant-gard composer Arvo Pärt, famous for Cantus in Memory of Benjamin Britten, Spiegel im Spiegel and Tabula Rasa.


 

 

Arvo Pärt is considered one of the most inventive and instinctive mystical minimalist composers in the late 20th-century. His musical scores have been pervaded by bell-like sounds since the musical breakthrough to poetic expression which he calls "tintinnabular" style.

The work that brought him international attention was the six-minute poignant Cantus in Memory of Benjamin Britten for strings and bell. Pärt's music has been featured in numerous films, for example, "Fratres for Cello and Piano" was used in the soundtrack of a 2007 film "There Will Be Blood."  

 

Life of Arvo Pärt

Arvo Pärt was born on September 11, 1935, in Paide, Estonia. He is the most renowned composer in his homeland. He studied at the Tallinn Conservatory graduating in 1963 while working as a sound producer for an Estonian radio. In 1962 he won a prize for a children’s cantata Our Garden and an oratorio Stride of the World.

The continuing upheavals with soviet officials led him to emigrate with his family. Pärt lived in Vienna first, became an Austrian citizen, then later, relocated to West Berlin in 1982.   

His early works followed standard Soviet models and influenced by Dmitri Shostakovitch, but later he turned to strict serialism, and eventually to minimalism as revealed through his sacred music works.

 

Serialist Works

Among his known serialist works are Perpetuum mobile, Symphony no.2, and Pro et contra for cello and orchestra.

 

Orthodox Church Music Influence

 

In the 1970s he came into contact with the music of the Orthodox Church which affected his music technically and spiritually, for example in Symphony no.3 and the cantata Song for the Beloved, as well as the concerto grosso Tabula rasa for three violins, strings and prepared piano.

 

Minimalist Works

 

In drawing on minimalist techniques of repetition, he has also evoked the music of other composers such as Leo Janacek, Igor Stravinsky and Benjamin Britten. 

 

Some of these minimalist works are Arbos for seven instruments, If Bach had been a Bee-Keeper, two versions for harpsichord and ensemble, and 80-minute St John Passion. Pärt also wrote Te Deum for chorus and strings, Stabat Mater and Miserere.

 

Later Works

 Pari intervalli echoes J.S. Bach chorale preludes, calls on 13th-century music, and uses choral and intrumental sounds recalling ancient incantation which is ritualistic in effect. Of recent works, His music has been featured in numerous films including his famous Cantus in Memory of Benjamin Britten and  Spiegel im Spiegel, Tabula Rasa, and many more.

 

Pärt's Works

Cantus in Memory of Benjamin Britten for strings and bell, 1977, 6-minute

Perpetuum mobile, 1963

Symphony no.2, 1966

Pro et contra for cello and orchestra, 1966

Symphony no.3, 1971

Song for the Beloved, 1971, Cantata

Concerto grosso Tabula rasa for three violins, strings and prepared piano, 1977

Arbos for seven instruments, 1977

"If Bach had been a Bee-Keeper", two versions for harpsichord and ensemble, 1978, 1980

St John Passion, 1982, 80-minute

Te Deum for chorus and strings, 1984-1985

Stabat Mater, 1985

Miserere, 1989 

 

Image:

Arvo Pärt. Wikipedia Commons

 

Resources:

The Grove Concise Dictionary of Music, edited by Stanley Sadie, Macmillan Press, 1994

The Oxford Dictionary of Music, Revised Edition, edited by Michael Kennedy, OUP, 1994


 

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