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Franz Xaver Wolfgang Mozart

 Wolfgang A Mozart Family / Mozart's Son

Franz Xaver Wolfgang Mozart

Franz Xaver Wolfgang Mozart (born 26 July 1791 – died 29 July 1844), born in Vienna, also known as Wolfgang Amadeus Mozart, Jr.. He was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze and the younger of his parents' two surviving children, the elder son, Karl Thomas Mozart. Franz Xaver was born five months before his father died and he almost did not know him. He was called ‘Franz’ as his great-grandfather and his great-uncle, who died the same year of his birth but his father Wolfgang nicknamed him ‘Wowi ‘.  He studied music in Prague, and also with Hummel, Salieri and others in Vienna. Like his father, he was a prodigious child; he published a piano quintet when he was only eleven years old.  


 


Franz Xaver Wolfgang Mozart (left)
Carl Thomas Mozart (right)
 
 
 
 
 
 
 
He was a composer, pianist, conductor, and teacher of the late classical period whose musical style was of an early Romanticism, heavily influenced by his father's mature style. Franz Xaver was successful as a music teacher and there were years when he didn’t compose a single piece, so it is rather hard to compare his output (around 30 works) to his father’s over 600 works. His last opus number is around 30. His early works are heavily influenced by his father, just like Wolfgang Sr.'s early pieces were influenced by Leopold’s style. Franz Xaver Mozart's pivotal piece seems to be Piano Concerto no. 1 in C major, op. 14, which could easily be mistaken for his father’s late piano concerto KV 500 and above. The pieces Franz Xaver wrote after op. 14 gradually shift to Romanticism, seemingly looking for his own style.

Franz Xaver Mozart spent most of his years in various posts in or near Lemberg in the Ukraine. In 1838, Mozart left for Vienna and then for Salzburg, where he was appointed as the Kapellmeister of the Mozarteum. From 1841, he taught the pianist Ernst Pauer. Mozart died from stomach cancer on 29 July, 1844 in the town of Karlsbad (now Karlovy Vary) where he was buried. 

 

 

 

Like his brother, he never married and died childless. Upon death, his will was executed by Josephine de Baroni-Cavalcabò, his lover and longtime patron to whom he had dedicated his cello sonata. The shadow of his father loomed large over him even in death as evidenced by the epitaph which was etched upon his tombstone: "May the name of his father be his epitaph, as his veneration for him was the essence of his life."

 
Photo Credit: 
 
1/ The two surviving sons of Wolfgang Amadeus and Constanze Mozart: Franz Xaver Wolfgang Mozart and Karl Thomas; painting by Hans Hansen, Vienna, 1800. Wiki. Public Domain.
2/ Franz Xaver Wolfgang Mozart (1825) by Karl Gottlieb Schweikart (1772–1855). Wiki / Public Domain
3/ Grave of Mozart's son Franz Xaver Wolfgang in Karlovy Vary ( Ger. Karlsbad / Eng. Carlsbad ) in Czech republic. He wanted on his tombstone the name of his great father.
 
 
Resources: 
 
Franz Xaver Wolfgang Mozart. Wikipedia.org 
Mozart: A Life. Maynard Solomon. New York: HarperPerrenial Publishers. 1995. 
The Mozart Compendium, edited by H.C. Robbins Landon. London: Thames and Hudson Publishers. 1990. 
 
 
(c) September 2010.  Tel. Inspired Pen Web. All rights reserved. 

Carl Thomas Mozart

Wolfgang A Mozart Family / Mozart's Son 

 
Carl (or Karl) Thomas Mozart (21 September 1784 – 31 October 1858) was the second son, and the elder of the two surviving sons, of Wolfgang and Constanze Mozart. The other was Franz Xaver Wolfgang Mozart. Carl was born in Vienna. His schooling, in Prague, under Franz Xaver Niemetschek and František Xaver Dušek. He became a gifted pianist but before he finished his schooling, he left for Livorno in 1797 to begin his apprenticeship with a trading firm.

Karl Mozart planned to open a piano store in the following years, but the project failed for lack of funds. He moved to Milan in 1805 and studied music with Bonifazio Asioli, but he he gave up his studies in 1810 to become an official in the service of the Austrian financial administration and the governmental accounting department in Milan. 

He also served as official translator for Italian for the Austrian Court Chamber. He owned a house in the village of Caversaccio in Valmorea, Province of Como. He appreciated the amenities of the place and the wholesomeness of the water. 

He bequeathed the house to the town, which is stated on a plaque dedicated to him. The Town Hall keeps a copy of the will.

Karl Mozart also frequently attended events related to his father until his death in Milan in 1858. Like his brother, Franz Xaver Mozart,  he neither married nor had children, and therefore the Mozart family line died with him.  

Recommended Reading:

Wolfgang Amadeus Mozart's Son: Carl Thomas Mozart. Accessed 21 September 2017

 

Video Credit:

Karl Thomas Mozart. Wikipedia / Public Domain.

Resource:

Karl Thomas Mozart. en.wikipedia.org. Accessed 21 September 2010.  


(c) 2010. Tel. Inspired Pen Web. All rights reserved.   

Arvo Pärt (Paert)

Classical Music / Composer's Datebook: September 11

 


 

Brief biography of Estonian minimalist and avant-gard composer Arvo Pärt, famous for Cantus in Memory of Benjamin Britten, Spiegel im Spiegel and Tabula Rasa.


 

 

Arvo Pärt is considered one of the most inventive and instinctive mystical minimalist composers in the late 20th-century. His musical scores have been pervaded by bell-like sounds since the musical breakthrough to poetic expression which he calls "tintinnabular" style.

The work that brought him international attention was the six-minute poignant Cantus in Memory of Benjamin Britten for strings and bell. Pärt's music has been featured in numerous films, for example, "Fratres for Cello and Piano" was used in the soundtrack of a 2007 film "There Will Be Blood."  

 

Life of Arvo Pärt

Arvo Pärt was born on September 11, 1935, in Paide, Estonia. He is the most renowned composer in his homeland. He studied at the Tallinn Conservatory graduating in 1963 while working as a sound producer for an Estonian radio. In 1962 he won a prize for a children’s cantata Our Garden and an oratorio Stride of the World.

The continuing upheavals with soviet officials led him to emigrate with his family. Pärt lived in Vienna first, became an Austrian citizen, then later, relocated to West Berlin in 1982.   

His early works followed standard Soviet models and influenced by Dmitri Shostakovitch, but later he turned to strict serialism, and eventually to minimalism as revealed through his sacred music works.

 

Serialist Works

Among his known serialist works are Perpetuum mobile, Symphony no.2, and Pro et contra for cello and orchestra.

 

Orthodox Church Music Influence

 

In the 1970s he came into contact with the music of the Orthodox Church which affected his music technically and spiritually, for example in Symphony no.3 and the cantata Song for the Beloved, as well as the concerto grosso Tabula rasa for three violins, strings and prepared piano.

 

Minimalist Works

 

In drawing on minimalist techniques of repetition, he has also evoked the music of other composers such as Leo Janacek, Igor Stravinsky and Benjamin Britten. 

 

Some of these minimalist works are Arbos for seven instruments, If Bach had been a Bee-Keeper, two versions for harpsichord and ensemble, and 80-minute St John Passion. Pärt also wrote Te Deum for chorus and strings, Stabat Mater and Miserere.

 

Later Works

 Pari intervalli echoes J.S. Bach chorale preludes, calls on 13th-century music, and uses choral and intrumental sounds recalling ancient incantation which is ritualistic in effect. Of recent works, His music has been featured in numerous films including his famous Cantus in Memory of Benjamin Britten and  Spiegel im Spiegel, Tabula Rasa, and many more.

 

Pärt's Works

Cantus in Memory of Benjamin Britten for strings and bell, 1977, 6-minute

Perpetuum mobile, 1963

Symphony no.2, 1966

Pro et contra for cello and orchestra, 1966

Symphony no.3, 1971

Song for the Beloved, 1971, Cantata

Concerto grosso Tabula rasa for three violins, strings and prepared piano, 1977

Arbos for seven instruments, 1977

"If Bach had been a Bee-Keeper", two versions for harpsichord and ensemble, 1978, 1980

St John Passion, 1982, 80-minute

Te Deum for chorus and strings, 1984-1985

Stabat Mater, 1985

Miserere, 1989 

 

Image:

Arvo Pärt. Wikipedia Commons

 

Resources:

The Grove Concise Dictionary of Music, edited by Stanley Sadie, Macmillan Press, 1994

The Oxford Dictionary of Music, Revised Edition, edited by Michael Kennedy, OUP, 1994


 

(c) September 2010. Tel. Inspired Pen Web. All rights reserved.