INSPIRED PEN WEB: 2015

Franz Lehar Operetta The Merry Widow

Classical Music Datebook: December 30

Lehar's "The Merry Widow" premiered December 30, 1905, in Vienna, Austria.

The Merry Widow (Die lustige Witwe) is an operetta, a romantic musical comedy by Austro-Hungarian composer Franz Lehar. The librettists, Victor Leon and Leo Stein, based the story about a rich widow, Hanna Glawari, and her attempt to find a husband, on an 1861 comedy play, L'attache d'ambassade (The Ambassador's Attache) by Henri Meilhac.

It was first performed at the Theater an der Wien in Vienna on 30 December 1905 and had several very successful productions in Austria and Germany. In its English adaptation by Basil Hood, with lyrics by Adrian Ross, the show became a sensation in London in 1907 and opened a few months later on Broadway for a very successful run. Thereafter, it was played frequently in America and throughout the English speaking world.

Operetta in three acts with libretto by Viktor Léon and Leo Stein at the Semperoper Dresden.

Franz Lehár - The Merry Widow (Die lustige Witwe) "The Queen of Operattas" | Act 1

Franz Lehár - The Merry Widow (Die lustige Witwe) "The Queen of Operattas" | Act 2

Franz Lehár - The Merry Widow (Die lustige Witwe) "The Queen of Operattas" | Act 3

Gunther Emmerlich - Baron Mirko Zeta

Lydia Teuscher - Valencienne

Bo Skovhus - Count Danilo Danilovitsch

Petra-Maria Schnitzer - Anna Blawari

Jérôme Savary - stage director

Manfred Honeck - conductor

Sächsische Staatskapelle Dresden

(Note: Apology I can't embed the videos due to copyright reasons. YouTube, uploaded by EuroArtsChannel. Accessed December 30, 2022.

Bon-Bons or Crackers for Christmas

Celebrating Christmas

Christmas crackers or bon-bons are a part Christmas celebrations in the UK and Commonwealth countries such as Australia, Canada, New Zealand and South Africa. They are also popular in Ireland. A cracker consists of a cardboard tube wrapped in a brightly decorated twist of paper, making it resemble an oversized sweet-wrapper.

How it is used for Christmas is like the way it's done with a wishbone. The cracker is pulled by two people. The cracker splits unevenly. The split is accompanied by a small bang produced by the effect of friction on a chemically impregnated card strip.

Ada Lovelace

Famous Birthday: December 10

World's First Computer Programmer

Countess Ada Lovelace (1815-1852), the only legitimate daughter of the famous English poet Lord Byron, was the first computer programmer.

Born Augusta Ada Byron in Marylebone, London, on December 10, 1815, was an English writer who worked on the analytical engine of English mathematician and inventor Charles Babbage. Countess of Lovelace (Augusta Ada King) studied astronomy, mathematics, Latin and music. She later worked as a designer of arithmetical operations for calculating machines with Babbage.

Sydney Philharmonia Choirs - Handel's Messiah 2015

LIVE STREAMING of Sydney Philharmonia Choirs' Handel's Messiah, 2015

Sunday, Dec 6, 2015

Handel's greatest and most loved choral masterpiece "Messiah" is sung by 500 voices at the Sydney Opera House. Brett Weymark conducts the Sydney Philharmonia Choirs to mark the start of the festive season.

In a world first, and in collaboration with Accessible Arts and Sydney Opera House, the 2-day concert will be signed live by a choir of 18 to bring another element of meaning to this powerful piece of music. The live-streaming will be audio-described live for people who are blind or have low vision.

Friends, family, or anyone interested can tune-in and watch the performance of Sydney Philharmonia Choirs' Handel's Messiah from the comfort of homes around the world!

When: Sunday 6 December 2015, live streaming begins at 12.50pm AEDT

Access: Live Streaming, Live Captioning, Audio Description, Auslan Signing Choir
(Note: Clicking on the link, there might be a few minutes wait due to earlier setting prior 1PM actual performance. In the interval the live stream will feature a virtual tour of the Opera House.)

Video Credit:

Handel's Messiah Performed by the Sydney Philharmonia Choirs with Auslan. Streamed live on 6 December 2015. (Note: If this no longer works due to time limitation, try this link: Handel: Messiah performed in Auslan (Australian Sign Language).

Image Credit:
Keith Saunders, for Sydney Philharmonia Choirs.

Resources:

Sydney Philharmonia Choirs

Sydney Philharmonia Choirs Program.

(c) December 6, 2015. Tel. Inspired Pen Web. All rights reserved.

Of Human Bondage by W.S. Maugham

"It is an illusion that youth is happy, an illusion of those who have lost it;" ~ Maugham

W. Somerset Maugham was an English novelist, playwright and short story writer famous for his novel, Of Human Bondage. The book is said to be based on his own life. It was made into a movie and became equally popular at the time starring Leslie Howard (Gone with the Wind fame) and Bette Davis.

The book provokes. As demonstrated in his writings, faithful love has no place. And then again, it can be attributed to the writer's tormented emotional life, from his unhappy childhood and perhaps even unhappier adult existence. Maugham often wrote satire and humour, but he told his stories well that endeared him to his readers.

Maria Callas

Classical Music / Operatic Sopranos

Maria Callas, (born Cecilia Sophia Anna Kalogeropoulou). She was a New York-born Greek soprano, one of the most renowned and influential opera singers of the 20th century. Her musical and dramatic talents led to her being hailed as La Divina. Many critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini, and to the works of Verdi and Puccini, and early in her career, to the music dramas of Wagner.

Timeline:

Dec 2, 1923. Maria Callas is born in New York, U.S.A.

Sept 28, 1937. She moves back to Greece with her mother, and begins training with Madam Elvira Heldago, National Conservatory.

Sept 28, 1940. Her auditions haven't been going as well until she is asked to audition for the General Manager of the Metropolitan Opera. He offers her the leading roles in two productions of the 1946/1947 season. Maria turns down the contract.

November 1, 1940. She makes her professional stage debut in Boccaccio. (age 17)

1941. Makes her debut as Tosca, in Athens.

1947. Earns wide acclaim singing Gioconda at the Verona Arena.

January 19, 1949. I Puritani is performed in Venice shortly after, starring the Italian soprano Margherita Carosio as Elvira. One night, Maria begins sight-reading Elvira's music as Carosio falls ill. Conductor Serafin's wife hears Maria. She is offered the role of Elvira.

April 21, 1949. She marries Giovanni Battista Meneghini, a man almost 30 years her senior.

December 7, 1950. La Scala, the famous Milan theatre offers her a leading role. She opens the 1950/1951 season with I Vespri Siciliani, a success with good reviews.

July 1, 1952. She signs an exclusive recording contract with Walter Legge, EMI director.

1952 & 1956. Her early repertory includes Wagner but soon became identified with bel canto roles, singing Norma at her London (1952) and New York (1956).

December 19, 1958. Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry. (Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1). Youtube, uploaded by Warner Classics. Accessed December 19, 2015.)

Maria Callas interpreting Bellini's Norma, "Casta Diva". Act I. Orchestra of Teatro alla Scala, Milan Tullio Serafin, Conductor. Recorded in the Cinema Metropol, Milan, 1954. (Uploaded by Dennis Tschirner. Accessed December 2, 2015.)

January 1, 1942. Nazi Germany invades Greece in April 1941, under Italian occupation. This day she is asked to perform in Puccini's Tosca at the Athens Opera.

Sydney Philharmonia Performs 2015 Handel's Messiah

Handel’s greatest and most loved choral masterpiece sung by more than 400 voices at the Sydney Opera House. Brett Weymark conducts the Sydney Philharmonia Choirs for three concert events to mark the start of the festive season.

In a world first, the Sydney Philharmonia Choirs, in collaboration with Accessible Arts and Sydney Opera House, presents 2015 Handel's Messiah. The concerts will be signed live by a choir of 12 to bring another element of meaning to this powerful piece of music. Hallelujah!

Social Anthropologist, Educator and Diplomat

Claude Lévi-Strauss (1908-2009), French social anthropologist and author, was a leading exponent of structuralism and influential in social sciences and related disciplines.

He was born on November 28, 1908, in Brussels, Belgium, but grew up in Paris. He studied philosophy and law. He taught at a college in Sao Paulo, Brazil. While in Brazil, he became interested with the Amazon rainforest, encountered indigenous people, and started his research on them. He realized he wanted to be an anthropologist.

He learned everything about various indigenous groups especially about their culture and wrote about them in his books: A World on the Wane (1961) and The Savage Mind (1966).

Franz Krommer

Mozart Contemporaries: Franz Krommer

Franz Krommer (František Krommer: born 27 November 1759 – died 8 January 1831), was a Czech composer of classical music and violinist. A contemporary of Wolfgang Amadeus Mozart, his 71-year life span began half a year after the death of G. F. Handel and ended nearly four years after that of Beethoven. He died in Vienna.

His life highlights include the following: From 1773 to 1776, he studied violin and organ with his uncle, Antonín Mattias Kramár. In Turany, he became organist along with his uncle in 1777. In 1785 he was in Vienna as violinist in the orchestra of the duke of Styria (now in Simontornya in Hungary.) In 1790, he was named Maestro di Cappella at the Cathedral of Pecs, Hungary. He returned again to Vienna in 1795, becoming Maestro di Cappella for Duke Ignaz Fuchs in 1798. From 1813, until his death, Krommer succeeded Leopold Kozeluch as composer for the Imperial Court of Austria.

Krommer's output was prolific, with at least three hundred published compositions in at least 110 opus numbers including at least 9 symphonies, seventy string quartets and many others for winds and strings, with about 15 string quintets. Today, he is best known for his powerful wind ensemble music.

Video Credit:

Franz Krommer - Concerto for Two Clarinets in E-flat major, Op. 91. Youtube, uploaded by KuhlauDilfeng2. Accessed November 27, 2017

Image Credit:

KrommerFranz. En.wikipedia.org / Public Domain

Resource:

Franz Krommer. en.wikipedia.org. Accessed November 28, 2015.

(c) November 2015. Tel. Inspired Pen Web. All rights reserved.

Mendelssohn's Oratorio Elijah, Op. 70

Choral Music / Sacred Music / Oratorio

Considered his best work, at par with Haydn's The Creation

Felix Mendelssohn's oratorio Elijah, op.70: facts, the cast, brief history, and other Mendelssohn-related information.

Oratorio Elijah is considered the greatest work of Romantic composer Felix Mendelssohn Bartholdy in this genre.

Facts about Oratorio Elijah

Composer: Felix Mendelssohn Bartholdy (1809-1847), a German composer of the Romantic era, born in Hamburg, Germany.

Original Title: Elias (Elijah, at the first performance)

Original Language: German (English, at the first performance)

Text: Based on the Holy Bible passages, the story of Elijah from the Books of Kings, compiled by Mendelssohn himself. He was assisted by Julius Schubring and Karl Klingemann.

Form: Oratorio in Two Parts, a total of 42 musical numbers, with an introduction and overture .

Date of Writing: 1845-1846.

First Performance: August 26, 1846, in Birmingham. Mendelssohn conducted with the world-famous Jenny Lind in the soprano role.

(Note: Watch in YouTube to enjoy the entire oratorio playlist.)

Mendelssohn's Oratorio ELIJAH, Op. 70.

The Cast

The Widow (soprano)

The Youth (soprano)

The Angel (soprano)

Another Angel (alto)

Jezebel, the Queen, (alto)

Obadiah (tenor)

Ahab, King of Israel (tenor)

Elijah, the Prophet (bass)

Four-part mixed chorus

Orchestra: Flutes, clarinets, bassoons, oboes, horns, trumpets, trombones, timpani, strings, one bass tuba.

Enjoy for Free! City of Sydney Children's Concert and Christmas Tree Lighting

Martin Place, Thursday, Nov 26, 2015, from 6.30pm to 8.30pm.

Sydney’s interactive Christmas Tree is going to be lit by Santa and the Lord Mayor. The Children's Concert is packed with entertainment the whole family is sure to love. Prominent entertainers and performers include: MC James Tobin, Hoot and Hootabelle, Sydney Philharmonia Choirs, Sam Moran, Justine Clarke, the cast from The Sound of Music and Anthony Callea.

10 Most Unfairly Neglected Mozart Works

About Mozart Works / Article

David Threasher picks 10 works from the Salzburger’s output that he feels are unjustly underrated

No 1. Maurerische Trauermusik, K477 (1785)

No 2. Missa brevis in F major, K192 (1774)

No 3. Davide penitente, K469 (1785)

No 4. Eine kleine Gigue, K574 (1789)

No 5. Piano Duet Sonata in F, K497 (1786)

No 6. Epistle Sonata No 7, K224 (1780)

No 7. Al desio di chi t’adora, K577 (1789)

No 8. Symphony No 26 in E flat, K184 (1773)

No 9. Piano Concerto No 26 in D, ‘Coronation’, K537 (1788)

No 10. String Quintet in D, K593 (1790)

Read the interesting article (link below) for the full description of each Mozart work. To my knowledge and experience, I'd not fully say it's 'neglected' as we discuss or mention these works in our Mozart Groups.

Resource:

"Discover the 10 most unfairly neglected Mozart works." Gramophone.co.uk. Accessed November 12, 2015

Sydney Philharmonia Choirs - To Be Sung in Water

Choral Singing / Chamber Music

Sydney Philharmonia Choirs
21 November 2015, 11AM & 5PM
Sydney Opera House

Join the SPC - Chamber Singers for this intimate performance.

The Utzon Room of the Sydney Opera House is the perfect backdrop for a concert that celebrates vocal music inspired by water. As well as two world premieres by Australian composers Rosalind Page and Luke Byrne, hear the sublime vocal music of Eric Whitacre, Frederick Delius and Ralph Vaughan Williams. Be surprised by the possibilities of choral music with Stars by the lauded Latvian composer Ēriks Ešenvalds, a piece that employs water-tuned glasses for celestial effects.

Aaron Copland and Ballet Suite Appalachian Spring

Classical Music Milestone. October 30, 1944.

Aaron Copland's ballet Appalachian Spring was first staged by the Martha Graham Ballet, in Washington.

Appalachian Spring is a modern ballet composed by Aaron Copland that premiered in 1944. Its popularity has endured as an orchestral suite. The ballet, scored for a thirteen-member chamber orchestra, was created upon commission of choreographer and dancer Martha Graham with funds from the Coolidge Foundation. It premiered on Monday, October 30th, 1944, at the Library of Congress in Washington D.C., with Martha Graham dancing the lead role.

The set was designed by the Japanese American sculptor Isamu Noguchi.

For his achievement of this popular ballet suite music, composer Aaron Copland was awarded the 1945 Pulitzer Prize for Music.

Alfred Bernhard Nobel

Science Datebook / Scientists: October 21

Alfred Bernhard Nobel (21 October 1833 – 10 December 1896) was a Swedish chemist, engineer, innovator, engineer, armaments manufacturer and industrialist. Aside from being famous for Nobel Prizes, he is also best known as the inventor of dynamite.

As inventor, Nobel held 355 different patents. He invented the patent for dynamite in Great Britain in 1866 and in the U.S. in 1867. In his last will, he used his enormous fortune acquired from the manufacture of explosives and from interests in oil fields in Russia to institute the Nobel Prizes. The synthetic element nobelium was named after him. His name also survives in modern-day companies such as Dynamit Nobel and Akzo Nobel, which are descendents of the companies Nobel himself established. Nobel Prizes was first awarded in 1901.

Resource:

"Biographical Information". Nobelprize.org. 1 Nov 2011 http://www.nobelprize.org/alfred_nobel/biographical/

Image Credit:

Alfred Nobel. en.wikipedia.org / Public Domain

Noah Webster, Writer and Lexicographer

American educator, lexicographer, textbook pioneer, editor, author

Often called the "Father of American Scholarship and Education", Noah Webster was an American educator, lexicographer, textbook pioneer, English spelling reformer, editor and writer.

Noah Webster was born on October 16, 1758 in West Hartford, Connecticut. His father, Noah Sr. (1722–1813), was a descendant of Connecticut Governor John Webster; his mother Mercy (née Steele; 1727-1794) was a descendant of Governor William Bradford of Plymouth Colony.

His father was mainly a farmer though he was also deacon of the local Congregational church, captain of the town's militia, and a founder of a local book society, a precursor to the public library. After American independence, he was appointed a justice of the peace. He never attended college but valued education. His mother spent long hours teaching Noah and his siblings spelling, mathematics and music.

Ralph Vaughan Williams

Music / Composers Datebook: October 12

Brief biography of English composer Ralph Vaughan Williams, his life, influence and list of major works - symphonies, tone poems, sacred music and operas. His work is much a part of great English music began by Elgar. He is mainly famous for Fantasia on a Theme by Thomas Tallis.

Ralph Vaughan Williams is best known for his deep love of the English countryside, English history, art and literature, all expressed in his music. With his affinity in English folk music, his roots surfaced, having been the great-nephew of the naturalist Charles Darwin. He was about seven, when the latter published his treatise on evolution, The Origin of Species.

Brief Biography

Ralph Vaughan Williams was born in Down Ampney on December 12, 1872, son of a clergy, and his mother related to Darwin. When his father died, the family moved to Surrey.

Karol Szymanowski

Classical Music Datebook: October 6

Polish composer and pianist Karol Szymanowski.

Karol Maciej Korwin-Szymanowski (October 6, 1882 - March 28, 1937), was a polish composer and pianist. He was born in Tymoszówka, then part of Poland, now in present-day Ukraine. He studied music privately with his father before going to Gustav Neuhaus' Elizawetgrad School of Music from 1892, and from 1901, the State Conservatory in Warsaw, of which he was later director.

Szymanowski was influenced by the music of Richard Strauss, Max Reger, Alexander Scriabin and the impressionism of Claude Debussy and Maurice Ravel. He also drew much influence from his countryman Frédéric Chopin and Polish folk music, and like Chopin he wrote a number of mazurkas for piano (the mazurka being a Polish folk dance).

American Stacy Allison on Top of Everest - September 29

Science of Discovery and Exploration

Mount Everest Successful Climb: On Top of the World

Stacy Allison: the First American Woman to Reach Mount Everest.

Stacy Allison is famous for becoming the first American woman to reach the summit of Mount Everest, the world's highest mountain, on September 29, 1988. She has been involved in many climbing expeditions. She first began by climbing New Hampshire's Mount Washington.

Allison attempted her first major climb at age 21. Unfortunately, her climbing partner broke his ax only 200 feet from the top, forcing them to turn back.

Sydney Philharmonia Choirs' Festival Chorus - Gershwin's Of Thee I Sing

Choral Singing / Sydney Philharmonia

Dates & Venue:

Saturday 26 September 2015, 1:30pm
Sunday 27 September 2015, 1:30pm
Concert Hall, Sydney Opera House

A rare concert performance of 'Of Thee I Sing' by George Gershwin (music) and brother Ira Gershwin (lyrics). Book by George S. Kaufman and Morrie Ryskind. Presented by Sydney Philharmonia Choirs (Festival Chorus) in collaboration with Squabbalogic.

The complete 1931 Pulitzer Prize winning musical will be recreated live on stage in a special concert performance featuring four talented singer-actors, a choir of 400 and an orchestra playing the original orchestrations from 1931. Produced in collaboration with Sydney's most prolific music theatre company, Squabbalogic (The Drowsy Chaperone), this is a first for Sydney and not to be missed as words and music come together in the political satire 'Of Thee I Sing'.

Here's a sneak peek of our rehearsals for George and Ira Gershwin's Of Thee I Sing, timely for the composer's (George Gershwin) birthday. In 1932, Of Thee I Sing was the first musical to win the Pulitzer Prize for Drama.

Arvo Pärt Spiegel im Spiegel

Classical Music / Minimal Music

Spiegel im Spiegel ('Mirror in the Mirror') is a piece of music written by Arvo Pärt in 1978, just before his departure from Estonia. Simply, the piece is in the tintinnabular style of composition, wherein a melodic voice, operating over diatonac scales, and tintinnabular voice, operating within a triad on the tonic, accompany each other. It is about ten minutes long.

Arvo Pärt (pronounced: 'Arvo Pært') is born on September 11, 1935. He is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, 'tintinnabuli.' His music is in part inspired by Gregorian chant. One of his most famous works include Spiegel im Spiegel (1978).

Suggested Listening:

Spiegel im Spiegel, performed by Sally Maer (Cellist) and Sally Whitwell (Pianist). Accessed September 11, 2011

Here's another interpretation. Spiegel im Spiegel for Cello and Piano (Arvo Pärt) Youtube, uploaded by Leonhard Roczek. Accessed September 11, 2011.

Spiegel im Spiegel was originally written for a single piano and violin – though the violin has often been replaced with either a cello or a viola. The piece is an example of minimal music. It's in F major in 6/4 time, with the piano playing rising crochet triads and the second instrument playing slow F major scales, alternately rising and falling, of increasing length, which all end on the note A (the mediant of F). The piano's left hand also plays notes, synchronized with the violin (or other instrument).

In German, "Spiegel im Spiegel" can literally mean both "mirror in the mirror" as well as "mirrors in the mirror", referring to an infinity mirror, which produces an infinity of images reflected by parallel plane mirrors: the tonic triads are endlessly repeated with small variations as if reflected back and forth. The structure of melody is made by couple of phrases characterized by the alternation between ascending and descending movement with the fulcrum on the note A. This, with also the overturning of the final intervals between adjacent phrases, contribute to give the impression of a figure reflecting on a mirror and walking back and towards it.

Resources:

Arvo Pärt. en. wikipedia.org. Accessed September 11, 2015.

Spiegel im Spiegel. en.wikipedia.org. Accessed September 11, 2015.

(c) 2015-2017. Tel Asiado. Written for Inspired Pen Web. All rights reserved.

Mozart Opera Arias for Soprano

Mozart's Opera Arias for Soprano

Nr. Title scene Popularity Opera Composer Act Type Voices Lang. Roles

1Der hölle Rache

Die Zauberflöte, Mozart2.11ariasopranoGermanQueen

2Deh! vieni non tardar

Le Nozze di Figaro, Mozart4.10ariasopranoItalianSusanna

3Una donna a quindici anni

Cosi Fan Tutte, Mozart2.02ariasopranoItalianDespina

4Vedrai carino

Don Giovanni, Mozart2.07-3 ariasopranoItalianZerlina

5Un moto di gioia

Le Nozze di Figaro, Mozart2.06-2ariasopranoItalianSusanna

6O zittre nicht mein lieber Sohn

Die Zauberflöte, Mozart1.08recitative,ariasopranoGermanQueen

7Martern aller Arten

Die Entführung aus dem Serail, Mozart2.08ariasopranoGermanKonstanze

8Ruhe sanft mein holdes Leben

Zaide (Das Serail), Mozart1.03ariasopranoGermanZaide

9Porgi amor qualche ristoro

Le Nozze di Figaro, Mozart2.01ariasopranoItalianRosina

10Batti batti bel Masetto

Don Giovanni, Mozart1.22ariasopranoItalianZerlina

11Mi tradi quell'alma ingrata

Don Giovanni, Mozart2.13ariasopranoItalianElvira

12In uomini in soldati

Cosi Fan Tutte, Mozart1.24ariasopranoItalianDespina

13D'Oreste d'Aiace

Idomeneo, Mozart3.18-3 ariasopranoItalianElettra

14Ah! chi mi dice mai

Don Giovanni, Mozart1.06-1 ariasopranoItalianElvira/Leporello/Giovanni

15Dove sono i bei momenti

Le Nozze di Figaro, Mozart3.11ariasopranoItalianRosina

16Ah! fuggi il traditor!

Don Giovanni, Mozart1.14ariasopranoItalianElvira

17L'ho perduta me meschina

Le Nozze di Figaro, Mozart4.01ariasopranoItalianBarbarina

18Ach ich fühl es ist verschwunden

Die Zauberflöte, Mozart2.17ariasopranoGermanPamina

19Non piu di fiori

La Clemenza di Tito, Mozart2.21ariasopranoItalianVitellia

20Durch Zartlichkeit und Schmeicheln

Die Entführung aus dem Serail, Mozart2.02ariasopranoGermanBlonde

21Come scoglio immoto resta

Cosi Fan Tutte, Mozart1.28ariasopranoItalianFiordiligi

22Or sai chi l'onore

Don Giovanni, Mozart1.17-3 ariasopranoItalianAnna

23L'amero saro costante

Il Re Pastore, Mozart2.09ariasopranoItalianAminta

24Venite inginocchiatevi

Le Nozze di Figaro, Mozart2.06ariasopranoItalianSusanna

25Bester Jüngling

Schauspieldirektor, Mozart1.05ariasopranoGermanSilberklang

26Per pieta ben mio perdona

Cosi Fan Tutte, Mozart2.13ariasopranoItalianFiordiligi

27Welche Wonne welche Lust

Die Entführung aus dem Serail, Mozart2.11ariasopranoGermanBlonde

28Du also bist mein Brautigam

Die Zauberflöte, Mozart2.26ariasopranoGermanPamina/Three boys

29S'altro che lacrime

La Clemenza di Tito, Mozart2.19ariasopranoItalianServilia

30Non mi dir bell'idol mio

Don GiovanniMozart2.17-2 ariasopranoItalianAnna

31Tiger wetze nur die Klauen

Zaide (Das Serail)Mozart2.06ariasopranoGermanZaide

32Al destin che la minaccia

Re di Ponto Mitridate, Mozart1.04ariasopranoItalianAspasia

33Il capro e la capretta

Le Nozze di Figaro, Mozart4.03ariasopranoItalianMarcellina

34Padre germani addio

Idomeneo, Mozart1.03ariasopranoItalianIlia

35Zum Leiden bin ich auserkoren

Die Zauberflöte, Mozart1.09ariasopranoGermanQueen

36Nel grave tormento

Re di Ponto Mitridate, Mozart2.11ariasopranoItalianAspasia

37Lungi da te mio bene

Re di Ponto Mitridate, Mozart2.09ariasopranoItalianSifare

38Saepe terrent Numina

Apollo et Hyacinthus, Mozart1.05ariatreble or sopranoLatinHyacinthus

39Tutte nel cor vi sento

Idomeneo, Mozart1.09ariasopranoItalianElettra

40Se il padre perdei

Idomeneo, Mozart2.04ariasopranoItalianIlia

41Deh! se piacer mi vuoi

La Clemenza di Tito, Mozart1.05ariasopranoItalianVitellia

42Dal tuo gentil sembiante

Ascanio in Alba, Mozart2.07ariasopranoItalianFauno

43Ach ich liebte war so glücklich

Die Entführung aus dem Serail, DieMozart1.13ariasopranoGermanKonstanze

44Appena mi vedon

La Finta giardiniera, Mozart1.20ariasopranoItalianSerpetta

45Geme la tortorella

La Finta giardiniera, Mozart1.21ariasopranoItalianViolante

46Zeffiretti lusinghieri

Idomeneo, Mozart3.02ariasopranoItalianIlia

47Biancheggia in mar

Il Sogno di Scipione, Mozart1.19ariasopranoItalianCostanza

48Ah! se il crudel periglio

Lucio Silla, Mozart2.07ariasopranoItalianGiunia

49Idol mio se ritroso

Idomeneo, Mozart2.08-2 ariasopranoItalianElettra

50Parto m'affretto

Lucio Silla, Mozart2.19ariasopranoItalianGiunia

51Traurigkeit ward mir zum Lose

Die Entführung aus dem Serail, Mozart2.06ariasopranoGermanKonstanze

52Crudele? Ah! no mio bene

Don Giovanni, Mozart2.17-1 aria,recitativesopranoItalianAnna

53Don Ottavio son morta

Don Giovanni, Mozart1.17-1 recitative,ariasopranoItalianAnna/Ottavio

54Fra i pensier piu funesti

Lucio Silla, Mozart3.09ariasopranoItalianGiunia

55Dalla sponda tenebrosa

Lucio Silla, Mozart1.10ariasopranoItalianGiunia

56Soffre il mio cor

Re di Ponto Mitridate, Mozart1.06ariasopranoItalianSifare

57Senti l'eco ove t'aggiri

Finta semplice, LaMozart1.19ariasopranoItalianRosina

58Alla selva al prato

Il Re Pastore, Mozart1.04ariasopranoItalianElisa

59Lieve sono al par del vento

Il Sogno di Scipione, Mozart1.05ariasopranoItalianFortuna

60In faccia all oggetto

Re di Ponto Mitridate, Mozart1.19ariasopranoItalianIsmene

61Chi vuol godere il mondo

La Finta giardiniera, Mozart2.16ariasopranoItalianSerpetta

62Strider sento la procella

Lucio Silla, Mozart3.02ariasopranoItalianCelia

63Mein liebster Freund

Bastien und Bastienne, Mozart1.02ariasopranoGermanBastienne

64Ciglio che al sol si gira

Il Sogno di Scipione, Mozart1.07ariasopranoItalianCostanza

65Aer tranquillo e di sereni

Il Re Pastore, Mozart1.06-1 ariasopranoItalianAminta

66Pallid ombre

Re di Ponto Mitridate, Mozart3.07ariasopranoItalianAspasia

67Di tante sue procelle

Il Re Pastore, Mozart1.12ariasopranoItalianTamiri

68Da schlägt die Abschiedsstunde

Schauspieldirektor, Mozart1.03ariasopranoGermanMadame Herz

69Crudeli fermate

La Finta giardiniera, Mozart2.17aria,recitativesopranoItalianViolante

70Oh! smania

Idomeneo, Mozart3.18-2 ariasopranoItalianElettra

71Se lusinghiera speme

Lucio Silla, Mozart1.07ariasopranoItalianCelia

72Nel gran cimento

Re di Ponto Mitridate, Mozart1.12ariasopranoItalianSifare

73Vieni ov amor t'invita

Lucio Silla, Mozart1.03ariasopranoItalianCinna

74Qual tumulto nell alma

Mitridate, Re di PontoMozart1.05ariasopranoItalianSifare

75Estinto e Idomeneo

Idomeneo, Mozart1.08-3 ariasopranoItalianElettra

76Se il rigor d'ingrata sorte

Mitridate, Re di PontoMozart3.10ariasopranoItalianSifare

77Nel fortunato istante

Lucio Silla, Mozart2.09ariasopranoItalianCinna

78Ich geh jetzt auf die Weide

Bastien und Bastienne, Mozart1.03ariasopranoGermanBastienne

79L'odio nel cor

Mitridate, Re di PontoMozart1.09ariasopranoItalianArbate

80Al chiaror di que bei rai

Ascanio in Alba, Mozart1.28ariasopranoItalianVenere

81So quanto a te dispiace

Mitridate, Re di PontoMozart2.15ariasopranoItalianIsmene

82Fuor di queste urne dolenti

Lucio Silla, Mozart1.14aria,choirsopranoItalianGiunia

83Quando sugl arsi campi

Lucio Silla, Mozart2.17ariasopranoItalianCelia

84Un marito oh dio, vorrei (Serpetta)

La Finta giardiniera, Mozart1.18-1ariasopranoItalianSerpetta

85Ecco il punto

Clemenza di Tito, LaMozart2.20ariasopranoItalianVitellia

86Si ma d'un altro amore

Ascanio in Alba, Mozart1.21ariasopranoItalianSilvia

87Sono in amore

La Finta semplice, Mozart3.03ariasopranoItalianNinetta

88Infelice affetti miei

Ascanio in Alba, Mozart2.11ariasopranoItalianSilvia

89Trostlos schluchzet Philomele

Zaide (Das Serail), Mozart2.05ariasopranoGermanZaide

90Noi donne poverine

La Finta giardiniera, Mozart1.08ariasopranoItalianViolante

91Nel sen mi palpita

Re di Ponto Mitridate, Mozart1.10ariasopranoItalianAspasia

92Se il labbro timido

Lucio Silla, Mozart2.05-2ariasopranoItalianCelia

93Intendo amico rio

Il Re Pastore, Mozart1.02ariasopranoItalianAminta

94Wenn mein Bastien einst im Scherze

Bastien und Bastienne, Mozart1.05ariasopranoGermanBastienne

95Se tu di me fai dono

Il Re Pastore, Mozart2.12ariasopranoItalianTamiri

96Ah! dal pianto

La Finta giardiniera, Mozart2.18aria,recitativesopranoItalianViolante

97Meiner Liebsten schöne Wangen

Bastien und Bastienne, Mozart1.11ariasopranoGermanBastienne

98Er war mir sonst treu und ergeben

Bastien und Bastienne, Mozart1.12ariasopranoGermanBastienne

99Spiega il desio le piume

Ascanio in Alba, Mozart2.02ariasopranoItalianSilvia

100Chi mi vuol bene

La Finta semplice, Mozart1.21ariasopranoItalianNinetta

101Grossen Dank dir abzustatten

Bastien und Bastienne, Mozart1.08ariasopranoGermanBastienne

102Colla bocca e non col core

La Finta semplice, Mozart1.12ariasopranoItalianRosina

103L'ombra de rami tuoi

Ascanio in Alba, Mozart1.05ariasopranoItalianVenere

104Nacqui all'aura trionfale

Lo Sposo Deluso, Mozart1ariasopranoItalianEugenia

105Ah! perche cercar deggio

Il Sogno di Scipione, Mozart1.24ariasopranoItalianLa Licenza

106A chi serena io giro

Il Sogno di Scipione, Mozart1.17ariasopranoItalianFortuna

107Barbaro oh Dio mi veda

Il Re Pastore, Mozart2.02ariasopranoItalianElisa

108Se fosse qui nascono

Le Oca del Cairo, Mozart1.01ariasopranoItalianAuretta

109Al desio di chi t'adore

Le Nozze di Figaro, Mozart4.10-2ariasopranoItalianSusanna

110Tu sai per che m'accese

Mitridate, Re di PontoMozart3.02ariasopranoItalianIsmene

111De piu superbi il core 2

Lucio Silla, Mozart3.04ariasopranoItalianCinna

112Soavi Zeffiri soli spirate

Idomeneo, Mozart2.10-2 ariasopranoItalianElettra

113Ho sentito a dir di tutte

LA Finta semplice, Mozart2.14ariasopranoItalianRosina

114Amoretti che ascosi

La Finta semplice, Mozart2.08ariasopranoItalianRosina

115Un marito donne caro

La Finta semplice, Mozart2.02ariasopranoItalianNinetta

116Una voce sento al core

La Finta giardiniera, Mozart2.08ariasopranoItalianViolante

117Vorrei punirti in degno

La Finta giardiniera, Mozart2.02ariasopranoItalianArminda

118Si promette facilmente

La Finta giardiniera, Mozart1.13ariasopranoItalianArminda

119Welche Wechsel herrscht

Die Entführung aus dem Serail, Mozart2.05ariasopranoGermanKonstanze

120Allora rinforzo i stridi miei

Don Giovanni, Mozart1.17-2 recitative,ariasopranoItalianAnna

121Geh du sagst mir ein Fabel

Bastien und Bastienne, Mozart1.09ariasopranoGermanBastienne

122Würde ich auch wie manche Buhlerinnen

Bastien und Bastienne, Mozart1.06ariasopranoGermanBastienne

123Come e felice stato

Ascanio in Alba, Mozart1.23ariasopranoItalianSilvia

124Se il labbro piu no dice

Ascanio in Alba, Mozart1.13ariasopranoItalianFauno

Resource:

Mozart Soprano Opera Arias. Accessed April 11, 2015.

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