Two favourite arias from Handel's Messiah / J. Baker: Mezzo-soprano
Listening pleasure with the great English mezzo-soprano Dame Janet Baker interpreting some beautiful songs from Handel's immortal oratorio Messiah. Below: "O thou that tellest good tidings" and "He shall feed His flock."
Cabaret is a 1972 American musical drama film directed by Bob Fosse. Starring: Liza Minnelli, Michael York, and Joel Grey.
The film is set in Berlin during the 1931 Weimar Republic, under the presence of the growing Nazi Party. The musical numbers all take place inside the club, with one exception: "Tomorrow Belongs to Me", the only song sung
neither by Grey's character of the Kit Kat Klub's Master of Ceremonies nor by Minnelli's character of Sally Bowles.
Liza Minnelli and Joel Grey sing medley from Cabaret
Main Cast:
Liza Minnelli as Sally Bowles
Michael York as Brian Roberts
Helmut Griem as Baron Maximilian von Heune
Joel Grey as Master of Ceremonies
Fritz Wepper as Fritz Wendel
Marisa Berenson as Natalia Landauer
Brief Plot Summary:
In Berlin in 1931, American cabaret singer Sally Bowles (Liza Minnelli) who performs at the Kit Kat Club
meets British reserved academic and writer Brian Roberts (Michael York), who is finishing
his university studies. Despite Brian's confusion over his sexuality,
the pair become lovers, but the arrival of the wealthy and decadent
playboy Maximilian von Heune (Helmut Griem) complicates matters for them
both. This love triangle plays out against the rise of the Nazi party
and the collapse of the Weimar Republic.
Sally learns that she is pregnant but is unsure of the father.
Brian offers to marry her and take her back to his university life in Cambridge.
At first, they celebrate their resolution to start this new life
together, but after a picnic between Sally and Brian, in which Brian
acts distant and uninterested, Sally becomes disheartened by the vision
of herself as a bored faculty wife washing dirty diapers. Ultimately,
she has an abortion, without informing Brian in advance. When he
confronts her, she shares her fears, and the two reach an understanding.
Brian departs for England, and Sally continues her life in Berlin,
embedding herself in the Kit Kat Club.
Composer: Mozart, Wolfgang Amadeus
Opus/Catalogue Number: K.343 ; K6.336c
I-Catalogue Number: IWM 248
Key: F major (No.1) and C major (No.2)
Movements/Sections: 2 songs
O Gottes Lamm (O Lamb of God)
Als aus Ägypten (As from Egypt)
Year/Date of Composition: 1779
Language: German
Instrumentation: Voice, Piano
Hallelujah! The beloved festive treat Messiah returns to the Sydney Opera House.
Handel poured his heart and soul into this work: visitors found him
shaken by the emotional labour of composing it. Something of this power
remains in the piece – the profound sadness, the transporting joy, and
the mystery of Christ’s birth and resurrection.
Image: Handel's Messiah 2017 Billboard. Sydney Philharmonia Choirs
With its musical richness, dramatic power and spiritual intensity, there is something in Messiah for people of all faiths.
Messiah is much more than the Hallelujah chorus. The best
way to feel the music of Handel is to get inside it. Join our Christmas
Choir and perform with hundreds of choristers, plus soloists Miriam
Allan, Helen Sherman, Andrew Goodwin, David Greco and conductor
Elizabeth Scott for an unforgettable Christmas celebration.
Image: Conductor Eliizabeth Scott at the Sydney Opera House. Sydney Philharmonia Choirs.
The grandest presentation of Messiah to have ever
taken place in Australia, Sydney Philharmonia's Christmas production
brings the members of their specialist Symphony Chorus and VOX Choirs -
known for their exemplary performances alongside Sydney Symphony
Orchestra - together with the 460 choristers who have joined the
organisation's Christmas Choir, specifically to learn and perform in
this much-loved bi-annual extravaganza.
Joining the chorus for this limited season are
leading Australian soloists Miriam Allan, Helen Sherman, Andrew Goodwin
and David Greco, with instrumentation provided by the Sydney
Philharmonia Orchestra, led by Fiona Ziegler and featuring trumpet
soloist Paul Goodchild.
Acclaimed Australian conductor Elizabeth Scott will lead the delivery of this stunning program in the ultimate surrounds of the Sydney Opera House Concert Hall. The first female Australian conductor to present
Messiah on the Concert Hall stage, 43-year-old Scott says the season
marks a high point in her career, and will draw on all aspects of her
diverse experience as musician, vocalist, choir master and music
director.