Sacred Music / Brahms German Requiem
Johann Brahms' A German Requiem, to Words of the Holy Scriptures, Op. 45 (German: ''Ein deutsches Requiem, nach Worten der heiligen Schrift''), is a large-scale work for chorus, orchestra, a soprano and a baritone, composed between 1865 and 1868. The work comprises seven movements, which last about 65 to 80 minutes, considered Brahms' longest composition. A German Requiem is sacred but non-liturgical. Johannes Brahms
premiered this work on April 10, 1868, for an audience that included his lifelong friend - and fellow composer - Clara Schumann. Brahms was 34 at the time, and this would become the signature moment of his
career.
This large-scale work for choir, orchestra, and soprano and baritone soloists was composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this Brahms's longest composition. A German Requiem is sacred but non-liturgical. Unlike the long tradition of Latin requiems, A German Requiem (Ein deutsches Requiem) is, as the title indicates, in the German language.
A humanist, agnostic and religious skeptic, Johannes Brahms selected passages from the Bible and set them to music in German, his native tongue. For the composer, known for not wearing his heart on his sleeve and for keeping to himself all matters emotional, personal and spiritual, the text selections can be seen as a personal statement. And it is a profoundly moving statement, with various moods fitting the desperation and emotional spectrum of grief. But the final movement is radiant and gentle, with the words, "Blessed are the dead … they rest from their labors."
The libretto was assembled by Brahms himself. In contrast to the traditional Roman Catholic Requiem Mass which uses a standardised Latin text, this work is derived from the German Luther Bible.