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Showing posts with label Baroque Music. Show all posts
Showing posts with label Baroque Music. Show all posts

Sydney Philharmonia Choirs' Bach: Mass in B Minor

Choral Singing / Baroque Music

JS Bach's Mass in B Minor


Date: Saturday 16 April 2022, 3pm
Venue: Sydney Town Hall

 

What would be your “desert island” Bach?

At Sydney Philharmonia Choirs, they would nominate his Mass in B minor. In just under two hours, this astonishing choral work does it all. On the one hand, it’s a literal portfolio of Bach’s tremendous musical accomplishment – a virtuoso display of style and taste, from the academic to the fashionable, wonderfully varied and yet completely coherent. Easily the most impressive job application in the history of music. Bach collated many of his finest vocal and orchestral styles and examples from across his lifetime: it’s like a sublime “best-of album” from 300 years ago.  


When Bach eventually completed the Mass in B minor, he signed it “D.S.G.” – Deo Soli Gloria, the Latin term for Latin term for Glory to God alone. This music was a celebration of an ancient liturgical tradition – an ecumenical setting of the Latin Mass by a deeply devout Lutheran inspired to the glory of God alone.

It was also completely impractical: too long for use in church and calling for brilliant musicians – it’s as if every singer and instrumentalist has a solo part to play. But that’s exactly what makes it so satisfying in the concert hall. In her first concert as Associate Music Director, Dr. Elizabeth Scott will conduct the beautiful voices of SPC's Chamber Singers and young adult choir, VOX  – a precision ensemble of singers – accompanied by their own 42-piece Baroque period instrument orchestra, four of Australia's best soloists, for a virtuoso performance to do justice to Bach’s supreme musical craft and spiritual inspiration.  

PROGRAM

Deborah CHEETHAM & Matthew DOYLE Tarimi Nulay – Long time living here*
Johann Sebastian BACH
Mass in B minor, BWV 232

* Commissioned for our 100 Minutes of New Australian Music project.

This performance will run for approximately 2 hours and 10 minutes, including one 20-minute interval.

 


Dr. Elizabeth Scott, Conductor 


 

 Top: Celeste Lazarenko, soprano; Anna Dowsley, mezzo-soprano
Below: Jonathan Abernethy, tenor; Simon Lobelson, baritone.

 

ARTISTS

Elizabeth Scott conductor
Celeste Lazarenko soprano
Anna Dowsley mezzo-soprano
Jonathan Abernethy tenor
Simon Lobelson baritone
Chamber Singers
VOX
Sydney Philharmonia Baroque Orchestra


Composed over the course of 16 years, Bach's B Minor Mass is a compendium of every aspect of Bach’s genius and a profound testament of his faith.  Johann Sebastian Bach was a deeply religious man. On July 28, 1750, less than a year after completing B-minor Mass, he died in Leipzig, due to complications from treatment following eye surgery. His body in a humble oak casket was buried in a site unmarked until the mid-19th century. Mozart found revelation in Bach's work reflected in the younger composer's famous unfinished Requiem. But it was not until 1829, during Mendelssohn's revival of Bach's work, in particular, Mendelssohn’s momentous performance of the St. Matthew Passion that secured Bach’s place in history.  Bach's Mass was published in 1845, nearly 100 years after the composer's death. Complete performances followed in Europe.  Bach's B-minor Mass is a masterful combination of sublimity and profundity.

Reviews: 

Bach: Mass in B Minor (Sydney Philharmonia Choirs). Bach’s magnificent Easter offering is given it due reward by a crack team. 4.5 stars. Reviewed by Steve Moffatt.  Accessed April 19, 2022. 

Nothing minor about Sydney Philharmonic Choirs’ Bach Mass. 3.5 stars. Reviewed by Peter McCallum. Accessed April 20, 2022.l


Video Credits:



Resources:

2022 Season Together Again. Sydney Philharmonia Choirs. Artistic & Music Director Brett Weymark, OAM

Bach B Minor Mass. Sydney Philharmonia Choirs.  (Available on access, 23 March 8, 2022.)

TICKETS

Premium $112 | A $92 | B $71 | C $50
Concessions $101 | A $83| B $64 | C $45
A booking fee of $8.50 per transaction applies.

 

BOOK TICKETS HERE

COVID-19 SAFETY

  • All SPC singers, musicians and staff are double vaccinated.
  • Audiences will be required to show proof of double vaccination upon entry to the Sydney Town Hall.
  • Audiences will be required to wear masks throughout the performance. If this changes we will inform patrons as soon as possible.
  • Hand sanitiser will be available.
  • A digital program book will be available on this page a week prior to the concert. A limited number of printed program books will be available for $5 each at the concert.

DETAILS ABOUT OUR COVID SAFE PLAN





(c) March 2022.  Tel.  Inspired Pen Web.  All rights reserved.

Sydney Philharmonia Choirs - Bach in B Minor Mass

Choral Singing / Baroque Music

JS Bach's Mass in B Minor


Date: Saturday 31 March 2018, 1pm
Venue: Concert Hall, Sydney Opera House


At the pinnacle of Johann Sebastian Bach's artistry is one of his greatest choral works, the B Minor Mass. Composed over the course of 16 years, it is a compendium of every aspect of Bach’s genius and a profound testament of his faith.

This majestic performance by the  Sydney Philharmonia Choirs, with intimate solo arias and instrumental moments, marks the Easter weekend the timeless power of Bach's music.  

Johann Sebastian Bach was a deeply religious man with aesthetic convictions. On July 28, 1750, less than a year after completing B-minor Mass, he died in Leipzig, due to complications from treatment following eye surgery. His body in a humble oak casket was buried in a site unmarked until the mid-19th century. Mozart found revelation in Bach's work reflected in the younger composer's famous unfinished Requiem. But it was not until 1829, during Mendelssohn's revival of Bach's work, in particular, Mendelssohn’s momentous performance of the St. Matthew Passion that secured Bach’s place in history.

Bach's Mass was published in 1845, nearly 100 years after the composer's death. Complete performances followed in Europe.  Bach's B-minor Mass is a masterful combination of sublimity and profundity.




From the choir’s first call for God’s mercy, to its final prayer for peace, the B Minor Mass is a trove of musical riches. Weaving together moments of overwhelming majesty with intimate solo arias decorated with intricate instrumental filigree, and outbreaks of dancing joy, the Mass has everything that gives Bach’s music its timeless power.

JS BACH St. Matthew Passion

Classical Music / Sacred Music


The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, an oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). The setting is based on the Holy Bible's Gospel of St. Matthew chapters 26 and 27 (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music and pinnacle of JS Bach's musical artistic achievement.

Below is a video performed by the King's College Chapel in Cambridge, conducted by Stephen Cleobury. Rogers Covey-Crump - tenor (Evangelist), Michael George - bass (Jesus),  Emma Kirkby - soprano,  Michael Chance - alto,  Martyn Hill - tenor,  David Thomas - bass,  The Choir of King's College, Cambridge; The Choir of Jesus College, Cambridge (Soprano in ripieno); The Brandenburg Consort (Roy Goodman - leader). 

Bach - St. Matthew Passion (Cambridge, 1994). Apology. Embedding is no longer available for this video. Here's the link: Bach's St Matthew Passion. Uploaded by EuroArtsChannel. Accessed November 11, 2017.

Another video, for more listening ...  Here's the link: Bach St. Matthew Passion (Complete). Youtube, uploaded by ClassicalMusicTVHD. Accessed Nov 11, 2014  (more listening)

The St Matthew Passion is the second of two Passion settings by JS Bach that have survived, the first being the St. John Passion, first performed in 1724. Very little is about the creation process of the St Matthew Passion. The available information derives from extant early manuscripts, contemporary publications of the libretto, and circumstantial data, for instance in documents archived by the Town Council of Leipzig.  It was  probably first performed on 11 April 1727 in the St. Thomas Church and again on 15 April 1729, 30 March 1736, and 23 March 1742. Bach then revised it again between 1743 and 1746.

Trivia:  Our Sydney Philharmonia Choirs (Symphony Chorus, Chamber Singers and VOX) performed Bach's St Matthew Passion, with Brett Weymark conducting. Soloists: Robert Macfarlane (Evangelist), Christopher Richardson (Christus), Celeste Lazarenko (Soprano), Sally-Anne Russell (Mezzo Soprano), Jonathan Abernethy (Tenor) and David Greco (Baritone). An amazing statement of faith! Saturday, 15 April 2017, Concert Hall, Sydney Opera House. The last time Sydney Philharmonia Choirs performed this was 10 years ago (2007).  Here's a review from the Sydney Morning Herald: "Bach's St Matthew Passion an epic undertaking of power and energy."


Video Credit:

Bach St. Matthew Passion (King's College, Cambridge, 1994). Youtube, uploaded by EuroArtsChannel. Accessed Nov. 11, 2017. 

Bach St. Matthew Passion (Complete). Youtube, uploaded by ClassicalMusicTVHD. Accessed Nov 11, 2014  (more listening)

Resource:

St. Matthew Passion (Bach).  en.wikipedia.org.



(c) April 11, 2009. Updated September 5, 2023. Tel. Inspired Pen Web. All rights reserved. 

Something about Baroque Period


The word 'baroque' is derived from the Portuguese Barroco or "oddly shaped pearl." In general, the term applied to the ornate architecture of Germany and Austria during the 17th and 18th centuries, and borrowed to describe comparable music developments from about 1600 in particular to the deaths of J.S. Bach and F.G. Handel in mid 18th century.

Baroque music then is used to describe a particular musical style, a term originally borrowed from the style of architecture popular between 1600 and 1750. The buildings were ornate or elaborately decorated, and often flamboyant. The music of the time can be seen in this way too, that is, elaborate and heavily ornamented.

Handel Oratorio Samson

Classical Music Milestone: February 18 

George Handel's oratorio Samson premieres at London's Covent Garden


Samson is an oratorio based on a libretto by Newburgh Hamilton, who based it on Milton's Samson Agonistes, which which in turn was based on Samson in the Holy Bible's Old Testament Book of Judges.  Samson is considered one of Handel's finest dramatic works.

Below is I think a brilliant recording performed by Münchener Bach-Chor Münchener Bach-Orchester, Karl Richter conducting.  Soloists: Sheila Armstrong, Martina Arroyo, Helen Donath, Ezio Flagello, Norma Procter,  Thomas Stewart,  Alexander Young.




Here's the recording tracks: 
1. Overture 00:00
2. Chorus of Philistines: Awake the trumpet's lofty sound! 06:38
3. Air (Philistine woman): Ye men of Gaza, hither bring 08:42
4. Air (Samson): Total eclipse 12:52
5. Chorus of Israelites: Then round about the starry throne 17:23
6. Air and chorus (Micah, Israelites): Return oh Gof of hosts! 19:25
7. Duet and chorus (Dalila, Virgin, Virgins): My faith and truth, oh Samson prove 29:35
8. Air (Samson): Your charms to ruin led the way 36:37
9. Air (Harapha): Honour and arms such a foe 40:17
10. Duet (Samson, Harapha): Go, baffled coward, go 45:45
11. Chorus of Israelites: With thunder armed 48:16
12. Chorus of Israelites and Philistines: Fix'd in his everlasting seat 51:24
13. Air (Samson): Thus when the sun from's wat'ry bed 54:36
14. Air and chorus (Philistine man, Philistines): Great Dagon has subdued our foe 58:35
15. Chorus of Philistines: Hear us our God, oh hear our cry! 01:02:28
16. Dead March 01:03:52
17. Solo and chorus (Israelites): Glorious hero, may thy grave 01:06:46
18. Air (Israelites woman): Let the bright Seraphim 01:13:06
19. Chorus of Israelites: Let their celestical concerts all unite 01:16:20

 The premiere on February 18, 1743, was a great success leading to a total of seven performances in its first season, the most in a single season of any of Handel's oratorios. Samson retained its popularity throughout Handel's lifetime.  It is usually performed as an oratorio in concert form. On occasions it has also been staged as an opera.

Video Credit: 

Handel - Samson.  VSP musicale. Accessed Feb 18, 2018.  

Resource:

Handel's Oratorio Samson.  operastanford.edu (Libretto Homepage).  Accessed February 18, 2015.


© 2007. Updated February 18, 2018. Tel. Inspired Pen Web. All rights Reserved.