Choral Singing / Elgar's The Dream of Gerontius, Op.38
Based on the Victorian poem by Catholic Cardinal John Henry Newman, Sir Edward Elgar's oratorio Dream of Gerontius
(1900), has a dramatic
framework within which the music expanded orderly, a massive piece for chorus and orchestra. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory.
Venue:
Concert Hall, Sydney Opera House
Image credit: Eric Hansen
Artists:
Brett Weymark conductor
Jose Carbo baritone
Sydney Philharmonia Choirs
The Sydney Youth Orchestra
Brett Weymark conductor
Jacqueline "Jacqui" Dark mezzo soprano
Andrew Goodwin tenorJose Carbo baritone
Sydney Philharmonia Choirs
The Sydney Youth Orchestra
At the end of the music score of Sir Edward's The Dream of Gerontius, the composer wrote: “This is
the best of me.” This monumental work embodies Elgar’s spiritual and
artistic ideals – it is as stirringly Romantic and grand as you’d
expect, but it is also Elgar’s most personal utterance. Elgar poured his
“heart’s blood” into Gerontius, responding to the words with evocative,
sincere and imaginative music – imposing marches full of pomp and
circumstance, choirs of demons and angels, and celestial harmonies –
that takes us from earth to heaven. Elgar’s masterful choral writing
celebrates the beauty and power of the voice in partnership with the
orchestra.
A performance of The Dream of Gerontius is a major event for performers and audiences alike. In this case, the virtuosic young musicians of The Sydney Youth Orchestra join the massed forces of the Festival Chorus and celebrated vocalists Jacqueline Dark, Andrew Goodwin and José Carbo to contemplate a vast fresco of life and life everlasting.
A performance of The Dream of Gerontius is a major event for performers and audiences alike. In this case, the virtuosic young musicians of The Sydney Youth Orchestra join the massed forces of the Festival Chorus and celebrated vocalists Jacqueline Dark, Andrew Goodwin and José Carbo to contemplate a vast fresco of life and life everlasting.
Suggested Listening:
Elgar: The Dream of Gerontius [Barbirolli] Janet Baker, Richard Lewis, Kim Borg.
Janet Baker, mezzo-soprano (The Angel) Richard Lewis, tenor (Gerontius, Soul of Gerontius) Kim Borg, bass (The Priest, The Angel of Agony) The combined Hallé Choir and Sheffild Philharmonic Chorus (chorus master: Eric Chadwick) Ambrosian Singers (chorus master: John McCarthy) Hallé Orchestra, leader: Martin Milner Conducted by John Barbirolli 1965. (Accessed 11 September 2017)
Sir Andrew Davis Conducts The Dream of Gerontius @ St. Paul's Cathedral. A live concert from St. Paul's Cathedral, London. 1997. Introduced by James Naughtie Uploaded by Basicallybenign. (Accessed September 11, 2017).
Elgar: The Dream of Gerontius [Barbirolli] Janet Baker, Richard Lewis, Kim Borg.
Janet Baker, mezzo-soprano (The Angel) Richard Lewis, tenor (Gerontius, Soul of Gerontius) Kim Borg, bass (The Priest, The Angel of Agony) The combined Hallé Choir and Sheffild Philharmonic Chorus (chorus master: Eric Chadwick) Ambrosian Singers (chorus master: John McCarthy) Hallé Orchestra, leader: Martin Milner Conducted by John Barbirolli 1965. (Accessed 11 September 2017)
Sir Andrew Davis Conducts The Dream of Gerontius @ St. Paul's Cathedral. A live concert from St. Paul's Cathedral, London. 1997. Introduced by James Naughtie Uploaded by Basicallybenign. (Accessed September 11, 2017).
Review:
Review: The Dream of Gerontius (Sydney Philharmonia Choirs). A heavenly accounting of Elgar's oratorio. Limelight Magazine. Accessed October 28, 2017.
Review: The Dream of Gerontius (Sydney Philharmonia Choirs). A heavenly accounting of Elgar's oratorio. Limelight Magazine. Accessed October 28, 2017.
Resources:
1. Sydney Philharmonia Choirs' Program.
2. Sydney Philharmonia Choirs 2017 Season Brochure.
(c) September 2017. Tel. Inspired Pen Web. All rights reserved.
1. Sydney Philharmonia Choirs' Program.
2. Sydney Philharmonia Choirs 2017 Season Brochure.
(c) September 2017. Tel. Inspired Pen Web. All rights reserved.
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