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Tennessee Williams
Brief biography of American playwright, novelist and poet Tennessee Williams.
Victor Hugo
Literature / Writers Datebook: February 26
Brief biography and works of French writer Victor Hugo, novelist, dramatist & poet, creator of 'The Hunchback of Notre Dame' and 'Les Miserables.'
Victor Hugo was the most important of the French Romantic School of writers. He is most popular today as the author of The Hunchback of Notre Dame (1831) and Les Miserables (1862.)
Early Life
Victor Hugo, (1802-1885), French novelist, dramatist and poet, was born on February 26 in Besancon, France, the third son of a soldier in the army of the great French leader Napoleon. He was raised and educated by his mother. At the age of 14, he showed talent as a poet.
Influence and Early Works
Inspired by the example of the statesman and author Francois Rene Chateaubriand, he published poetry, plays and novels. His works showed a strong sense of social responsibility. The production of his play Hernani, a highly romantic and unconventional poetic drama, caused ripples between supporters and opponents of the new socially challenging drama at that time. Due to the controversy, Hugo established himself as leader of the French literary romanticism. His novel The Hunchback of Notre Dame, published when he was 29, made him famous.
That's Mozart to me!
Classical Music / Composers Datebook: January 27
This year 2006 is a significant milestone to Wolfgang Amadeus Mozart lovers as the musical world celebrates his 250th birthday anniversary. A lifelong Mozart enthusiast, I believe Mozart was the most comprehensively gifted musician who has ever lived. This piece is another one of my tributes to the Wunderkind.
Recently, a friend's question took me by surprise. "What's your favorite Mozart music?" She knows how I feel about Mozart, the only composer I consider "immortal." In fact, I've loved the master's music from childhood even before I knew anything more about his life. I looked at my friend, speechless. She repeated her question, while my thoughts maneuvered some answers.
"Hmm, not an easy question," I said, "I simply love his music."
"Surely you have a favourite," my friend replied, this time more persistent.
"Well," I said, "I love his Clarinet Concerto, Flute and Harp Concerto, Quartets and Quintet for clarinet and strings. Of course, I also love his symphonies mostly ones he composed in later years. And please, don't get me started with operas."
My friend stayed silent for a while before asking me about piano concertos.
"Piano concertos? I love them all. Ok, ok. I’ll name one. Piano Concerto No.21. You'll probably know this by 'Elvira Madigan', popularized by the movie of the same name. That’s the Andante movement of the concerto."
"Oh yeah? So it's Mozart's, huh?" my friend mused and added, "there was a time when I was crazy about that music after seeing the film, I even wanted it played in my elegy."
"But you know what? my all-time favourite Mozart piano concerto is actually Piano Concerto No. 20 in D minor, K. 466. It appeals to me immensely, hmm, so dramatic and impassioned."
Video: Mozart's Piano Concerto for piano and Orchestra (d-minor) K.466, performed by Dame Mitsuko Uchida with Camerata Salzburg. (YouTube, uploaded by forye. Accessed January 26, 2024.)
"Oh, I do love his symphonies. There are Nos. 40 and 41 simply called Jupiter. You can also include No. 39."
I was now unstoppable; noticed my friend turned very quiet, intently looking at me with my passionate enumeration of Mozart's music, one after the other.
"Oh, can I also add his violin concertos and sonatas? Yes, and his Requiem. By the way, it's not fair if I don't include my favourite operas, ok?"
"I'm sure you'll include Don Giovanni, Cosi Fan Tutte, and The Marriage of Figaro," my friend once again interjected.
"They're all fantastic but my top choice for opera is actually The Magic Flute." My friend didn't push the issue anymore. Made me wonder if I satisfied her very first question.
Oh, I do love and admire a lot of other composers, among them: Tchaikovsky (who openly adored Mozart as his musical god), Schubert, Beethoven, Bach, Rachmaninoff, Mendelssohn, Brahms, Mahler, and some days Liszt, Chopin, and many more. But only Mozart can fill the emptiness. Other composers are too dangerous for me. They give me turbulence (like Beethoven, sometimes) and upheaval instead of gently touching my soul. Please, I need no criteria or tonal design analysis to support Mozart's greatness. The pure delight and enjoyment that flow into my being is enough.
So much has been written of this composer. To me, he was the most comprehensively gifted musician who has ever lived. This year, two and a half centuries after his birth, millions of people throughout the world continuously play and listen to his music. While there had been other prodigies, none has approached his ability to combine a dazzling musical imagination with a total mastery of style and form, unified by his strong musical personality. He combined the perfect musical blending of the German knowledge, Italian art, and the French elegance.
Mozart belonged to the Classical period of the latter half of the 18th century. He began to play the harpsichord at the age of three and to compose at the age of five. His musical education began when he was four, along with his older sister Anna Maria. He also played both the violin and viola to soloist standard. Sadly, he died at the young age of 35.
This paramount composer never had good health, and his life was filled with difficulties. Yet, there was hardly any evidence of these in his compositions. We do not hear any raging or angry sounds in his music. His love of fun and lively disposition that enabled him to carry gracefully his cares of genius came from his mother.
To all Mozart lovers out there, what can I say about my fixation with the music of this short-lived and long-gone beloved composer, this wunderkind who wrote his music for a world so different from our own? That it makes me happy? That it touches my innermost being? That it gives me a glimpse of higher power? Yes!
Join me to a toast in remembering the 250th birthday of this Johann Chrysostomus Wolfgangus Theophilus Mozart, who gave us so much in his short-lived life of 35. To celebrate Mozart's birthday last 27th of January, I chose listening to Clarinet Concerto in A, K.622 with its ethereal perfection, one of the immortal's last works just a month before his death. I find the mood of the second movement that of profound melancholy. Finally, I honoured him with Jupiter Symphony, the culmination of his symphonic output - powerful yet gentle, elegant yet romantic, intense yet tender.
The music of Mozart brings me closer to God and nearer to beauty. I thank Mozart for his gift of music.
(c) March 24, 2010. Updated January 27, 2024. Tel Asiado. Inspired Pen Web. All rights reserved.
Paul Ehrlich
Science / Scientists' Datebook: March 14
Brief biography of Paul Ehrlich, German scientist in the
fields of immunology, chemotherapy and hematology. He introduced the word
chemotherapy, the chemical that kills cancerous cells.Famous for discovery of Salvarsan, NeoSalvarsan, and Chemotherapy.
Nobel laureate Paul Ehrlich was a German bacteriologist who worked on immunization. His search for a “magic bullet” against disease and discovery of salvarsan, a chemical effective against syphilis microbes, introduced the modern era of chemotherapy, a term Ehrlich coined.
Profile in a Nutshell
Paul Ehrlich was born in Strehlen, Upper Silesia, Germany, on March 14 1854. He received his doctorate of medicine in 1878. Four years later, he published his methods for staining the bacteria that Robert Koch had identified as being the cause of tubercolosis.
In 1890, he was 36 years old, Koch invited him to move to the newly established Insititute for Infectious Diseases in Berlin. There, he eventually became the first director of the Institute for the Control of Therapeutic Sera.
He shared the 1908 Nobel Prize for Physiology/Medicine with Ilya Ilyich Mechnikov. Ehrlich died of a second stroke while on holiday in Bad Homburg, on August 20, 1915.
Robert Koch Inspires Paul Ehrlich
In his late 20s, Ehrlich attended a lecture given by microbiologist Robert Koch. Koch was talking about the bacillus that causes tuberculosis, saying it was difficult to recognize. Inspired by Koch, Ehrlich set out to solve the problem. What was required was a stain that bound to these strange bacteria. He tried numerous different dyes but was unsuccessful at this point.
Diphtheria, Toxins and Anti-Toxins
In 1890, upon Koch’s invitation he joined the Institute for Infectious Diseases in Berlin. Working with Emil Behring, he turned his attention to diphtheria. His tests showed that the disease was not caused by the diphtheria bacteria, but by chemicals released from the bacteria. These toxins destroyed blood cells and consequently killed the infected animal.
Further observation showed that not all animals died. Some were immune, and Behring realized that they were producing a chemical that could neutralize the bacterial toxin – they were in fact, making an anti-toxin. More important, Ehrlich found ways of isolating the anti-toxin and using it to treat people affected by diphtheria.
Thinking about the way toxins work, Ehrlich came up with the idea that part of the toxin molecule locks on to cell walls in the host, while another part of the molecule causes the damage. He suggested that if the cell survived the attack, it would produce more receptors (or antibodies) and let them fall off into the blood stream. The toxin would then bind to these free-floating antibodies, and consequently not be able to bind to any cell.
Dyes and Magic Bullets
In 1896, Ehrlich focused in his search for the “magic bullet.” His theory was that if the body could produce antibodies that neutralized toxins there must be a way of making chemicals artificially that would have a similar effect.
Ehrlich and his Japanese assistant, Kiyoshi Shiga, found that one particular red dye was capable of destroying these parasites in the laboratory, and this proved that the concept of finding killer chemicals was viable.
Salvarsan as Syphilis Cure
His next target was the bug that causes syphilis, a spirochete. At the time he was working to develop a series of compounds that incorporated arsenic, and he started testing them one by one. The first 605 didn’t have any effect, but compound 606 did. After performing numerous experiments to make sure that the chemical really did kill the syphilis bug but didn’t harm humans, he announced the new wonder drug, calling it “Salvarsan.” The drug worked, but was difficult to manufacture, so he started looking for another.
Compound 914 proved a winner. It was not as potent but was much easier to make, he named it “Neosalvarsan” and launched it on the market. His search for “magic bullets” had led to the era of chemotherapy – the chemical designed to cure cancerous cells.
Contribution of Dr. Paul Ehrlich
In the late 1800s, diseases such as cholera, typhoid, tuberculosis, and diphtheria were prevalent. Dr. Paul Ehrlich sought ways how to combat these diseases. He was convinced that he could find “magic bullet” chemicals that would fill the bacteria without harming the person infected.
After finding the chemicals that could treat syphilis and sleeping sickness, Ehrlich successfully worked out the concept of fighting malignant diseases with chemicals he coined as “chemotherapy,” in particular, designed to cure the cells of cancer.
Photo Credit:
Paul Ehrlich. Wikipedia Commons / Public Domain
Resources:
Farndon, John, et al. The Great Scientists. Capella / Arcturus, 2005
Moore, Pete. E=MC²: The Great Ideas That Shaped Our World. London: Quintet Publishing, 2002
Paul Ehrlich. en.wikipedia.org.
(c) March 2010. Updated March 10, 2024. Tel Asiado. Inspired Pen Web. All rights reserved.
Edward Albee
Literature / Writers Datebook: March 12
Brief biography and works of American dramatist Edward Albee, famous for Who's Afraid of Virginia Woolf?
Edward Albee is best known for his association with the movement of the 1950s and early 1960s, known as the theater of the absurd. Aside from Who's Afraid of Virginia Woolf?, his other famous plays are The American Dream, The Zoo Story and The Sandbox.
Early Life of Edward Albee
Born in Washington, D.C. on March 12, 1928, Albee was abandoned as a baby by his parents and adopted by a wealthy couple who owned a theatre chain. Despite the lavish environment he grew up with, he was unhappy. He attended Trinity College in Hartford, Connecticut for a year.
Aged 20, Albee left home and settled in Greenwich Village, New York City. He took on various jobs. During this time, he also began to meet other authors, including Thornton Wilder and W.H. Auden. It was Wilder who suggested that he try his hand at plays.
The Playwright
Albee wrote his first play, The Zoo Story, when he was 30. He wrote it for just three weeks. The play failed to attract attention in New York, however, Albee's roommate sent a copy of it to a friend in Europe, where it had its premiere in 1959.
Who's Afraid of Virginia Woolf?
Albee's first full-length three-act play was Who's Afraid of Virginia Woolf?, produced when Albee was 34. Claimed to be his greatest success, it won him international fame and several awards. Like many Albee's plays, Who's Afraid of Virginia Woolf? centers on family relationships, in particular, the complex relationship between a history professor and his wife. The famous author Virginia Woolf has nothing to do with the play.
Honors and Awards
Among other honours, Albee has won three Pulitzer Prizes – for A Delicate Balance in 1967, Seascape in 1975 and Three Tall Women in 1994.
Major Works by Edward Albee
The Zoo Story, 1959
The Sandbox, 1959
The American Dream, 1960
The Death of Bessie Smith, 1960
Who's Afraid of Virginia Woolf?, 1962
The Ballad of the Sad Café, 1963, adapted from Carson McCullers novela
Tiny Alice, 1964
Malcolm, 1965, adapted from James Purdy's novel
A Delicate Balance, 1966
Breakfast at Tiffany's 1966
Box-Mao-Box, 1968
Seascape, 1975
The Lady from Dubuque, 1977-1979
Lolita, 1981, adapted from the novel by Vladimir Nabokov
The Man Who Had Three Arms, 1981
Marriage Play, 1986-1987
Three Tall Women, 1994
The Play About the Baby, 1996
The Goat or Who is Sylvia?, 2002
Peter & Jerry, 2004
Photo Credit:
Edward Albee. Wikipedia Commons / Public Domain. Photographed by Carl Van Vechten, 1961.
Resources:
American Academy of Achievement.
Biographical Dictionary, edited by Una McGovern, Edinburgh: Chambers, Harrap Publishers, 2002
Larousse Dictionary of Writers, edited by Rosemary Goring. New York: Larousse, 1994
Edward Albee. en.wikipedia.org
(c) March 2009. Updated March 12, 2024. Inspired Pen Web. All rights reserved.